Season Announcement

Audience faves and artist debuts fill Dallas Opera's new season

The Flying Dutchman kicks off the Dallas Opera's new season.

Photo by Maxine Helfman for The Dallas Opera

For its 62nd season, The Dallas Opera is hoping audiences will get "swept away" by five classic operas, as well as the return of its acclaimed family performance series. A pairing of Puccini works and the company's first production of a Shakespearean-inspired favorite are two of the lineup's highlights.

Music director Emmanuel Villaume is on the podium for three of the productions, starting with The Flying Dutchman in October. Said to have been inspired by Wagner's rough sea voyage from Latvia to London in 1839, and also based on old German legends, the opera stars bass-baritone Greer Grimsley as the doomed Dutchman, opposite German-Italian soprano Anja Kampe in her house debut as Senta, the woman irresistibly drawn to the legend. Tenor Jay Hunter Morris returns to TDO as the jilted Erik, desperate to win back the heart and hand of his beloved. The stellar international cast also includes mezzo-soprano Luretta Bybee as Mary and Australian tenor Alisdair Kent as the Steersman. There will be four performances: October 12, 14, 17, and 20, 2018.

Next on the bill is what most consider "the world's most popular opera:" Georges Bizet's Carmen. Performed in French with English supertitles, this star-crossed tale of an instant attraction that evolves into a dangerous obsession was produced at the Glyndebourne Festival before traveling to Dallas. French mezzo-soprano Stephanie D’Oustrac will make her company debut in the title role, with her desperate Don José being sung by Dallas Opera favorite Stephen Costello. TDO is once again partnering with Klyde Warren Park to provide a free simulcast of the performance on October 19; the remaining five performances are October 21, 24, and 27, and November 2 and 4, 2018.

In March 2016, The Dallas Opera mounted Jules Massenet's Manon. Now March 1, 3, 6, and 9, 2019, will see Puccini's version, Manon Lescaut, in a semi-staged presentation. Using the same source material, Puccini weaves a heartbreaking riches-to-rags saga about a naïve young woman who definitely wants it all, but realizes along the way that she has sacrificed the one thing worth keeping: love. By the time this classic returns to The Dallas Opera, it will have been 40 years since its last appearance on their stage. Lyric-spinto soprano Kristin Lewis makes her company debut in the title role, with Gregory Kunde as Chevalier Des Grieux, the man whose steadfast love for Manon almost never wavers. South African bass-baritone Musa Ngqungwana stars as Manon’s protective older brother, Lescaut — Ngqungwana is best known to North Texas audiences for re-creating the role of Queequeg in the highly successful 2016 revival of Jake Heggie and Gene Scheer’s Moby-Dick.

The mini Puccini-fest continues with arguably the most beloved opera in the world: La Bohème. Much of the title cast is making their TDO debuts, which Villaume noted was their way of giving this classic a twist (The Dallas Opera last produced it in 2015). Those who are fans of the musical Rent will be familiar with the its source material: A poet shares close quarters with his bohemian artist friends in 19th century Paris. But despite the poverty, hunger, and sacrifices, their day-to-day struggles are punctuated by moments of humor, happiness, and love. This production will be new to Dallas, with sets and projections designed by Erhard Rom and costumes designed by the late Peter J. Hall. Performances are March 15, 17, 20, 23, 29, and 31, 2019.

Also new to TDO is the season's final opera, Falstaff, adapted from Shakespeare’s The Merry Wives of Windsor. This production from Los Angeles Opera will mark the Dallas Opera debuts of a galaxy of major international stars, including sought-after bass-baritone Mark Delavan in the title role; Angela Meade as Alice Ford; Quinn Kelsey, a Verdi baritone of the first rank, as Ford; German soprano Mojca Erdmann in the role of Nanetta; brilliant Spanish tenor Airam Hernández as Fenton; critically acclaimed mezzo-soprano Stephanie Blythe as Dame Quickly; mezzo-soprano Megan Marino as Meg Page; renowned character tenor Alex Mansoori as Bardolfo; and show-stopping Italian bass Andrea Silvestrelli as Pistola. Performances are April 26 and 28 and May 1 and 4, 2019.

"Great opera delivers not only beautiful music," says interim general director and CEO Kern Wildenthal, "but also tremendous drama and profound insights that can transcend our ordinary lives. The 62nd international season, filled with captivating stories and unsurpassed music performed by some of the world's greatest opera stars, will provide superb entertainment for patrons from across North Texas, as well as the many people who travel to Dallas these days in order to experience opera at its best."

The family performance series, which aims to help children develop an early love of opera and music, also continues with three shows.

Mozart and Company will introduce its audience to the life, loves, and music of one of the world's most famous composers. From sparkling comic masterpieces to heart-stopping tragedies and too many orchestral and chamber masterpieces to name, Mozart changed every form of music he touched. This program will feature the acclaimed Dallas Opera Orchestra and a charismatic narrator, as well as outstanding young opera artists. Performances are October 27, 2018, and May 4, 2019.

