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    Movie Review

    Magical Mary Poppins Returns enchants with elements old and new

    Alex Bentley
    Dec 18, 2018 | 12:01 pm
    Magical Mary Poppins Returns enchants with elements old and new
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    There are a couple of different ways to look at Disney’s current mission to revisit most of their iconic properties. The cynical way is to view them as mere cash grabs that do little more than repackage stories in different wrapping. The more generous way is to say that they’re giving a new generation a chance to call a movie their own, regardless of whether they’ve seen the original or not.

    The fantastic thing about Mary Poppins Returns, though, is that it seamlessly blends together the old and the new for a thoroughly enchanting experience. Taking over the role of Mary Poppins from Julie Andrews is Emily Blunt, who can play prim and proper as well as sweet and charming with the best of them. Those traits and others make her introduction as Poppins smooth and easy.

    The magical nanny has been summoned into action due to the family struggles of the now grown-up Michael Banks (Ben Whishaw), whose wife died the year before. His kids — John (Nathanael Saleh), Anabel (Pixie Davies), and Georgie (Joel Dawson) — are a mostly obedient group, but their mother’s absence and the prospect of possibly losing their home still affects them deeply.

    Mary, with ever-willing assistance by lamplighter Jack (Lin-Manuel Miranda), proceeds to help the Banks children as only she can, including fantastical trips to an underwater land, into a painted pottery scene, and more. The lessons she imparts are never heavy-handed, but rather ones meant to guide those willing to listen to where they need to be.

    Though this sequel is coming 54 years after the original, director Rob Marshall and his team have somehow made the years between the two vanish. Sure, the visuals are greatly enhanced thanks to modern technology, but the filmmakers have paid homage to the first film in all the best ways, giving the new movie a similar feel without ever coming across as a mere copy.

    A big part of this are the new songs by Marc Shaiman and Scott Wittman. Many of them are so quick that it will take repeat viewings to fully appreciate them, but a few stand out so much that they instantly compare to the classics from the original. These include “Can You Imagine That?,” “The Place Where the Lost Things Go,” “Nowhere to Go But Up,” and especially “Trip a Little Light Fantastic.” That last song is a showcase for Miranda that will leave you humming it long after you leave the theater.

    The film is bursting at the seams with so many wonderful elements that it’s almost impossible to list them all. Blunt is near-perfect as Mary, and Miranda proves that his talents are not constrained to making Tony Award-winning musicals. Supporting turns by Emily Mortimer, Julie Walters, and Colin Firth are a delight, as are cameos by Meryl Streep, Angela Lansbury, and the inimitable Dick Van Dyke.

    Mary Poppins Returns is a film designed to make tons of money, but you won’t regret paying to see it for one second. Your childhood memories will remain intact and be enhanced by this mesmerizing movie.

    Emily Mortimer and Ben Whishaw in Mary Poppins Returns.

    Emily Mortimer and Ben Whishaw in Mary Poppins Returns
    Photo courtesy of Walt Disney Studios
    Emily Mortimer and Ben Whishaw in Mary Poppins Returns.
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    Movie Review

    Matt Damon and Ben Affleck team up for Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 12:43 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team - which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) - on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they soon discover that there’s close to $20 million there instead. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary - an unexpected noise, a flashing light, etc. - adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

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    The Rip is now streaming on Netflix.

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