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Strike up the band

Former Dallas Opera CEO lured back from Canada to head Fort Worth Symphony

Stephanie Allmon Merry
Aug 28, 2018 | 4:42 pm
Keith Cerny, Jennifer Cerny
Keith Cerny with his wife, Jennifer, at the 2015 Dallas Opera First Night gala.
Photo by Sylvia Elzafon

The Fort Worth Symphony Orchestra conducted an international search for a new president and CEO and found someone who, until eight months ago, was working 30 miles away. Keith Cerny, the immediate past general director and CEO of The Dallas Opera, has been tapped to lead the FWSO, the organization announced in a news release August 27. His tenure will begin in January.

Orchestra personnel called the search for a new leader "intensive." It has been ongoing since Amy Adkins resigned from the position in July 2017.

"Patience and perseverance proved us right in finding the perfect candidate to lead the FWSO into the next chapter," board chair Mercedes Bass says in a release. "Keith’s varied experiences with different organizations in multiple capacities prove that he is indeed highly qualified to be leading the FWSO."

Cerny does not come directly from Dallas Opera. He left somewhat abruptly in December 2017 to head the smaller Calgary Opera in Canada. Recent published interviews indicate he had big plans there, even telling The Globe and Mail in March, "One of the things I'm keen to preserve is the company's track record in premieres." (Dallas Opera and Calgary Opera partnered on the 2010 world premiere of Moby-Dick, the newspaper recalls.)

But after just eight months there, his family needed a change, he says. He and his wife, Jennifer, have four sons (and a rescue Schnoodle named Libby, the FWSO notes).

“While it is has been an honor to serve as general director and CEO of Calgary Opera, the travel demands of this leadership position have put a greater than anticipated strain on me and my family back in Texas," Cerny says in the release. "As a result, I have made the difficult decision to step down next year. I will continue to work with the board of the Calgary Opera to implement the company’s new strategy until I depart for my new position in Fort Worth.”

After Adkins' departure, FWSO briefly employed another Dallas arts veteran, David Hyslop, as its interim CEO. But they quietly parted ways in September 2017.

Cerny led Dallas opera from 2010 to the end of 2017. While there, he commissioned three world premieres, launched public simulcasts, and established the acclaimed Hart Institute for Women Conductors. His departure late last year shocked the Dallas arts community. (Dallas Opera as since appointed Ian Derrer as its president.)

Opera News called Cerny's Dallas tenure “notable for both its artistic innovation and its fiscal stability."

Those are two qualities that FWSO needs in a leader, now more than ever. The orchestra continues to recover from recent years of fiscal hardship and also looks to a future without popular music director Miguel Harth-Bedoya, who is stepping down in 2020. A search is under way for his replacement.

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GIFTED AND TALENTED

SMU historian Ariel Ron wins prestigious $800k MacArthur genius grant

Brandon Watson
Oct 2, 2026 | 10:36 am
Ariel Ron
Photo courtesy of the John D. and Catherine T. MacArthur Foundation
SMU historian Ariel Ron will receive $800,000 — no strings attached.

Three Texans have been named 2026 MacArthur Fellows, one of the most prestigious honors in the U.S. for artists, scientists, and scholars. Among them is Dallas historian and author Ariel Ron, who directs the Clements Center for Southwest Studies at Southern Methodist University.

San Antonio's Vincent Valdez and San Marcos-based anthropologist Kate Spradley were also on the 2026 list of 20 recipients of the “genius grants” given by the John D. and Catherine T. MacArthur Foundation. Each fellow will receive $800,000 over five years, with no strings attached.

Individuals do not apply for the honor. The grants are awarded via a confidential, multi-step process managed by the foundation, and many recipients express surprise that they were considered for the fellowship.

“While individuals will have a track record of significant achievement, the fellowship is not a lifetime achievement award — it is an investment in a person's originality, insight, and potential,” wrote MacArthur on its website. “The Fellows Program is proactively working to foster and enable innovative, imaginative, and ground-breaking ideas, thinking, and strategies.”

Ron's research focuses on how Northern agriculture shaped economic growth and federal power in 19th-century America. Grassroots Leviathan: Agricultural Reform and the Rural North in the Slaveholding Republic, his 2020 book, challenges the notion of an industrial North versus an agrarian South.

"My approach is to identify and look carefully at things that everyone knows to be important but are somehow too obvious-seeming to look at closely," Ron says in a video on the MacArthur Foundation's website. "If you scratch the surface a little bit, you discover that there are a lot of interesting things that might change the way we think about bigger questions."

Valdez, who splits his time between San Antonio and Houston, is known for large, hyperrealistic drawings and paintings of Mexican American life. More recently, he has turned his focus to broader sociopolitical issues in works like The Strangest Fruit, a series of paintings confronting the lynching of Latinos.

At Texas State University in San Marcos, forensic anthropologist Spradley founded Operation Identification in 2013 — a program that identifies and repatriates the remains of migrants who died along the Texas-Mexico border. She is also a cofounder of the Forensic Border Coalition, which pushes for policy changes at the local and national levels. Spradley is the school’s first MacArthur Fellow.

A full list of the 2026 MacArthur Fellows can be found online.

arts grants macarthur grants southern methodist university visual arts
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