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    Someone call 911

    The Bachelor gets physical, but the girls roll with the punches

    Jennifer Chininis
    Jan 29, 2013 | 7:42 am

    When Leslie breaks down in tears because she doesn’t get the first one-on-one date with Sean, it’s a premonition of things to come. Turns out she does get some alone time with her “future husband,” who treats her like Julia Roberts in Pretty Woman — the shopping part, not the hooker part, okay? — but then gives her bejeweled butt the boot at the end of the date when he’s not feeling it.

    Oh, did I ruin it for you? Probably not. The good stuff never happens when Sean is alone with his lady du jour. The bachelorette pad is always where it’s at, action-wise. Episode four was no exception. Tension is mounting with Tierra the Terrible and, well, lots of people.

    Selma has to climb a really big rock. Did we mention that Leslie got 120 carats of diamonds to wear? At least Selma got to ride on a private jet.

    For a minute, we can talk about Selma, who got a date with Sean. In the desert. And she had to climb a really big rock. Did we mention that Leslie got 120 carats of diamonds to wear, to go with her couture gown and shoes? At least Selma got to ride on a private jet.

    Selma, who prefers heels to hiking, handled it like a pro and nearly bested Sean at his own game. But she won’t kiss him. Oh no. She was born in Baghdad, and her very conservative family would croak if she sucks face on TV. He will have to wait until she’s the only girl left standing.

    No matter. There are plenty of other chicks on this show. But Selma is a hottie. She might be worth the wait!

    On the group date, in keeping with the this-show-might-kill-you theme, Sean takes the girls to the roller derby. Tierra is psyched; she’s ready to take someone down! Amanda, equally disliked by the others, says she’s done this before, just to mess with their heads. She hasn’t. Ha!

    Poor Sarah is genuinely unhappy, and, admittedly, it does seem pretty nasty to ask a girl with one arm to compete at the roller derby. She can’t balance herself as easily as the others, and getting up after a fall is a much bigger deal. She is understandably scared, frustrated and embarrassed.

    Seriously.

    But she’s a good sport. She’s up for it. A pep talk from Sean gives her the confidence she needs to get back out there. Until Amanda goes splat and nearly breaks her jaw. Cue the ambulance! That’s twice now. Did anyone know there would be a physical part to this exam?

    Amanda goes splat at the roller derby and nearly breaks her jaw. Cue the ambulance! That’s twice now. Did anyone know there would be a physical part to this exam?

    With Amanda off to the hospital, Sean decides it would be better to just do some old-fashioned roller skating. The girls are relieved. They tried their best, to impress the hunky, shirted (for now, anyway) bachelor, but they are ready to trade their skates for stilettos, thank you very much.

    Tierra is, not surprisingly, her awesomely irritated self. She doesn’t like the way the girls treat her. She thinks they are backstabby high schoolers. She won’t stand for it. She walks off in a huff. She wants to leave. She goes to find Sean — who’s about to slip into the hot tub with Lindsay, a.k.a. wedding gown.

    Sorry, Lindsay! Not hot tub for you. Tierra has to cry and throw a fit and tell Sean that it’s hard being in the house with those mean, gossipy girls.

    “I just can’t do it,” she whines. “Living with all these women is hard. It’s torture. It’s seriously torture.”

    He finds her adorable and sensitive. He’s been worried about her from the beginning.

    “You know what I know?” he asks. “You like me. You want to spend more time with me. I can tell by the way you look at me.”

    He runs into the house, still in his swim trunks, to get a rose. Cut to Tierra, who has a smirk on her face. You gotta hand it to her. He digs her brand of cray.

    The other girls, however, do not. Poor Lindsay is huddled up with the others, still in her bikini.

    “I hate drama,” Tierra says to Sean. “But for some reason girls have a hard time accepting me for who I am.” Yes, that must be it.

    We already know what happens with Leslie’s Pretty Woman date, so let’s skip to the rose ceremony, shall we? It only gets interesting when the ladies get their panties in a twist at the house.

    Tierra commiserates with Amanda, who picks up what Tierra is laying down. After a fake apology to Robin and Jackie, Tierra puts her focus back on the prize.

