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    Strike up the band

    Former Dallas Opera CEO lured back from Canada to head Fort Worth Symphony

    Stephanie Allmon Merry
    Aug 28, 2018 | 4:42 pm
    Keith Cerny, Jennifer Cerny
    Keith Cerny with his wife, Jennifer, at the 2015 Dallas Opera First Night gala.
    Photo by Sylvia Elzafon

    The Fort Worth Symphony Orchestra conducted an international search for a new president and CEO and found someone who, until eight months ago, was working 30 miles away. Keith Cerny, the immediate past general director and CEO of The Dallas Opera, has been tapped to lead the FWSO, the organization announced in a news release August 27. His tenure will begin in January.

    Orchestra personnel called the search for a new leader "intensive." It has been ongoing since Amy Adkins resigned from the position in July 2017.

    "Patience and perseverance proved us right in finding the perfect candidate to lead the FWSO into the next chapter," board chair Mercedes Bass says in a release. "Keith’s varied experiences with different organizations in multiple capacities prove that he is indeed highly qualified to be leading the FWSO."

    Cerny does not come directly from Dallas Opera. He left somewhat abruptly in December 2017 to head the smaller Calgary Opera in Canada. Recent published interviews indicate he had big plans there, even telling The Globe and Mail in March, "One of the things I'm keen to preserve is the company's track record in premieres." (Dallas Opera and Calgary Opera partnered on the 2010 world premiere of Moby-Dick, the newspaper recalls.)

    But after just eight months there, his family needed a change, he says. He and his wife, Jennifer, have four sons (and a rescue Schnoodle named Libby, the FWSO notes).

    “While it is has been an honor to serve as general director and CEO of Calgary Opera, the travel demands of this leadership position have put a greater than anticipated strain on me and my family back in Texas," Cerny says in the release. "As a result, I have made the difficult decision to step down next year. I will continue to work with the board of the Calgary Opera to implement the company’s new strategy until I depart for my new position in Fort Worth.”

    After Adkins' departure, FWSO briefly employed another Dallas arts veteran, David Hyslop, as its interim CEO. But they quietly parted ways in September 2017.

    Cerny led Dallas opera from 2010 to the end of 2017. While there, he commissioned three world premieres, launched public simulcasts, and established the acclaimed Hart Institute for Women Conductors. His departure late last year shocked the Dallas arts community. (Dallas Opera as since appointed Ian Derrer as its president.)

    Opera News called Cerny's Dallas tenure “notable for both its artistic innovation and its fiscal stability."

    Those are two qualities that FWSO needs in a leader, now more than ever. The orchestra continues to recover from recent years of fiscal hardship and also looks to a future without popular music director Miguel Harth-Bedoya, who is stepping down in 2020. A search is under way for his replacement.

    concertsmusic
    news/arts

    Dance of all Kinds

    New TITAS/Dance Unbound season brings international debuts to Dallas

    Alex Bentley
    Apr 20, 2026 | 12:15 pm
    Hervé Koubi dance company
    Photo by Sharen Bradford
    The 2026-2027 TITAS/Dance Unbound season will include 10 performances, including French company Hervé Koubi.

    The 2026-2027 TITAS/Dance Unbound season will once again have an international feel, featuring nine companies from four different countries that will include four Dallas debuts.

    Now entering its fifth decade, TITAS strives to showcase diverse, exciting, and unexpected dance work from around the world.

    According to a release, the 10-performance season will kick off with a co-production from Broadway at the Center's recently-announced season, Dance Me - The Music of Leonard Cohen from Ballets Jazz Montréal.

    Developed with the personal blessing of singer/songwriter Leonard Cohen, Dance Me is a translation of a legend’s soul into physical form. Through movement, they capture the mood and essence that made Cohen such an icon.

    There will be three performances on September 18 and 19, 2026 at Moody Performance Hall.

    November brings the return of Pilobolus, last seen in Dallas in a 2023 outdoor performance at Nasher Sculpture Center.

    This visit, taking place on November 6 and 7, 2026 at Moody Performance Hall, will be with Trips, featuring a journey through gravity-defying feats, explosive athleticism, physical poetry, and sly humor.

    Alonzo King Lines Ballet pays an encore visit to Dallas on December 19, 2026 at Winspear Opera House.

    Choreographer King infuses classical ballet with new expressive potential, and draws on a diverse set of deeply rooted traditions and cultural collaborations to create something fresh, powerful, and unforgettable.

    Making its Dallas debut will be Step Afrika!, coming to Moody Performance Hall on January 15 and 16, 2027.

    Stepping started in the early 1900s on historically black college campuses, and Step Afrika! has drawn on that tradition in their jaw-dropping, creative, and joyful performances.

    Next up will be Alan Lake Factori(e), presented as part of the TITAS/Unfiltered series on February 5 and 6, 2027 at Moody Performance Hall.

    The Canadian company will perform Orpheus, in which choreographer Lake, explores the redemptive power of art through an immersive world where image, movement, light, and physical materials all come together.

    The TITAS/Unfiltered series features bold, progressive work that challenges expectations, enthralls audiences, and sparks conversation.

    Another company making its Dallas debut will be Argentina's Social Tango Project, performing at Moody Performance Hall on February 26 and 27, 2027.

    With 10 dancers, five musicians, and the meaningful participation of local tango communities in every city they visit, Social Tango celebrates not just the beauty and complexity of tango, but the heart and spirit behind it.

    The French company Hervé Koubi will present What the Day Owes to the Night on March 27, 2027 at Winspear Opera House.

    Koubi’s signature work blends capoeira, martial arts, urban dance, and contemporary movement into something entirely its own, featuring 12 male dancers flipping, flying, and seemingly defying gravity - and expectations - at every turn.

    The U.S.-based Yue Yin Dance Company will makes its Texas debut on April 2 and 3, 2027 at Moody Performance Hall.

    Founder Yue Yin uses a movement vocabulary she calls the "FOCO Technique," a contemporary dance language rooted in Chinese classical and folk traditions and shaped by the layered influences of the immigrant experience.

    Wrapping up the season will be the Dallas debut of Philadanco! on May 8, 2027 at Winspear Opera House.

    Founded in 1970 by Joan Myers Brown, The Philadelphia Dance Company - aka Philadanco! - is celebrated for its creativity and fresh ideas, bringing people together through dance.

    Additionally, TITAS/Dance Unbound will put on their annual Command Performance on April 24, 2027 at Winspear Opera House.

    The special event features artists from leading companies and commissioned works created specifically for this gala performance by some of the world’s leading choreographers.

    Throughout the season, TITAS will make direct-access learning available to the public through pre- and post-performance Q&As, master classes, lecture/demonstrations, student matinees and Big Barre outdoor dance classes.

    Season subscriptions, which range from $213-$760, are on sale now and can be purchased by phone at 214-880-0202 and online at attpac.org/titas.

    Subscribers receive special perks, including a 20 percent discount on single tickets, free ticket insurance, discounted parking rates, and seat assurance all season long.

    Single tickets for TITAS/Dance Unbound, ranging from $14-$140 at Winspear Opera House and $30-$80 at Moody Performance Hall, will go on sale on a TBD date in summer 2026.

    dancedance unbound seasonperforming-arts
    news/arts

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