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    Theater Review

    Remarkable Dallas cast channels Johnny Cash for toe-tapping show

    Lindsey Wilson
    Oct 17, 2016 | 5:27 pm

    Don't go into Ring of Fire: The Music of Johnny Cash expecting to see the Man in Black's life story. Oh, he's in there (most often portrayed by the rumble-voiced Brian Mathis), though never referred to by name, but the lives we follow instead are those of symbolic Americans who are toughing it out in hardscrabble Depression-era America.

    It's not until halfway through act one of this jukebox musical revue that the setting changes from cotton fields to recording studios and the Grand Ole Opry, and June Carter (Katrina Kratzer) croons with a young Cash (now played by Spencer Baker). But you won't mind the wobbly plot because the five singer-musicians in WaterTower Theatre's toe-tapping production don't leave you any time to consider it. They're too busy playing their guitars, harmonicas, basses, and fiddles into the ground during 38 of Cash's biggest hits.

    Director B.J. Cleveland and music director Sonny Franks — who is part of the onstage quintet — have assembled a remarkably talented local cast, some of whom we knew were musical threats but also a few who come as a pleasant surprise.

    Like Kratzer, for instance. She's been a longtime fixture in the orchestra pits, playing violin and fiddle better than anyone in Dallas-Fort Worth. She recently began to float onto the stage in productions like Dallas Theater Center's A Christmas Carol (where most of the actors now double up with instruments) and Theatre Three's A Civil War Christmas (which also featured onstage musical accompaniment).

    But here Kratzer is not just a fiddling ornament. She sings to the rafters as the only female in the group, sounding particularly sweet on the tunes "I Still Miss Someone" and "Jackson." And thanks to Amanda J. Capshaw's costume design and June Carter-inspired wig, she looks great too.

    Mathis is another discovery, not for his thunder-deep voice — which DFW has been enjoying for years — but for his guitar skills. He's joined by Ian Ferguson (who was part of the onstage band in WaterTower's most recent production, One Man, Two Guvnors), who gets his moment with the melancholy "Sunday Morning Coming Down," and Baker, who's relatively new to the area but plays a mean harmonica.

    All together, these five run through Cash's song catalog at breakneck speed, giving what's essentially a tribute concert with a great backdrop (Bradley Gray's simple set lets Leann Burns' colorful lighting dominate). It's not a deep night of serious theater, nor is it a particularly revelatory concept from creators Richard Maltby Jr. and William Meade (who thankfully retooled the show after its lukewarm Broadway debut a decade ago). It's instead a showcase for local talent, and sometimes that's just fine.

    ---

    WaterTower Theatre's production of Ring of Fire: The Music of Johnny Cash runs through October 30.

    The cast of Ring of Fire: The Music of Johnny Cash at WaterTower Theatre.

    Ring of Fire cast at WaterTower Theatre
      
    Photo by Karen Almond
    The cast of Ring of Fire: The Music of Johnny Cash at WaterTower Theatre.
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    Budget Cuts

    Funding cuts force Dallas Children's Theater to trim 2025-26 season

    Lindsey Wilson
    Jun 3, 2025 | 1:38 pm
    Dallas Children's Theater presents James and the Giant Peach
    Photo courtesy of Dallas Children's Theater
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    The upcoming 2025-26 season for Dallas Children's Theater is shrinking, according to a new communication from its leadership.

    A June 2 email signed by executive director Samantha Turner, board president Leah Mora, and recently appointed artistic director Emily Ernst informs supporters that due to "the significant financial challenges of the current environment," DCT will be reducing the upcoming season from five mainstage shows to three.

    The email doesn't specifically call out the government's cuts to arts funding, but it is heavily implied, especially since other theaters have recently experienced financial difficulties due to the federal cuts.

    "We remain deeply committed to artistic excellence and to the 90,000 young people and families we serve annually," reads the email. "Though we will have fewer performances, we will continue to provide meaningful theatrical experiences that inspire children, nurture their imagination, and encourage connection with the world around them."

    The 2025-26 will retain the previously announced world premiere of The Pigeon Gets a Big Time Holiday Extravaganza! (November 22-December 21, 2025), as well as The Very Hungry Caterpillar Show (January 24-February 22, 2026) and Moon Mouse: A Space Odyssey (March 27-29, 2026), and add a new developmental workshop envisioned by Ernst.

    The Musical Adventures of Flat Stanley and Jungalbook will no longer be produced, and ticket-holders will be receiving instructions on ticket options.

    DCT Academy classes, a vital part of the theater’s work, will continue through the summer, concluding August 8. After that, Academy sessions will be temporarily paused. Families enrolled for the fall semester will receive a separate email with next steps.

    "Although our performances are well attended and our community support is strong, ticket sales cover only a small portion of the true cost of producing theater," the email explains. "At the same time, our operating costs have steadily increased while funding levels have remained flat. This financial pressure requires immediate action to keep DCT viable — not just for this season, but for the years ahead."

    Tickets for the 2025-26 season are on sale now.

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