Jacques Offenbach's Pépito returns November 3, 2018, and April 27, 2019. The one-act comedy follows Vertigo, a jack-of-all-trades who is rebuffed by the beautiful hostess of the local inn, Manuelita. She is waiting patiently for her fiance Pépito to be released from military service. Miguel, a childhood friend, returns to their native village, where he immediately falls for Manuelita’s charms. A letter from Pépito drops a stunning piece of news on Manuelita and Miguel, leaving the audience to guess who finally gets the girl.

An operatic version of the Brothers Grimm classic fairytale The Town Musicians of Bremen is enhanced with music by Rossini, Donizetti, Offenbach, Arthur Sullivan, and Verdi to become The Bremen Town Musicians. A rooster with operatic aspirations is chased away from his farm for waking the barnyard with his tenor arias, while a dog and a cat are cast out by their owner for being too old to catch rabbits and mice. The three animals run into the woods near the road to Bremen, where a retired army donkey is marching along playing his drum. He's on his way to Bremen to begin a new band. Working together as a team to overcome difficult circumstances, the newly formed Bremen Town Musicians celebrate the idea that friendship, cooperation, and respect for others is far better than facing problems alone. Performances are October 6, 2018, and March 16, 2019.

Subscription prices start at $100 for all five mainstage operas and go on sale April 4, 2018. Single tickets, starting at $19, will go on sale to the public on July 9. For more information, call 214-443-1000 or visit www.dallasopera.org.

opera music

Drama kings

Dallas theater lures new leaders away from Hollywood and Broadway

Photo courtesy of Lyric Stage

Malcolm Goodwin is an actor, director, and producer familiar for roles in Reacher, iZombie, and The Fall of the House of Usher.

Dallas theater company Lyric Stage has looked to Hollywood and Broadway for new leadership, hiring film and television actor and director Malcolm Goodwin and Broadway veteran Victor Hawks as the theater company's new co-artistic directors.

The appointments mark a new chapter for the company, which was founded in 1993 by Steven Jones, executive director Catherine Carpenter Cox says in a November 2 announcement.

Goodwin and Hawks are the co-founders of Team Vision Entertainment, a production company developing and producing film, television, and theater projects.

Their longstanding creative partnership will now extend to Lyric Stage, where they will work alongside Cox to develop programming, support new works, and strengthen the organization's connections to the broader entertainment industry, a press release says.

Goodwin is an actor, director, and producer best known for roles in Amazon Prime Video's Reacher and The CW's iZombie. Other credits include The Fall of the House of Usher, American Gangster, and Spike Lee's Miracle at St. Anna.

His new role at Lyric Stage brings him back to the art form that first inspired his career.

"Theater is where I first learned how to tell stories and where I discovered that I loved every part of the creative process, not just performing," Goodwin says in the release. "I was building theaters, working with lighting and sound, and learning how everything comes together to create something special for an audience. Being able to return to that world and help create opportunities for other artists is incredibly meaningful to me."

Hawks brings an extensive Broadway background to his new position, having appeared in the original Broadway company of Urinetown the Musical, the 2006 Broadway revival of Les Misérables, South Pacific at Lincoln Center, and The Producers national tour.

Victor Hawks, Lyric Stage Victor Hawks.Photo courtesy of Lyric Stage

"Musical theater changed the direction of my life," Hawks says in a statement. "I know firsthand what happens when someone gives a young performer an opportunity to learn, grow and be part of something bigger than themselves. That's what makes this next chapter so exciting. Lyric Stage already has an incredible history, and we want to build on that by creating great theater and opening doors for artists who are just beginning their journeys."

Over the past three decades, Lyric Stage has earned a reputation for its professional productions, world premieres, and restoration of classic Broadway works, with a big focus on musicals.

For Cox, the appointments are about bringing together artists who understand the importance of theater while offering the experience and relationships to help the organization grow.

"Steven Jones built something truly special with Lyric Stage, and we have a responsibility to honor what he created while continuing to move the organization forward," Cox says. "Malcolm and Victor have built remarkable careers in entertainment, but what I love most is that theatre is where both of their journeys began. They understand what the stage can mean to an artist, and they share my passion for creating opportunities for the next generation."

Cox also recently moved into a new role as director, making her directorial debut with Lyric Stage's production of the musical Godspell, which finished its run on October 25.

Upcoming Lyric Stage productions include A Very Lyric Christmas, A Chorus Line, Newsies, and Once.

Future planned endeavors for the company include Lyric Stage Academy, an educational program designed to introduce young people to the performing arts, as well as Children's Theatre, Summer Stock, professional training opportunities, a New Works Lab, and master classes.

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