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Craft Beer Coverage

Community Beer Company throws its mug into the ever-expanding Dallas craft brew scene

Jonathan Rienstra
Jan 15, 2013 | 11:30 am

It’s time to throw another shrimp on the barbie. On January 16, Community Beer Company will become the newest Dallas craft brewery.

The brainchild of Kevin Carr and brewmaster Jamie Fulton, Community is located in the Design District, just off of Stemmons Freeway, in a 14,000-square-foot space that they plan to expand this spring.

Carr decided to create Community after more than a decade of home brewing by night and running a tech company by day.

“I look at [the number of breweries] in a positive way,” says founder Kevin Carr. “There’s really something to be said about local beer and its freshness.”

“At the time, there weren’t any breweries in Dallas,” Carr says. “I started doing the research two years ago, but it takes time.”

In fact, local craft breweries have exploded on the scene in the past year. Franconia and Rahr & Sons were once the only breweries around — and they were in McKinney and Fort Worth, respectively. When Community opens, it’ll make an even 10 in the Dallas area.

“I look at [the number of breweries] in a positive way,” Carr says. “We don’t think it’s too crowded, but that there’s a demand as people move away from the bigger beers. There’s really something to be said about local beer and its freshness.”

Carr believes that Community can distinguish itself with a focus on quality, and that starts with brewmaster Jamie Fulton. If the name sounds familiar, you might have spent time at Fulton’s old Fort Worth place, the Covey Restaurant and Brewery.

“Jamie’s understanding of how these machines work is on a very technical level,” Carr says. “He won awards for his beers at the Covey, and he knows what he’s doing.”

Throw in an assistant brewmaster with a degree in microbiology, four vessels (which Carr says is the most of any local brewery) and an onsite lab for yeast development, and Carr is confident in his beers.

“The yeast propagator boosts the process in the beers,” Carr says. “There are really only four ingredients in beer, and people sometimes take for granted how yeast affects the flavor. It’s important to have the highest quality and no flaws.”

Community is making a strong opening statement with a three-day pre-launch tour of Dallas’ beer scene. It starts with an unveiling of the Public Ale at Meddlesome Moth on January 16 from 5-7 pm. An English-style ale that aims to put you in a pub-visiting mood, Public Ale checks in at 5.5 percent ABV and an IBU of 38.

“I’d say the Moth are good friends and big supporters of the beer scene,” Carr says. “It seemed like a good start since we spent a lot of our time there.”

On January 17, Carr and Fulton unveil the Community Pale Ale at Common Table from 5-7 pm before tapping Community Lager at Craft & Growler the next day. The pale ale is a hoppy, American-style brew that grabs four different hops from three different countries; the lager is an old-school, Vienna-style brew with a copper color.

The next beer for Community is the Wit, which was inspired by Belgium breweries. It is set for a spring release.

If there’s any doubt that people are ready for Community to tap their kegs, consider that the grand opening tour on Saturday, January 19, has already sold out, tickets are going quickly for the Sunday tour, and they expect to be in about 40 Dallas locations in the near future.

“People are drinking better,” Carr says. “With watered down beers going down, it makes sense to go to the craft beers.”

Assistant brewmaster Aric Hulsey, brewmaster Jamie Fulton and owner Kevin Carr at Community Beer Company.

Community Beer Company
Community Beer Company Facebook.
Assistant brewmaster Aric Hulsey, brewmaster Jamie Fulton and owner Kevin Carr at Community Beer Company.
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CMT Awards

Texas will host CMT Music Awards for the first time ever in 2023

Hannah J. Frías
Nov 4, 2022 | 2:12 pm
Carrie Underwood Kelsea Ballerini Moody Center
Getty Images for CMT
Airing April 2, 2023, the awards ceremony will be hosted in Texas for the first time ever.

Big news for country music fans: During Carrie Underwood's sold-out show in Austin on November 2, CMT Music Awards co-host Kelsea Ballerini came on stage to announce that the CMT Music Awards will come to the city's new Moody Center next year. Airing Sunday, April 2, 2023, the fan-voted awards ceremony will be hosted in Texas for the first time ever.

