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    Van Goghing, Going, Gone

    Fort Worth's Bass family auctions $120 million collection of masterpiece art

    Stephanie Allmon Merry
    Nov 3, 2017 | 10:34 am

    Fort Worth's billionaire Bass family is selling a private collection of 36 art masterworks valued at more than $120 million.

    The collection of philanthropists Perry R. and Nancy Lee Bass will be auctioned through Christie's in New York on November 13 and 15. The lot includes works by some of the greatest artists in history, including Vincent Van Gogh, Henri Matisse, Camille Pisarro, Pierre-Auguste Renoir, Marc Chagall, and Mark Rothko.

    Several of the works hung in the Kimbell Art Museum as part of a major exhibition in 2015; the museum recently returned the Bass-owned works to the family.

    "Quietly assembled over 40 years and comprising the best of Impressionist, Modern and Post-War art, the collection is led by five museum-quality masterworks," says Max Carter, Christie's New York-based head of Department of Impressionist and Modern Art in a release.

    Leading the collection is Van Gogh’s Laboureur dans un champ, which Carter calls "the finest landscape by the artist to appear at auction in years." The 1889 oil on canvas is significant for several reasons, including that it marked the first time Van Gogh handled his brushes after being removed from his studio by the doctors at an asylum following a devastating psychological episode. Christie's is not releasing an estimated value of the work.

    Carter notes that other museum-quality pieces in the collection include:

    • Kees van Dongen’s Portrait de Madame Malpel, "among the artist’s most celebrated and widely reproduced paintings" (estimate: $7 million-$10 million).
    • Henri Matisse’s "marvel of Mediterranean light," Les régates de Nice (estimate: $12 million-$18 million).
    • Joan Miró’s "monumental" Peinture, "one of 18 pivotal Collage Paintings, more than 10 of which hang in major museums" (estimate: $18 million-$25 million).
    • Mark Rothko’s "luminous, high-keyed" Untitled, from 1969 (estimate: $10 million-$15 million).

    The Basses were drawn to Impressionism, Fauvism, Surrealism, and Abstract Expressionism — above all, to strong and expressive color, auction organizers say.

    “A collection born with enthusiasm,” said son Sid Bass in a release, “became a lifetime of pleasure and joy.”

    In addition to longstanding relationships with Fort Worth museums, Nancy Bass was also involved with the Collector’s Committee of the National Gallery of Art. In Washington, the Basses endowed a fund that has enabled works by PostWar and Contemporary artists to enter the National Gallery’s permanent collection.

    Perry Bass died in 2006, and Nancy, in 2013.

    The most substantial grouping of works will lead Christie's specially retitled "Impressionist and Modern Art Evening Sale Including The Collection of Nancy Lee and Perry R. Bass" on November 13-14. Highlights will also be included in the "Evening Sale of Post-War and Contemporary Art" on November 15-16. Highlights of the collection have had showings in London and Hong Kong.

    Printemps in an Armchair, Edouard Vuillard Yvonne. Estimated value: $9 million-$1.2 million.

    Edouard Vuillard_Yvonne Printemps in an Armchair, Bass art collection
    Photo courtesy of Christie's
    Printemps in an Armchair, Edouard Vuillard Yvonne. Estimated value: $9 million-$1.2 million.
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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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