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    Radio News

    Dallas classical music station WRR 101.1 FM beefs up local programming

    Teresa Gubbins
    Jan 5, 2015 | 9:58 am

    Dallas classical music radio station WRR 101.1 FM has launched a new programming lineup with longer music sets, fewer syndicated shows and the elimination of non-music features such as traffic reports. The new lineup began at 6 am on January 5.

    The station now airs only two commercial breaks per hour, down from its previous four. This allows them to air longer, more significant works, up to 25 minutes, without breaking for a commercial.

    The shift adds more than four hours of music programming each week and reflects a new direction away from nationally syndicated programs, says interim general manager George Landis.

    "One way we can differentiate ourselves is to place a focus on local programming and arts groups," says interim general manager George Landis.

    "We are a local radio station, and one way we can differentiate ourselves is to place a focus on local programming and arts groups," he says.

    To that end, there will be more than 10 additional hours of locally hosted programming each week, primarily during the weekday evening hours from 7 to 11 pm.

    Weekday on-air hosts include Barry Samsula from 6 to 10 am; Nancy Brunson from noon to 4 pm; Kevin Pytcher from 4 to 6 pm; and Ed Blaylock on the evening shift, from 6 to 7 pm and then 8 to 11 pm.

    Mary Sefzik will host a Sunday program and serve as a backup host. Through the Night with Peter Van De Graaff, a syndicated show, will air overnight.

    WRR will continue airing performances by the Dallas and Fort Worth symphony orchestras on Monday evenings from 8 to 10 pm, with a commitment to add programming featuring local arts groups later in 2015.

    New syndicated shows
    The station will also add two nationally syndicated programs to the lineup. Performance Today will air weekdays from 10 am to noon. It's the most popular classical music program in the country, featuring live recordings of public concerts and private recitals that have not been commercially released and are unavailable from any other source.

    Hosted by Fred Child, it incorporates a radio music game called Piano Puzzler, as well as the music of young soloists from American conservatories in the PT Young Artist in Residence program.

    Exploring Music will air weeknights from 7 to 8 pm. With programming that follows weekly themes, this national program takes listeners through an in-depth assessment of composers, symphonies, concertos and string quartets. Hosted by Bill McGlauchlin, the program devotes five shows to a single topic, exposing listeners to the breadth of music based on specific themes throughout the week.

    Other syndicated shows that will stay in the program lineup but move to a new time slot include From the Top, on Saturdays from 10 to 11 am; Wind and Rhythm, on Saturdays from 8 to 9 pm; Fiesta, on Saturdays from 9 to 10 pm; Millennium of Music, on Sundays from 8 to 9 pm; and Pipedreams, on Sundays from 9 to 10 pm.

    Girl Power, spotlighting women composers and performers and hosted by Nancy Brunson, will run Sundays from 7 to 8 pm. Command Performance, a weekly show hosted by Kevin Pytcher featuring listener requests, will be broadcast Saturdays from 4 to 5 pm.

    WRR will continue to carry the popular Metropolitan Opera broadcasts on Saturday afternoons at noon during the Met broadcast season.

    WRR Classical 101.1 FM is a division of the City of Dallas Office of Cultural Affairs. It's Texas' first commercial radio station and the second-oldest in the United States; it has maintained its classical format since 1948.

    You can listen online at www.wrr101.com and via the WRR 101.1 Classical FM mobile app, available as a free download on the station website.

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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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