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    DTC's New Season

    Dallas Theater Center travels from Hee Haw country to Mountaintop for 2015-16 season

    Alex Bentley
    Feb 5, 2015 | 3:39 pm

    For its 2015-2016 season, Dallas Theater Center is going both big and small, as its upcoming slate includes three world premieres, new versions of classic pieces and productions that use a variety of performance spaces.

    The season comprises eight total productions, starting with the world premiere of Moonshine: That Hee Haw Musical, playing in Potter Rose Performance Hall at Wyly Theatre from September 2 through October 11.

    The musical comedy, written by country singers Brandy Clark and Shane McAnally, is loosely — and lovingly — based on the Hee Haw TV series. It tells the story of Misty Mae, the ultimate hometown girl whose adventures in the big city are quite the shock to her country family.

    Running concurrently in the Studio Theatre at the Wyly is The Mountaintop, from September 16-November 15. Much like the recent Selma, the play, written by Olivier Award-winning playwright Katori Hall, attempts to take stock of Martin Luther King Jr. as a man instead of unassailable legend, taking place the night before he was assassinated.

    Next up is DTC’s annual rendition of A Christmas Carol, running at the Wyly from November 25-December 26. The holiday classic is likely to remain somewhat familiar to those who have seen the production in recent years, but they do promise a new actor in the role of Ebenezer Scrooge and a few other surprises.

    In an unusual move, DTC has another show running during the holidays and beyond with Clarkston, at the Studio Theatre from December 3-January 31, 2016. Another world premiere, Clarkston is a new play by MacArthur Foundation Fellow Samuel D. Hunter that loosely explores the modern-day legacy of Lewis and Clark.

    The first show to start in 2016 is an adaptation of William Shakespeare’s Romeo and Juliet, playing at the Kalita Humphreys Theater January 27-February 28. The story of two star-crossed lovers and their warring families is one of the most-told tales in history — but also one that remains as relevant today as it was hundreds of years ago.

    DTC’s spring 2016 production is All the Way, the regional premiere of the Tony Award-winning play about President Lyndon B. Johnson. Houston’s Alley Theatre and DTC are joining forces and sharing actors to bring to life LBJ’s turbulent time in the White House. It runs March 3-27 at Potter Rose Performance Hall.

    The season’s third and final world premiere, Deferred Action, runs April 20-May 15 at Potter Rose Performance Hall. Written by Dallas playwrights David Lozano and Lee Trull, the play centers on young, undocumented Latino immigrants called Dreamers as they search for a place in the country to which they were brought to live at a young age.

    The play is the result of a collaborative project between Dallas Theater Center and Cara Mia Theatre Co. It also blends the two organizations’ resident acting companies for the first time.

    To wrap up the season, DTC turns to the classic musical Dreamgirls, running June 10-July 24, 2016, in Potter Rose Performance Hall. Those who’ve only had a chance to see the musical through the Oscar-winning film adaptation will delight in this new production that follows girl group The Dreams on their path to superstardom.

    Subscriptions for the full season, which do not include A Christmas Carol, go on sale on Monday, February 9, for as little as $126. Subscriptions can be purchased online at DallasTheaterCenter.org or by calling the AT&T Performing Arts Center box office at 214-880-0202.

    Single tickets for all productions will go on sale closer to each individual show.

    Country artist Shane McAnally teams up with Brandy Clark to write the world premiere musical comedy, Moonshine: That Hee Haw Musical.

    Shane McAnally
    Photo by Alysse Gafkjen
    Country artist Shane McAnally teams up with Brandy Clark to write the world premiere musical comedy, Moonshine: That Hee Haw Musical.
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    news/arts

    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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