Ballerini will return as the event's co-host for the third year in a row, which she also shared during Underwood's set. The Austin stop of Underwood's "Denim and Rhinestones Tour" was the perfect time to share the announcement, since Underwood currently holds the title as the winningest artist in CMT history. According to a release, she has garnered a total of 25 trophies, and she will be the first performer for the 2023 show.

“Both Austin and Nashville are two of the world’s greatest music cities and we couldn’t be more excited to announce the return of the CMT MUSIC AWARDS on CBS than with co-host Kelsea Ballerini surprising Carrie Underwood, our most awarded artist, in the middle of her incredible live performance at Moody Center – the exact venue where we’ll all be back exactly five months from today!” shared CMT Music Awards executive producers Margaret Comeaux, John Hamlin, Leslie Fram, and Jason Owen.

“Our fans are in for an unforgettable night of music with plenty of surprises, as the Live Music Capital meets Music City for the first time ever on a national stage in what will be a true country music extravaganza.”

The 2023 CMT Awards is the result of two years of planning between CMT, CBA, Paramount, and the Moody Center team. The show will make its global premiere exclusively on the CBS Television Network, available for both live streaming and on demand on Paramount+. For its inaugural year on CBS, the 2022 CMT Music Awards delivered 5.89 million viewers, a 529 percent increase from June 2021.

“The programming team at Oak View Group and Moody Center have spent the past two years cultivating this relationship and working to endear CMT, CBS and Paramount to Austin and our new, world-class arena," says Michael Owens, vice president of programming at the Moody Center, in the release. "CMT’s commitment to Austin reflects those efforts and we couldn’t be more grateful and excited to host them next year."

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Get the Popcorn

Pocket Sandwich Theatre reveals opening date for new Carrollton space

Lindsey Wilson
Nov 4, 2022 | 11:45 am
Ebenezer Scrooge at Pocket Sandwich Theatre
Pocket Sandwich Theatre/Facebook

Pocket Sandwich Theatre will reopen with Ebenezer Scrooge.

After being tossed out of its Dallas home in 2021 — where it had presented melodramas, musicals, and family entertainment for more than three decades — Pocket Sandwich Theatre has not only found its new home but announced its grand re-opening date.

This mainstay of the Dallas theater community for the past 42 years has relocated to Historic Downtown Carrollton at 1104 Elm St. It will raise the curtain and welcome audiences for the 40th annual production of Ebenezer Scrooge beginning Friday, November 25, and running through December 23.

Tickets are already selling briskly, say owner Shanon Dickinson and partners Brad Dickinson, Jeff Vance, Nick Haley, and Kim Winnubst.

“We’ve dealt with construction delays, supply chain issues, and the inevitable challenges of transforming a historical building into a code-compliant space with modern-day conveniences, but we know our loyal patrons are going to love the new space," says Shanon Dickinson. "Audience members will still enjoy the relaxed atmosphere that we’re known for, but they will also see improvements in our ticketing/seating, an expanded menu, upgraded restrooms, and ample nearby parking. We’ve put a lot of thought and planning into this move to ensure a great experience for patrons, actors, and employees. We’re putting the final touches on everything, so we can’t wait for our opening!”

Widely known for their popcorn-tossing melodramas, the venue is also a haven for improvisation troupes, musical entertainers, stand-up comics, and local playwrights to showcase their talents. Late-night shows ranging from drag to movie sing-alongs were also popular.

Pocket Sandwich Theatre’s roots go back to 1980 in a small sandwich shop on Lower Greenville Avenue, when friends Rodney Dobbs and Joe Dickinson had an idea to bring back the artform of melodrama. The idea worked and as its popularity grew, the group moved to a new larger space on Mockingbird Lane and Central Expressway in 1990.

In 2020, the complex was sold amid the challenges of the pandemic. The City of Carrollton reached out, expressing interest in bringing the group to their area.

