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Movie Review

Wander Darkly explores couple's relationship through dreamlike state

Alex Bentley
Dec 11, 2020 | 9:14 am
Wander Darkly explores couple's relationship through dreamlike state
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Some movies are so surreal that they can feel like living through a dream. And then there are others, like the new Wander Darkly, that actively present their stories through the dreamlike state of their characters to try to present larger truths about their lives.

Adrienne (Sienna Miller) and Matteo (Diego Luna) are a couple living in Los Angeles with a newborn baby. Before we even get to know much at all, they get into a car accident, leaving both of them seriously injured. The next thing Adrienne knows, she’s in the hospital, seemingly having an out-of-body experience.

Not knowing if she’s alive or dead, Adrienne goes on a film-long exploration of her life with Matteo, reliving various moments of their relationship, whether they were good or bad. In so doing, the film dives deep into the psyches of both people, laying bare each of their weaknesses while trying to understand what makes each of them tick.

Written and directed by Tara Miele, the film takes the unusual approach of telling a couple’s story through flashbacks, but as if the couple was remembering their past lives while they were living them. It’s a confusing method at first, but it gets easier to understand as film goes along.

As if that wasn’t enough, the film recreates moments from their relationship through the prism of their memories, which may or may not be accurate. Adrienne and Matteo tend to remember the circumstances of key events differently, so the viewer can never be sure what to trust. Add on the idea that Adrienne may have some mental health issues and Matteo may by somewhat untrustworthy, and it’s a lot to process.

Miele keeps all of this flowing thanks some nice visual trickery that makes it seem as if one scene is blending into the next, no matter how disparate the setting. It really does feel as if you’re in a dream with Adrienne, taking a ride on her wave of emotions. Befitting the circumstances of how she entered her reverie, the film does not idealize her relationship with Matteo, ironically making the film more about realism than romance.

Both Miller and Luna have had understated movie careers. While neither has hurt for work over the past 20 years and both have made appearances in some big movies, neither has become an A-list star. Their performances here are typical of their previous roles – solid and believable, although the way the story is told, neither transcends the material itself.

Wander Darkly is a meditation on relationships, parenthood, and life itself. While mostly a downer of a film, it gets points for not trying to gloss over the faults of its characters, delivering a story that earns its emotions thanks to its authenticity.

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Wander Darkly opens in select theaters and on premium on-demand on December 11.

Sienna Miller and Diego Luna in Wander Darkly.

Sienna Miller and Diego Luna in Wander Darkly
Photo courtesy of Lionsgate
Sienna Miller and Diego Luna in Wander Darkly.
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Critics' choice

DFW film critics name One Battle After Another best movie of 2025

Alex Bentley
Dec 17, 2025 | 9:32 am
Leonardo DiCaprio in One Battle After Another
Photo courtesy of Warner Bros. Pictures
Leonardo DiCaprio in One Battle After Another.

The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
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Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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