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Strike up the band

Former Dallas Opera CEO lured back from Canada to head Fort Worth Symphony

Stephanie Allmon Merry
Aug 28, 2018 | 4:42 pm
Keith Cerny, Jennifer Cerny
Keith Cerny with his wife, Jennifer, at the 2015 Dallas Opera First Night gala.
Photo by Sylvia Elzafon

The Fort Worth Symphony Orchestra conducted an international search for a new president and CEO and found someone who, until eight months ago, was working 30 miles away. Keith Cerny, the immediate past general director and CEO of The Dallas Opera, has been tapped to lead the FWSO, the organization announced in a news release August 27. His tenure will begin in January.

Orchestra personnel called the search for a new leader "intensive." It has been ongoing since Amy Adkins resigned from the position in July 2017.

"Patience and perseverance proved us right in finding the perfect candidate to lead the FWSO into the next chapter," board chair Mercedes Bass says in a release. "Keith’s varied experiences with different organizations in multiple capacities prove that he is indeed highly qualified to be leading the FWSO."

Cerny does not come directly from Dallas Opera. He left somewhat abruptly in December 2017 to head the smaller Calgary Opera in Canada. Recent published interviews indicate he had big plans there, even telling The Globe and Mail in March, "One of the things I'm keen to preserve is the company's track record in premieres." (Dallas Opera and Calgary Opera partnered on the 2010 world premiere of Moby-Dick, the newspaper recalls.)

But after just eight months there, his family needed a change, he says. He and his wife, Jennifer, have four sons (and a rescue Schnoodle named Libby, the FWSO notes).

“While it is has been an honor to serve as general director and CEO of Calgary Opera, the travel demands of this leadership position have put a greater than anticipated strain on me and my family back in Texas," Cerny says in the release. "As a result, I have made the difficult decision to step down next year. I will continue to work with the board of the Calgary Opera to implement the company’s new strategy until I depart for my new position in Fort Worth.”

After Adkins' departure, FWSO briefly employed another Dallas arts veteran, David Hyslop, as its interim CEO. But they quietly parted ways in September 2017.

Cerny led Dallas opera from 2010 to the end of 2017. While there, he commissioned three world premieres, launched public simulcasts, and established the acclaimed Hart Institute for Women Conductors. His departure late last year shocked the Dallas arts community. (Dallas Opera as since appointed Ian Derrer as its president.)

Opera News called Cerny's Dallas tenure “notable for both its artistic innovation and its fiscal stability."

Those are two qualities that FWSO needs in a leader, now more than ever. The orchestra continues to recover from recent years of fiscal hardship and also looks to a future without popular music director Miguel Harth-Bedoya, who is stepping down in 2020. A search is under way for his replacement.

concerts music
news/arts

Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

design district kitchen dog theater new works festival performing-arts plays theater
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