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    Theater Review

    Theatre Three's Little Shop of Horrors blooms with sci-fi camp

    Lindsey Wilson
    Oct 13, 2021 | 4:45 pm

    If you got really into plants during the pandemic, now's the time to go make sure that none of them are actually bloodthirsty aliens in disguise.

    Consider this an urgent reminder from Theatre Three, which is currently staging Howard Ashman and Alan Menkin's campy horror musical Little Shop of Horrors au natural at Samuell-Grand Amphitheater.

    Perhaps you grew up watching the 1986 Rick Moranis/Ellen Greene film on VHS, or maybe this is your first run-in with Audrey II — no matter. Director Joel Ferrell and his wonderfully diverse cast ensure that all audience members have so much fun visiting Skid Row that they feel comfortable enough to shout, "Don't do it, girl!" at pivotal moments.

    This sense of polished relaxation infuses the entire production, which is staged on Shakespeare Dallas' Romeo & Juliet set with modifications designed by Jeffrey Schmidt. The production also makes excellent use of Aaron Johansen's creepy lighting design and Natalie Rose Mabry's tattered and tacky (that's a compliment) costumes.

    The cast is having fun, and it shows. Lee Walter is an inspired choice as Audrey, the shop girl with terrible taste in men. They ground the show with Alajeandro Saucedo as the sweet and meek Seymour, a "lucky" schmuck who happens on a strange and interesting new plant species during a random total eclipse, whom he names for his crush.

    The flytrap-looking plant begins to bring Seymour good fortune, propping up the grimy flower shop he toils away at and prompting admiring glances from Audrey, his dream girl.

    But of course there is a price, and that price is blood. Human blood, specifically, and when Seymour becomes too anemic to feed the plant himself he gets tangled up in murder as a means to keep his lucky streak alive.

    At first, opportunities present themselves almost too easily. First down the hatch is Audrey's odious boyfriend, a maniacal dentist played with slick sadism by Parker Gray. The always-impressive Gray makes several cameos throughout the show, each more hilarious and unique than the last.

    But when the evil plant chows down on Seymour's boss and adoptive father, Mr. Mushnik (Bob Reed), the morals start a-rumblin'.

    All of this is commented upon in harmony by a street-wise Greek chorus of Nikka Morton, Cherish Robinson, and Audra Scott, who wow with vocals as strong as their improv choices.

    Also to be vocally commended is Rodney M. Morris, the velvet tongue behind Audrey II, who is controlled at ever-growing sizes by puppeteer Ben Stegmair.

    Music director Cody Dry, who wowed with his talent and versatility in Theatre Three's The Music Man, here leads an onstage band that's equal parts punk, rock, and game-for-anything inclusion in the action.

    At a swift two hours (including intermission), the production delivers all the vicious vibes an audience could want around Halloween. Just remember: don't feed the plants.

    ---

    Theatre Three's production of Little Shop of Horrors runs at Samuell-Grand Amphitheater through October 31.

    Lee Walter plays Audrey.

    Lee Walter in Little Shop of Horrors at Theatre Three
    Photo by Jeffrey Schmidt
    Lee Walter plays Audrey.
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    Opera News

    Dallas Opera's new season stages dramatic debuts and beloved encores

    Alex Bentley
    Feb 24, 2026 | 1:30 pm
    The Elixir of Love at Santa Fe Opera
    Photo by Curtis Brown Photography
    The 2026-27 season for The Dallas Opera will include a new version of The Elixir of Love.

    The 2026-2027 season for The Dallas Opera will feature four mainstage productions, two family operas, and a trio of annual events, with all productions taking place as usual at Winspear Opera House.

    One production —Janáček’s The Cunning Little Vixen — will be completely new to Dallas audiences, as it is making its North American premiere with the company.

    The other three mainstage productions — Donizetti’s The Elixir of Love, Puccini’s Turandot, and Wagner’s Lohengrin — will be making encore appearances, although at least two will differ from their original productions.

    The season will start with The Elixir of Love, which will be performed four times between October 9 and 17, 2026. The colorful production, now set in post-World War II Italy, is about a hopeless romantic who swoons for the town’s school teacher.

    Performers, each of which are making their Dallas Opera debuts, will include British Iranian coloratura soprano Soraya Mafi, 2022 Operalia winner Anthony León, legendary Italian baritone Alessandro Corbelli, 2025 Operalia winner Mihai Damian, and 2025 TDO Lone Star Vocal Competition winner Kayla Nanto.

    Next up is the North American debut of Janáček’s The Cunning Little Vixen, running October 30-November 7. It's the story of a young fox, which is trapped as a cub, going on to make a dramatic escape in search of what a wild animal’s life should be.

    Conducted by Mrs. Eugene McDermott Music Director Emmanuel Villaume, the bold and glitzy production will star Estonian soprano Mirjam Mesak (making her U.S. debut), American baritone Zachary Nelson, Hungarian American mezzo-soprano Shannon Keegan, and American contralto Lindsay Ammann.

    The 2027 portion of the season will begin with Puccini’s unfinished work Turandot, running February 12-20. To win the hand of Princess Turandot, a suitor must solve three riddles; failure to do so means death.

    Conducted by Villaume, this production features a new ending with music by Grammy Award winner and video game composer Christopher Tin (known for the Civilization IV game) and a libretto from Succession writer Susan Soon He Stanton.

    Italian soprano Anna Pirozzi and Venezuelan tenor Jorge Puerta, both celebrated for their renditions of this opera, make their Dallas Opera debuts as Turandot and Calaf, respectively.

    Wrapping up the season will be Wagner’s Lohengrin, running March 5-13. Accused of her brother’s murder, Elsa prays for a way to prove her innocence. In answer, a knight in shining armor appears, ready to save her. He asks one thing in return: never ask his name.

    Director Louis Désiré returns to lead this premiere production, which will be conducted by Villaume. It will star Pavarotti d’Oro winner Saimir Pirgu, American soprano Lise Lindstrom, and bass Peixin Chen, among others.

    "The 2026/2027 Season spans the breadth of what opera has to offer the world," said Mrs. Eugene McDermott Music Director Emmanuel Villaume in a statement.

    Additionally, The Dallas Opera will feature two family operas: The Bremen Town Musicians, with performances on October 17, 2026 and February 21, 2027, and The Little Prince, with performances on November 8, 2026 and February 13, 2027.

    Other annual events include:

    • The Linda and Mitch Hart Institute for Women Conductors Showcase Concert, featuring women who have participated in the Dallas Opera's longtime program (January 30, 2027)
    • The Robert E. and Jean Ann Titus Family Recital, featuring German soprano Christiane Karg and pianist Andrew von Oeyen (January 31, 2027)
    • The Phyllis A. and Thomas H. McCasland, Jr. Lone Star Vocal Competition, featuring rising opera stars from around Texas (March 12, 2027)

    Subscription renewals and new subscription packages for the 2026/2027 season are now on sale, with packages starting at $98 for all four mainstage operas. Family operas and annual events will be available as add-ons before single tickets go on sale in summer 2026.

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