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    Theater Review

    Theatre Three's Little Shop of Horrors blooms with sci-fi camp

    Lindsey Wilson
    Oct 13, 2021 | 4:45 pm

    If you got really into plants during the pandemic, now's the time to go make sure that none of them are actually bloodthirsty aliens in disguise.

    Consider this an urgent reminder from Theatre Three, which is currently staging Howard Ashman and Alan Menkin's campy horror musical Little Shop of Horrors au natural at Samuell-Grand Amphitheater.

    Perhaps you grew up watching the 1986 Rick Moranis/Ellen Greene film on VHS, or maybe this is your first run-in with Audrey II — no matter. Director Joel Ferrell and his wonderfully diverse cast ensure that all audience members have so much fun visiting Skid Row that they feel comfortable enough to shout, "Don't do it, girl!" at pivotal moments.

    This sense of polished relaxation infuses the entire production, which is staged on Shakespeare Dallas' Romeo & Juliet set with modifications designed by Jeffrey Schmidt. The production also makes excellent use of Aaron Johansen's creepy lighting design and Natalie Rose Mabry's tattered and tacky (that's a compliment) costumes.

    The cast is having fun, and it shows. Lee Walter is an inspired choice as Audrey, the shop girl with terrible taste in men. They ground the show with Alajeandro Saucedo as the sweet and meek Seymour, a "lucky" schmuck who happens on a strange and interesting new plant species during a random total eclipse, whom he names for his crush.

    The flytrap-looking plant begins to bring Seymour good fortune, propping up the grimy flower shop he toils away at and prompting admiring glances from Audrey, his dream girl.

    But of course there is a price, and that price is blood. Human blood, specifically, and when Seymour becomes too anemic to feed the plant himself he gets tangled up in murder as a means to keep his lucky streak alive.

    At first, opportunities present themselves almost too easily. First down the hatch is Audrey's odious boyfriend, a maniacal dentist played with slick sadism by Parker Gray. The always-impressive Gray makes several cameos throughout the show, each more hilarious and unique than the last.

    But when the evil plant chows down on Seymour's boss and adoptive father, Mr. Mushnik (Bob Reed), the morals start a-rumblin'.

    All of this is commented upon in harmony by a street-wise Greek chorus of Nikka Morton, Cherish Robinson, and Audra Scott, who wow with vocals as strong as their improv choices.

    Also to be vocally commended is Rodney M. Morris, the velvet tongue behind Audrey II, who is controlled at ever-growing sizes by puppeteer Ben Stegmair.

    Music director Cody Dry, who wowed with his talent and versatility in Theatre Three's The Music Man, here leads an onstage band that's equal parts punk, rock, and game-for-anything inclusion in the action.

    At a swift two hours (including intermission), the production delivers all the vicious vibes an audience could want around Halloween. Just remember: don't feed the plants.

    ---

    Theatre Three's production of Little Shop of Horrorsruns at Samuell-Grand Amphitheater through October 31.

    Lee Walter plays Audrey.

    Lee Walter in Little Shop of Horrors at Theatre Three
      
    Photo by Jeffrey Schmidt
    Lee Walter plays Audrey.
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    Ballet news

    Texas Ballet Theater executive director leaving for new gig in Northeast

    Stephanie Allmon Merry
    May 19, 2025 | 2:38 pm
    Vanessa Logan, Texas Ballet Theater
    Photo courtesy of Texas Ballet Theater
    Vanessa Logan joined Texas Ballet Theater in 2016.

    Vanessa Logan, who has served as Texas Ballet Theater executive director since 2016, is leaving TBT for a new role in the Northeast, the company says. Her final day with TBT will be June 30, 2025.

    The move will allow Logan to be closer to her family, the organization says. Her new position has not yet been announced.

    "While we will greatly miss Vanessa and her leadership at TBT, we support her decision to do what is best for her and her family and wish her well in her new pursuit," says TBT board of governors chair Anne T. Bass in a May 19 release. "Throughout her tenure at TBT, Vanessa has demonstrated the highest level of professionalism. It has been a delight to have worked closely with Vanessa over the last nine years, and I am most grateful for her unstinting efforts that have advanced TBT in so many respects."

    Logan joined North Texas' largest ballet company before the 2016-17 season; she previously had worked at the American Repertory Ballet in New Jersey and Boston Ballet.

    "Being part of TBT has been an immensely enriching and transformative experience. Partnering with Artistic Director Tim O’Keefe, working alongside such talented artists, and collaborating with a dedicated administrative and school staff has been a true privilege," Logan says in the release. "I am also deeply grateful for the unwavering support of our committed Board Chair and the Board of Governors, whose vision and leadership have been instrumental. Contributing to productions that bring beauty and artistry to our audiences and nurturing ballet education for countless children in Dallas-Fort Worth has been incredibly rewarding."

    During her tenure with TBT, Logan helped the company navigate through the challenges of the COVID-19 pandemic of 2020 followed by a catastrophic winter storm of 2021; she helped smooth the transition of artistic director from Ben Stevenson to Tim O'Keefe in 2023; and she oversaw new school facilities in Richardson and Dallas. TBT has also begun a 65,000-square-foot renovation of its Fort Worth facility to support future growth.

    "Vanessa’s support and partnership during the transition was phenomenal. I cannot imagine another leader better equipped to guide TBT seamlessly through such a transformational change," O’Keefe says. "Her steadfastness instilled confidence and built trust with staff, students and subscribers as she ensured that we held true to TBT’s mission of honoring classical ballet while embracing a new chapter of artistic evolution."

    TBT’s Board of Governors will immediately start searching for Logan’s successor and will quickly name an interim executive director to oversee operations until a permanent leader is in place, they say.

    Texas Ballet Theater, which is a resident company of both Winspear Opera House in Dallas and Bass Performance Hall in Fort Worth, just closed its 2024-25 season with O'Keefe's all-new staging of the beloved ballet Giselle.

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