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    Welcome to the Rock

    Come From Away musical lands back in North Texas with hometown talent

    Lindsey Wilson
    Oct 15, 2021 | 11:45 am

    In March 2020, the national tour of Come From Away had just opened its run at the Music Hall at Fair Park as part of the Dallas Summer Musicals season.

    The musical by Irene Sankoff and David Hein uses an ensemble cast to tell the stories of those whose planes were diverted to the tiny town of Gander, Newfoundland, on 9/11, and the residents who opened their homes and hearts to the 7,000 displaced passengers.

    Almost overnight, performances ceased as the coronavirus became a global pandemic, shutting down not just theatrical shows but schools, jobs, and life as we knew it for at least the next 18 months.

    "We went from this group in a theater talking about kindness and generosity and doing things together, to trying to be as separate as possible," says actor Chamblee Ferguson, who portrays the characters of Nick, Doug, and others. "But the optimist in me wants to glean what positive I can, so at least we were all in it together."

    Ferguson, who spent 23 seasons as part of the Dallas Theater Center's Brierley Resident Acting Company before getting cast in this show, is one of two performers with Dallas-Fort Worth ties (Julie Johnson plays Beulah and others, and has herself been a frequent face in DTC productions).

    Now the national tour of Come From Away is soaring again, having resumed performances in Memphis at the start of October and landing at Fort Worth's Bass Performance Hall, October 19-24.

    "The word that comes to mind is healing," Ferguson says on a phone call from the show's stop in Tulsa. "Especially after all the trauma that we’ve gone through: to say these words, tell these stories, and sing these songs — it's emotional."

    Ferguson says it was surreal to suddenly not be working for so long — something he says he's never experienced in his long and varied career — and that the cast was a bit apprehensive when they learned they would only have a week of rehearsals before reopening the show.

    "We all went 'A week? How?'" he says. "But we underestimated how deeply imbedded this story is in our bones."

    One of the flights redirected to Gander on that fateful day was headed from Paris to Dallas-Fort Worth. It was piloted by Captain Beverly Bass, the first female captain of an American Airlines plane, and who happens to still be a resident of DFW.

    Ferguson says that he and the cast have met not only Bass but the majority of the people who inspired the show's characters, several times.

    "Nick and I text back and forth and send messages," he says, referring to the British man who ended up meeting his American wife, Diane, during the stopover in Gander. "He and Diane were in Memphis for the tour's opening, and my family and I were able to have breakfast and dinner with them."

    Performing Arts Fort Worth is actually seeking passengers who were on AA flight 49, and is inviting them to tell their stories and attend the show and a VIP reception on opening night, October 19.

    If that's you, contact the Consulate General of Canada by calling 214-922-9806, emailing ccs.scc@international.gc.ca, or via private message on Facebook.com/CanCGDallas or Twitter at @CanCGDallas.

    Though Ferguson himself has not been able to visit Gander yet, he says the residents have made it very clear that the show's cast and crew are welcome anytime.

    "They've said they want to open their homes, cook us meals, show us around," he says. "Yes, they're really just as warm and welcoming as they seem in the show!"

    But in the meantime, Ferguson is excited to be back in Fort Worth (the show will visit Dallas Summer Musicals again March 8-20, 2022). The thing he's looking forward to the most?

    "Besides visiting friends, I'm very excited to have some barbecue," he says.

    ---

    Come From Away runs at Bass Performance Hall October 19-24.

    The national tour cast (Ferguson is in the back row wearing a letterman jacket).

    Come From Away national tour
    Photo by Matthew Murphy
    The national tour cast (Ferguson is in the back row wearing a letterman jacket).
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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