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    Top Holiday Films

    10 don't-miss movies of the holiday season

    Joe Leydon
    Dec 9, 2013 | 12:21 pm

    We have made a list — and checked it twice — to ascertain what’s in store for audiences during the holiday movie season. It’s quite possible that one or two may turn out to be the equivalent of coal-stuffed stockings. But when it comes to movie-going, it’s always the season to be hopeful. Here they are, in order of release date.

    The Hobbit: The Desolation of Smaug
    Opens December 13

    Who’s in it? Ian McKellen, Martin Freeman, Richard Armitage, Benedict Cumberbatch, Stephen Fry, James Nesbitt, Orlando Bloom

    What’s the pitch? Gandalf and the guys finally get their act together and take it on the road to Mirkwood.

    Why see it? Early reviews indicate that, if you like this sort of thing, this is the sort of thing you’ll like a lot more than The Hobbit: An Unexpected Journey.

    Hours
    Opens December 13

    Who’s in it? Paul Walker, Genesis Rodriguez, Kerry Cahill, Yohance Miles, Matt Cook, Nick Gomez

    What’s the pitch? During the aftermath of Hurricane Katrina, a desperate New Orleans father (Walker) struggles to keep his prematurely born daughter alive while operating a battery-powered ventilator in an abandoned hospital.

    Why see it? For some, I am sure, it may seem too soon after Walker’s tragic demise to see him in a life-or-death situation on screen. All I can say is his performance arguably is the finest of his all-too-short career. And the film itself is a small-scale, high-impact drama that likely will impress you more than many of the heavily hyped blockbusters of the season.

    Anchorman 2: The Legend Continues
    Opens December 18

    Who’s in it? Will Ferrell, Steve Carell, David Koechner, Paul Rudd, Christina Applegate, Kristen Wiig

    What’s the pitch? Legendary San Diego newsman Ron Burgundy tries to stay classy — and, more important, recover from a career setback — by reestablishing himself as a marquee player at the first 24-hour cable news network. In this endeavor, he is accompanied by sportscaster Champ King (Koechner), weatherman Brick Tamland (Carell) and field reporter Brian Fantana (Rudd).

    Why see it? Don’t know about you, but I feel like I can’t not see it after weeks of enduring the ubiquitous and relentless hard-sell promotional campaign. It’s like this movie is The Borg: Resistance is futile.

    American Hustle
    Opens December 20

    Who’s in it? Christian Bale, Bradley Cooper, Amy Adams, Jeremy Renner, Jennifer Lawrence

    What’s the pitch? In the late '70s and early '80s, a maverick FBI agent (Cooper) employs an ace con artist (Bale) and his va-va-voom partner in crime (Adams) to launch the sting operation that would be known as Abscam.

    Why see it? Director David O. Russell reunites with the stars of his Silver Linings Playbook (Cooper, Lawrence) and The Fighter (Bale, Adams) for a darkly comical con movie based on real-life events. Not surprisingly, there already has been much talk about Oscar nominations.

    Inside Llewyn Davis
    Opens December 20

    Who’s in it? Oscar Isaac, Carey Mulligan, John Goodman, Garrett Hedlund, F. Murray Abraham, Justin Timberlake

    What’s the pitch? Joel and Ethan Coen go acoustic for this seriocomic musical drama, set in Greenwich Village during the early ’60s, about a guitar-strumming folk singer (Isaac) whose career is going nowhere fast.

    Why see it? You did see that this is a Coen brothers film, right? And if that’s not enough, consider: T Bone Burnett once again serves as musical producer for the Coens. If you recall, one of their previous collaborations — O Brother, Where Art Thou? — worked out fairly well.

    Saving Mr. Banks
    Opens December 20

    Who’s in it? Emma Thompson, Tom Hanks, Paul Giamatti, Jason Schwartzman, Bradley Whitford, Colin Farrell, Ruth Wilson, Rachel Griffiths, Kathy Baker

    What’s the pitch? Walt Disney (Hanks) tries to convince starchy novelist P.L. Travers (Thompson) to let his studio adapt her classic book Mary Poppins into a musical movie. It is not an easy task.

    Why see it? If you’re a sucker for movies about moviemaking — or at least when those movies are appreciably better than last year’s ill-conceived Hitchcock — you’re doubtless already looking forward to this one as a Christmas present for cineastes of all ages. Advance word has been sufficiently promising to increase anticipation.

    August: Osage County
    Opens December 25

    Who’s in it? Meryl Streep, Julia Roberts, Ewan McGregor, Chris Cooper, Abigail Breslin, Benedict Cumberbatch, Juliette Lewis, Margo Martindale, Dermot Mulroney, Julianne Nicholson, Sam Shepard

    What’s the pitch? It’s the big-screen version of Tracy Letts’ Pulitzer Prize-winning play, about a domineering family matriarch (Streep) who’s visited by her extended family following the suicide of her husband.

    Why see it? The acting duel between Streep and Roberts (as the matriarch’s equally strong-willed daughter) should be reason enough to visit the megaplex.

    47 Ronin
    Opens December 25

    Who’s in it? Keanu Reeves, Hiroyuki Sanada, Tadanobu Asano, Rinko Kikuchi

    What’s the pitch? After a wicked warlord kills their master, 47 newly unemployed samurai join forces with a previously ostracized half-breed (Reeves) as they journey through a savage world populated by CGI bogeymen of various shapes and sizes.

    Why see it? Can’t deny that there has been significant negative buzz about this large-scale fantasy flick, which originally was supposed to open last year and has reportedly burned through tens of millions while scenes were reshot and special effects were made more special. But the finished product, judging from trailers and TV spots, could be a spectacular action-adventure epic that’s worth the wait.

    The Secret Life of Walter Mitty

    Who’s in it? Ben Stiller, Kristen Wiig, Shirley MacLaine, Adam Scott, Sean Penn

    What’s the pitch? A shy Life magazine photo editor (Stiller) must stop daydreaming about heroic deeds and indulge in real-life derring-do while seeking a missing shot by a legendary photographer (Penn).

    Why see it? Stiller serves as director and star for this long-delayed, eagerly awaited adaptation of the classic 1939 James Thurber short story. It would appear his latest double-duty effort is subtler and more sentimental than Zoolander and Tropic Thunder, earlier comedies that employed him on both sides of the camera. But inquiring minds want to know: Will it be as overall nifty as Reality Bites, his debut feature as a director?

    The Wolf of Wall Street
    Opens December 25

    Who’s in it? Leonardo DiCaprio, Jonah Hill, Margot Robbie, Jon Favreau, Kyle Chandler, Rob Reiner, Jean Dujardin, Matthew McConaughey

    What’s the pitch? Director Martin Scorsese and superstar Leonardo DiCaprio — together again! — join forces for the stranger- and wilder-than-fiction story of New York stockbroker Jordan Belfort, who savored a wild life of sex-drugs-and-greed excess until his world came tumbling down in the late 1990s.

    Why see it? Some early viewers have compared it — favorably — to Scorsese’s GoodFellas and Casino. Others insist it’ll grab a fistful of Oscar nominations and actually will go home with a few of the golden statuettes. Strangely enough, however, there’s been no word yet as to whether co-star Matthew McConaughey has delivered the goods one more time to cap off the year of his career renaissance.

    The Secret Life of Walter Mitty with Ben Stiller

    The Secret Life of Walter Mitty with Ben Stiller
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    The Secret Life of Walter Mitty with Ben Stiller
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    Movie review

    Over-the-top The Bride! makes other Frankenstein movies seem subtle

    Alex Bentley
    Mar 6, 2026 | 12:15 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

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