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    Movie Review

    Borat Subsequent Moviefilm reflects 2020 as well as any news coverage

    Alex Bentley
    Oct 23, 2020 | 10:50 am
    Borat Subsequent Moviefilm reflects 2020 as well as any news coverage
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    When the original Borat film came out in 2006, the United States that the fictional reporter from Kazakhstan encountered was much different than the one that exists today. At that time, just five years removed from 9/11, a satirical skewering of American customs and beliefs still had the capacity to shock despite the rise of jingoism.

    Now, on the eve of a hugely consequential election, comes Borat Subsequent Moviefilm, a movie that may go down in history as one of the most accurate reflections of the United States in 2020. Borat (Sacha Baron Cohen) once again travels to America, this time not to report on “the greatest country in the world” but to deliver a present to Vice President Mike Pence.

    And thus sets in motion another wild trip into the outrageous and outrageously brave comedy mind of Cohen. When the original gift, a monkey, meets an unsavory end at the hands of Borat’s daughter (Maria Bakalova), Borat pivots to offer her up instead. The two travel all over the country, including a stop at the 2019 State Fair of Texas, to properly prepare her for her big moment.

    The film is guaranteed to offend, whether you know what’s coming or not, as Borat holds contemptible views on everything from women to Jewish people. Of course, the point in having the character spout his bigotry is to expose the casual way in which those opinions are accepted, such as when a bakery owner has no issue with putting “Jews will not replace us” as a message on a cake.

    Viewers may find themselves watching the film through their fingers at the multiple awkward situations. Targets include a Christian anti-abortion doctor, a debutante ball, and, naturally, Trump supporters. The biggest moment in the film comes when they somehow get Rudy Giuliani to sit down for an interview, leading to a scene that will unfortunately be seared on the brains of all viewers for weeks to come.

    Scenes are edited in such a way to maximize the cluelessness or bigotry of the unwitting participants, so it’s never clear if they’re in on the joke or not. The presence of a cameraperson would seem to be a big clue that something is amiss, but many times people seem to forget they’re being recorded.

    And then there’s the 2020 of it all. Somehow, Cohen didn’t let a pandemic stop him from forging ahead in his mission, and it pays off in an extended stay with two Trump supporters in the state of Washington. The men perfectly epitomize the degree to which conspiracy theories have infected right-wing politics, and a rally they attend with Borat — without a mask in sight — is as good a time capsule of this year as any news coverage.

    Borat Subsequent Moviefilm (subtitled Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan) may not have the bite of the original, but that’s merely because the times we live in are almost impossible to satirize. But Cohen still knows how to wring comedy out of almost any situation, making for another hilariously cringeworthy experience.

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    Borat Subsequent Moviefilm is streaming exclusively on Amazon Prime Video.

    Sacha Baron Cohen in Borat Subsequent Moviefilm.

    Sacha Baron Cohen in Borat Subsequent Moviefilm
    Photo courtesy of Amazon Studios
    Sacha Baron Cohen in Borat Subsequent Moviefilm.
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    news/entertainment

    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

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    Oh. What. Fun. is now streaming on Prime Video.

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