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    Actor Spotlight

    Avant-garde Dallas actor divulges unique process and dream role

    Lindsey Wilson
    Oct 26, 2016 | 12:00 pm

    It would be pigeonholing to describe Justin Locklear as an artist-in-residence at Ochre House Theater. He is, but he's also a visual artist and a producer and conceptual artist with Danielle Georgiou Dance Group (DGDG). He also has popped up onstage and behind the scenes at theaters across Dallas.

    But his work at Ochre House — as playwright, actor, costumer, musician, puppet designer, and more — is what people associate him with the most. Locklear's keeping his Ochre streak going as Nikola Tesla with the Expo Park company's next original work, Dreaming Electric.

    Before the show opens on October 29 (it runs through November 19), Locklear took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Justin Locklear

    Role in Dreaming Electric: Nikola Tesla, scientist and inventor

    Previous work in the DFW area: Ochre House Theater, Shakespeare Dallas, WaterTower Theatre, Cara Mia Theatre Co., Undermain Theatre, Second Thought Theatre, Dead White Zombies

    Hometown: Decatur, Georgia

    Where you currently reside: White Rock Lake, in the water.

    First theater role: The Turtle in a skit about the Turtle and the Hare, in vacation bible school.

    First stage show you ever saw: No clue. Probably something at Georgia Shakespeare Festival.

    Moment you decided to pursue a career in theater: I was walking through the park one day, and I saw a bright flash of light. "Be an actor!" was somehow spoken to me, without words, and I saw an image of myself standing on a stage. And then, like, I got some fro-yo.

    Most challenging role you’ve played: Probably the Turtle.

    Special skills: Unsolicited anecdotes, shoulder massage, puns.

    Something you’re REALLY bad at: Listening to people eat.

    Current pop culture obsession: Mindless, unyielding human conflict.

    Last book you read: I was reading Illuminations, a collection of essays by Walter Benjamin, and then, like, stopped. But I liked it. It was cool.

    Favorite movie(s): The Imposters, Big Night

    Favorite musician(s): Eryka Badu, Ligeti, Stefan Gonzalez, Trey Pendergrass, BlackTaffy

    Favorite song: "My Guitar Wants to Kill Your Mama" by Frank Zappa

    Dream role: Krapp in Krapp's Last Tape by Samuell Beckett

    Favorite stageworks: Mean and Dreams of Slaughtered Sheep by Matthew Posey; Einstein on the Beach and Shakespeare’s Sonnets by Robert Wilson and the Berliner Ensemble; Cafe Müller by Pina Bausch; Mother Courage and Her Children and How Much Is Your Iron? by Bertolt Brecht; Krapp’s Last Tape by Samuel Beckett; La Veillee des Abysses by James Thiérée

    Favorite actors/actresses: Stanley Tucci

    Favorite food: Oreos

    Must-see TV show(s): Oxymoron, but I suppose I can recommend Psych for fans of Encyclopedia Brown, bad jokes, and '80s references.

    Something most people don’t know about you: I’m taller than I think I am.

    Place in the world you’d most like to visit: Surprise me, I’m down.

    Pre-show warm-up: Depending on the project: yoga, walking around in a state of irrationally stubborn concern, tongue twisters.

    Favorite part about your current role: Tesla was an actual genius, and it’s fascinating to investigate how a genius lives his truth — what his internal life looks like.

    Most challenging part about your current project: Getting to discover a new play in a matter of weeks is always the most challenging yet life-giving aspects of working at the Ochre House. It’s fun, it’s educational, it’s risky, it’s barreling headfirst down a hill of inspiration with an audience waiting at the bottom.

    Most embarrassing onstage mishap: Random C-word out of nowhere. Just a bad moment for a breath.

    Career you’d have if you weren’t in theater: Park ranger

    Favorite post-show spot: The Couch. It’s super exclusive.

    Favorite thing about Dallas-Forth Worth: The art and the people, not necessarily in that order.

    Most memorable theater moment: Getting stabbed? Or yeah, casual sodomy with confetti cannons.

    Locklear and Jenny Ledel in The Droll at Undermain Theatre.

    Undermain Theatre presents The Droll
    Photo by Katherine Owens
    Locklear and Jenny Ledel in The Droll at Undermain Theatre.
    qatheaterinterview
    news/arts

    Balloon News

    Global art exhibit Balloon Museum bounces immersively into Dallas

    Teresa Gubbins
    Oct 23, 2025 | 1:14 pm
    Balloon Museum
    Balloon Museum
    Balloon Museum

    A new museum tour featuring huge airy installations — also known as balloons — is coming to Dallas: Called Let’s Fly – Art Has No Limits, it's a multisensory exhibition from an entity called the Balloon Museum, and it will touch down at Dallas' South Side Studios at 2901 Botham Jean Blvd. on Saturday, November 22, where it will reside until April 16, 2026.

    Created by Italy-based Lux Entertainment, Let’s Fly will feature huge artworks spanning more than 65,000 square feet. Rooted in the concepts of flight, freedom, and lightness, the exhibition explores air as both a physical element and a symbol of movement and limitless travel.

    According to a release, Lux Entertainment specializes in traveling as well as site-specific exhibitions that combine monumental artworks, engaging environments, and live performances. In June 2024, an Italian investor SIMEST (CDP Group) pledged $5.8 million to expand Lux into the U.S., spawning the creation of the first permanent Balloon Museum overseas.

    Their mission is to transform entertainment into a personal journey, where the audience is not a spectator but a protagonist via innovative formats such as Balloon Museum, This is Wonderland, Christmas World, and Color Hotel.

    Balloon Museum was founded in Rome in 2021 as a pioneering art space dedicated to showcasing inflatable and air-based contemporary installations that merge creativity, technology, and sensory exploration. They have four main exhibitions: Pop Air, EmotionAir, Let’s Fly, and Euphoяia, which have toured across three continents.

    Let's Fly previously stopped in Austin and, simultaneous to Dallas, it will also stop in Houston, as well.

    The dozens of artists featured in each exhibit vary from city to city; Dallas' Let’s Fly – Art Has No Limits stop will include:

    • “Squeezed In,” an installation inhabited by oversized characters, by Lucas Zanotto
    • “Her Joy,” a mirrored sphere that breathes and reflects light like a resonating body, by Alex Schweder
    • “Crazy Love for Polygons" explores geometric forms, by Cyril Lancelin
    • “Balloon Tree,” uniting nature and artifice, by Myeongbeom Kim
    • “Lava Lamp,” a 44-meter psychedelic and breath-like installation inspired by the iconic 1963 lamp, by Michael Shaw
    • “BB,” using hundreds of balloons to explore symmetry and reflection, by Tadao Cern

    One notable piece is Christopher Schardt's “Mariposa”, a 26-foot butterfly sculpture with 39,000 LEDs, which was first presented at Burning Man 2023.

    Dallas seems to have a child-like rapture for big bouncy round things — from the Yayoi Kusama pumpkins at the Dallas Museum of Art to Bubble Planet, the immersive experience with larger-than-life bubbles which makes its debut at Grapevine Mills on October 23.

    “With its world-class arts scene and bold, design-driven landscape, Dallas offers the perfect backdrop for Balloon Museum’s “Let’s Fly,” says Lux Entertainment founder Roberto Fantauzzi in a statement. “We’re proud to bring an exhibition that reflects the city’s scale and spirit — dynamic, creative, and constantly in motion, always reaching for what’s next.”

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