    “I hate drama,” she says to him. “But for some reason girls have a hard time accepting me for who I am.”

    Yes, that must be it.

    “I don’t think that you cause drama,” Sean says. “I think you are your own worst enemy, and you freak yourself out.”

    Sean reassures Tierra that the girls can’t sway his opinion of her.

    “I see her as being emotional and passionate,” he says. “I know she’s here for the right reasons.”

    Sean hands out the rest of the roses — to everyone but Amanda. Wow. Girl gets the boot even though she smashed her face on the rink during roller derby. And she’s the only one leaving the house that night. Sucks to be her.

    “Heartbreak is such a difficult emotion,” Amanda says. “I feel stupid.”

    Next week, there is a Bachelor double-header, on Monday and Tuesday. Double the drama. Four hours. Dear lord. Who’s up for a Tierrable drinking game?

    After Amanda takes a spill, Sean decides it's better to just skate.

    The Bachelor roller derby
      
    Photo courtesy of ABC
    After Amanda takes a spill, Sean decides it's better to just skate.
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    Movie Review

    War is hell takes on new meaning in intensely personal film Warfare

    Alex Bentley
    Apr 11, 2025 | 1:49 pm
    Cast of Warfare
    Photo courtesy of A24
    Cast of Warfare

    At this point in movie history, there are precious few ways to make a war film feel original. Every major American war, including the most recent ones in Iraq and Afghanistan, has been covered, and the “war is hell” idea has been featured in too many films to count. So for a film like the new Warfare to stand out, it needs to do something that other war films have not.

    To say that it accomplishes that goal is an understatement. Set in Iraq in 2006, it follows a platoon of soldiers tasked with helping to gain control of the city of Ramadi, a hotbed of activity in the war at that time. But this is not a story of good triumphing over evil, nor one that tries to examine exactly what the U.S. military was trying to accomplish in the war. Instead, it’s just a story of a group of young men trying to do the job they’re asked to do, and what happens to them during that mission.

    It presents as fact, with no judgment either way, that one squad of the platoon overtakes the home of two Iraqi families as part of the mission. An ensuing firefight pins the soldiers down with almost no way to escape, and subsequent rescue attempts by other squads result in multiple casualties. The bulk of the film focuses on how the shell-shocked and injured soldiers react to the situation in which they find themselves.

    Written and directed by Alex Garland (Civil War) and Ray Mendoza, the film is based on the memories of Mendoza and his fellow soldiers of this exact situation they experienced. As such, the film does not attempt to add extra drama or even emphasize one character over another. In fact, the first 30-40 minutes of the film are relatively boring, as the squad relays information about their position to other, unseen people.

    The men in the platoon are not exactly interchangeable with each other, but the way the film is structured, they’re essentially equals. It’s easy to tell who the leaders are, but those giving orders are not treated as more important to the film than those carrying them out. This is especially true when things go to hell, as each person goes from trying to fight to trying to survive, with their training coming into play in different ways.

    The situation depicted in the film is somewhat mundane - it’s not some big battle or a turning point in the war - but the intensity with which Garland and Mendoza stage it makes it enormously impactful. They put the audience right in the thick of the carnage, and the horrific injuries inflicted on some of the men, as well as the seemingly never-ending screams of pain emanating from them, can be difficult to take.

    The cast features a few actors who are starting to make names for themselves (Will Poulter, Joseph Quinn, Noah Centineo, Charles Melton, Michael Gandolfini), others who’ve had smaller impacts (D’Pharoah Woon-A-Tai, Cosmo Jarvis, Evan Holtzman), and plenty of others who have yet to get their big breaks. Each of them does their job extremely well, which in this case means that they complement each other’s performances, with none of them overshadowing the others.

    Warfare is not an overtly political film, and yet the politics of war are inextricable from the story it tells. Neither anti-war nor pro-war, it simply lays out the facts of one individual mission in a larger conflict, and each viewer will likely take away something different from the experience of watching it.

    ---

    Warfare is now playing in theaters.

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