Elf School

9 magical things to know about Hilton Anatole's Peppermint Park

You don’t have to travel to the North Pole to experience the magic of Christmas — the Hilton Anatole is bringing it right to Dallas with the return of Peppermint Park.

The immersive winter festival has a seemingly endless list of activities for children and parents alike, with everything from holiday train rides to arts and crafts with the Grinch. Here are nine things to know before visiting:

Dates and times
Peppermint Park is open 5-9 pm on Fridays and Saturdays from November 23-December 15, and then daily December 20-23 from 1-9 pm.

Tickets
It pays to stay at the Anatole during the holidays, because entry to Peppermint Park is included. If you're not a guest, then a la carte tickets can be purchased for $24.95 (adults) and $19.95 (kids ages 3-17), with kids under 3 getting in for free.

Parking
Parking is $20 and can be paid for upon arrival at Lot 4.

Merry activities
Take a magical train ride through the park and enjoy the light displays, predict the weather with Jack Frost, enroll in Elf School and learn what it takes to be one of Santa's helpers, mail your letters to the North Pole, or make holiday slime with the Grinch. There is also a petting zoo featuring the types of animals that would have been present during the nativity, such as donkeys, goats, lambs, and more.

Feel-good giving
To celebrate the spirit of giving this holiday, Hilton Anatole has partnered with Make-A-Wish North Texas to help make life-changing wishes come true for children with critical illnesses. As Peppermint Park opens its doors, it will feature a Make-A-Wish booth accepting personal donations along with Make-A-Wish volunteers throughout the park. To celebrate and honor the wishes of children, a portion of the proceeds from game commissions, unused coupons, and entrance commissions will be donated to the foundation.

Treats to share
Gossip Bar, located just inside the hotel and adjacent to Peppermint Park, will feature holiday-style concessions including hot cocoa, coffee, snacks, and adult beverages.

Breakfast with Santa Package
Save up to $100 and indulge in all the fun at Peppermint Park on Friday night, and the hotel will take care of breakfast on Saturday morning. Guests will enjoy standard luxurious accommodations, admission to Peppermint Park on the night of arrival, holiday movie night, a very special Breakfast with Santa for up to two adults and two children on the morning of departure, and late checkout of 1 pm.

VIP Holiday Experience Package
Save up to $100 and enjoy a private reception with Santa and Mrs. Claus before exploring all the excitement of Peppermint Park. Guests will enjoy standard luxurious accommodations, a private meet-and-greet event with Santa and Mrs. Claus on the night of arrival for up to two adults and two children, one complimentary 5x7 printed photo with Santa, admission to Peppermint Park on night of arrival, holiday movie night, valet parking for one vehicle, a very special Breakfast with Santa for up to two adults and two children on the morning of departure, and late checkout of 3 pm.

Festive fireworks
Hotel guests get to enjoy another perk with a special fireworks finale just for them on December 7. Set to holiday tunes, the display will light up Peppermint Park and telegraph the spirit of the season far and wide.

Enroll in Elf School, or learn how to predict the weather with Jack Frost.

Photo courtesy of Hilton Anatole

Enroll in Elf School, or learn how to predict the weather with Jack Frost.

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Movie Review

Jessica Chastain drama Dreams stumbles through steamy romance

Photo courtesy of Teorema

Isaac Hernández and Jessica Chastain in Dreams.

The opening scenes of the new drama Dreams are bracing, fictional sequences that call to mind real-life scenarios. In them, a young Mexican man named Fernando (Isaac Hernández) goes through a somewhat harrowing journey from the back of a semi truck in South Texas all the way to San Francisco. It’s a familiar immigrant story that seems to set the stage for a film with something interesting to say.

It turns out, however, that Fernando has not made the long and arduous trek for a job. Instead, it’s to be with Jennifer McCarthy (Jessica Chastain), a rich woman who helps lead a foundation dedicated to multiple things, including funding dance academies. Fernando, a talented dancer, and Jennifer have been in an off-and-on affair for years, with Jennifer wanting to keep their relationship a secret.

Although both are drawn to each other in an inexplicable, lustful way, their bond is tenuous, with each of them dissatisfied for different reasons. Fernando clearly sacrifices much more of himself than Jennifer, who wants for nothing except maybe more affection from her father, Michael (Marshall Bell), and brother, Jake (Rupert Friend).

Writer/director Michel Franco seems to try to inject tension into Fernando and Jennifer’s relationship from the start, an attempt that is only halfway successful. It’s clear from the way they greet each other - not to mention a steamy sex scene shortly thereafter - that they have known each other for a good length of time. Franco is able to get across this familiarity with an economy of scenes, and the intensity of their bond holds for a while.

But as the film progresses and both of them grow disenchanted with their arrangement, Franco starts taking the story in some odd directions. The biggest issue is that it’s never clear at what point in time the story is taking place. Fernando ends up making multiple trips back and forth across the border, with Jennifer doing the same at one point, and Franco’s use of flashbacks muddies the waters, wrong-footing the audience when he should be trying to draw them further into Fernando and Jennifer’s complications.

Revelations in the final act make the story even more confusing, as both main characters start saying and doing harsh things that seem to come out of nowhere. That would be all well and good if Franco actually committed to their changes of heart, but he keeps things wishy-washy for most of the final 15 minutes, resulting in an ending that makes little sense for either character.

Despite the story issues, both Chastain and Hernández give compelling performances. Chastain has been a little under the radar since winning an Oscar for The Eyes of Tammy Faye, but she keeps this character interesting longer than it should have been. Hernández has limited credits and appears to have been cast for his dancing ability, but he goes toe-to-toe with Chastain on more than one occasion and acquits himself well.

Dreams had all of the ideas to explore a more in-depth story about the complicated immigration policies between Mexico and the U.S., or how wealthy people take advantage of those less fortunate. But Franco never finds the right footing, settling instead for a titillating and somewhat mystifying relationship story that feels half-baked.

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Dreams is now playing in select theaters.

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