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    Actor Spotlight

    Fun House actor Doak Campbell Rapp has some unexpected offstage skills

    Lindsey Wilson
    Dec 15, 2014 | 10:01 am

    Part of the fun of watching an actor perform year after year is seeing how they grow. In the case of Doak Campbell Rapp, it’s also seeing him literally grow up.

    The 16-year-old has been performing at Plano’s Fun House Theatre and Film since its founding in 2011 by his mother, Bren Rapp, and local actor and playwright Jeff Swearingen (who writes many of Fun House’s original works). The children’s theater that Fun House produces has an edgy, adult bent to it, and that unique combination of innocence and maturity has won the group mountains of critical accolades. (One actor, Lizzy Greene, is now starring in a show on Nickelodeon.)

    But there’s no nepotism involved. In roles ranging from Grunther (a Khal Drogo stand-in) in Game of Thrones, Junior to Adam in Neil LaBute’s The Shape of Things, Rapp has proven that he’s willing to put in the work with each character he takes on.

    He just wrapped Yes Virginia Woolf, There Is a Santa Claus, and he has three more shows in the next few months: Matt Lyle’s House Party, Holiday Edition: Adulthood, or How I Learned to Love Ken Burns (December 18-21); True West (January 15-18); and Romeo & Juliet (February 13-21).

    In advance of House Party, Rapp took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Doak Campbell Rapp

    Role in Matt Lyle’s House Party: Various. It is a sketch comedy show.

    Previous work in the DFW area: I have done more than 30 plays and one film.

    Hometown: Dallas

    First theater role: My first role was Captain of the Guard in Jeff Swearingen’s absurdist Aladdin.

    First stage show you ever saw:If You Give a Mouse a Cookie at Dallas Children’s Theater.

    What made you want to do theater: Easy to sum up: Jeff Swearingen.

    Most challenging role you’ve played: It is a tie between Claudius in Hamlet and Jerry in Edward Albee’s The Zoo Story.

    Special skills: Acting-wise, I am a good improviser. In life I am freakishly good at getting stuffed animals out of skill cranes.

    Something you’re REALLY bad at: At the moment, chemistry.

    Current pop culture obsession: Any conspiracy theory. My favorite is all the Disney Illuminati stuff. The truth is out there!

    Last book you read: I reread the graphic novel of The Watchmen.

    Favorite movie(s):Dead Poets Society and Donnie Darko. Interstellar has worked its way in there recently.

    Favorite musician(s): I am way into music, so there is too much I would list. Top three would be Outkast, Marvin Gaye and The Beatles, but I recently discovered the Bassanova and dug it.

    Favorite song: “What’s Going On” by Marvin Gaye

    Dream role: I really like originating roles, like Saul Solomon in Stiff. Anything no one has done before.

    Favorite play(s): Neil LaBute’s The Shape of Things, Edward Albee’s The Zoo Story

    Favorite musical(s):Man of La Mancha

    Favorite actors/actresses: Jake Gyllenhaal, Paul Rudd, Jason Bateman, Leonardo DiCaprio, Robin Williams

    Favorite food: Sushi. Any sushi.

    Must-see TV show(s):Cosmos

    Something most people don’t know about you: I really enjoy doing origami, and I’d like to think I am pretty okay at it.

    Place in the world you’d most like to visit: Portland. I watch a lot of Portlandia.

    Pre-show warm-up: There is a 7-Eleven by the theater where I usually perform. I like to walk there by myself with my headphones in and buy a Monster and a water. I try to match a playlist to the show.

    Favorite part about your current role: It is amazing to actually get to work with Matt Lyle after having acted in three of his plays: The Boxer, The Chicken Who Wasn’t Chicken and Hello Little Human Female.

    Most challenging part about your current role: Comedy takes a lot more precision than people realize. There is like a math to it. It is about beats and timing and keeping your actor mind calm and thinking even if you are being outwardly crazy.

    Most embarrassing onstage mishap: In Jeff Swearingen’s Ultimate Holiday Experience, I wore this Russian military uniform, and the fly on my pants broke onstage. It was wide open for an entire scene, and I knew it. Of course it was the scene where I had to rap and do a hip hop dance.

    Most memorable theater moment: You know when actors come out and greet people who stick around after a show? Well, what I loved was after doing Zoo Story, seeing the look on people’s faces who didn’t know anything about it beforehand, and other kid actors who had no clue such plays exist. The way they looked. Like their entire world had just been rocked, when they would come up to talk to me.

    The cast of Mortgage.

    Mortgage at Fun House
      
    Photo by Chuck Marcelo
    The cast of Mortgage.
    unspecified
    news/arts

    Ballet news

    Texas Ballet Theater executive director leaving for new gig in Northeast

    Stephanie Allmon Merry
    May 19, 2025 | 2:38 pm
    Vanessa Logan, Texas Ballet Theater
    Photo courtesy of Texas Ballet Theater
    Vanessa Logan joined Texas Ballet Theater in 2016.

    Vanessa Logan, who has served as Texas Ballet Theater executive director since 2016, is leaving TBT for a new role in the Northeast, the company says. Her final day with TBT will be June 30, 2025.

    The move will allow Logan to be closer to her family, the organization says. Her new position has not yet been announced.

    "While we will greatly miss Vanessa and her leadership at TBT, we support her decision to do what is best for her and her family and wish her well in her new pursuit," says TBT board of governors chair Anne T. Bass in a May 19 release. "Throughout her tenure at TBT, Vanessa has demonstrated the highest level of professionalism. It has been a delight to have worked closely with Vanessa over the last nine years, and I am most grateful for her unstinting efforts that have advanced TBT in so many respects."

    Logan joined North Texas' largest ballet company before the 2016-17 season; she previously had worked at the American Repertory Ballet in New Jersey and Boston Ballet.

    "Being part of TBT has been an immensely enriching and transformative experience. Partnering with Artistic Director Tim O’Keefe, working alongside such talented artists, and collaborating with a dedicated administrative and school staff has been a true privilege," Logan says in the release. "I am also deeply grateful for the unwavering support of our committed Board Chair and the Board of Governors, whose vision and leadership have been instrumental. Contributing to productions that bring beauty and artistry to our audiences and nurturing ballet education for countless children in Dallas-Fort Worth has been incredibly rewarding."

    During her tenure with TBT, Logan helped the company navigate through the challenges of the COVID-19 pandemic of 2020 followed by a catastrophic winter storm of 2021; she helped smooth the transition of artistic director from Ben Stevenson to Tim O'Keefe in 2023; and she oversaw new school facilities in Richardson and Dallas. TBT has also begun a 65,000-square-foot renovation of its Fort Worth facility to support future growth.

    "Vanessa’s support and partnership during the transition was phenomenal. I cannot imagine another leader better equipped to guide TBT seamlessly through such a transformational change," O’Keefe says. "Her steadfastness instilled confidence and built trust with staff, students and subscribers as she ensured that we held true to TBT’s mission of honoring classical ballet while embracing a new chapter of artistic evolution."

    TBT’s Board of Governors will immediately start searching for Logan’s successor and will quickly name an interim executive director to oversee operations until a permanent leader is in place, they say.

    Texas Ballet Theater, which is a resident company of both Winspear Opera House in Dallas and Bass Performance Hall in Fort Worth, just closed its 2024-25 season with O'Keefe's all-new staging of the beloved ballet Giselle.

    balletdanceleavinglogantexas ballet theatervanessavanessa logan
    news/arts
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