Ebenezer Scrooge will feature expanded show dates as Christmas approaches. The show is written by Joe Dickinson with music by Laurie Tirmenstein and additional lyrics by Rodney Dobbs.

For show info, ticketing, and reservations, visit www.pocketsandwich.com.

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Movie Review

Weird: The Al Yankovic Story is as wacky and over-the-top as expected

Alex Bentley
Nov 4, 2022 | 11:16 am
Weird: The Al Yankovic Story is as wacky and over-the-top as expected
Photo courtesy of The Roku Channel

Evan Rachel Wood and Daniel Radcliffe in Weird: The Al Yankovic Story

For over 40 years, “Weird Al” Yankovic has reigned as the world’s most popular comedy musician. Given the unserious nature of Yankovic’s songs, a movie about his life was never going to be straightforward. Taking inspiration from a 2013 Funny or Die video of the same name, Weird: The Al Yankovic Story plays out as – what else? – a parody of music biopics, which tend to have many of the same beats, such as a rough childhood, music providing a salvation, issues with drugs and/or alcohol, and, ultimately, redemption.

And so, hilariously, the young Al yearns to play the accordion and make up fake lyrics to real songs, only to be stymied by his well-meaning mom, Mary (Julianne Nicholson), and angry and violent dad, Nick (Toby Huss). After hearing things like “We agree that you should stop being yourself and doing the things you love,” he rebels by going to … a teenage polka party. (Unintentionally funny is that Nicholson recently played Marilyn Monroe’s mom in Blonde, a 1-2 punch that’s hard to beat.)

When Al (now played by Daniel Radcliffe) finally gets out of the house, he’s able to spread his wings and make the weird music he wants, overcoming the skepticism of record executives like Tony Scotti (played by Yankovic) with the help of mentor Dr. Demento (Rainn Wilson). When Madonna (Evan Rachel Wood) becomes his girlfriend to, in part, get the sweet bump that one of his parody songs can provide, it starts in motion a series of events too ridiculous to be true.

Directed by Eric Appel (who also made the short film) and written by Appel and Yankovic, the film can essentially be split in two. The first half is the more successful part, as the pure comedy of his parents' overreactions to his music tastes, the random ways in which he draws inspiration for songs like “My Bologna,” and other out-of-nowhere things never fail to draw a laugh.

Not content to play out the whole movie that way, the filmmakers make the second half into something … weird. Without spoiling anything, it radically shifts the perspective of Weird Al as both a musician and a person, a change that, while still objectively funny, takes on a much different tone. It also features less of his music, a decision that takes some of the early fun out of the film.

The film features a bevy of celebrity cameos, like Lin-Manuel Miranda as a surgeon, Conan O’Brien as Andy Warhol, and Quinta Brunson as Oprah Winfrey, as well as a pool party scene featuring a slew of ‘80s icons like Devo, John Denver, Pee Wee Herman, Tiny Tim, Gallagher, Divine, and Elvira. You never know who’s going to pop up next, giving the film an extra dose of enjoyment in addition to the story.

Radcliffe, though much shorter than the actual Weird Al (likely a joke in and of itself), is a great fit for the role, bringing the type of energy it deserves. Even when lip-synching (the voice when singing is definitely the real Weird Al), he’s all-in on the performance. Wood is also great, delivering a depiction of Madonna that’s even more out-there than the real-life version.

Weird: The Al Yankovic Story ultimately hits more highs than lows thanks to the funny “origin” stories around songs like “Eat It,” “Another One Rides the Bus,” and “Like a Surgeon.” You can give the filmmakers credit for trying something different, but like any popular musician, things are better when they play the hits.

---

Weird: The Al Yankovic Story is now streaming on The Roku Channel.

Evan Rachel Wood and Daniel Radcliffe in Weird: The Al Yankovic Story

Photo courtesy of The Roku Channel

Evan Rachel Wood and Daniel Radcliffe in Weird: The Al Yankovic Story

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