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Theater Review

Dallas Theater Center's bilingual Our Town finally reflects this town

Lindsey Wilson
Feb 17, 2022 | 12:14 pm
Dallas Theater Center presents Our Town
Christina Austin Lopez, Zachary J. Willis, and the cast of Our Town.
Photo by Imani Thomas

This year marks the 125th birthday of playwright Thornton Wilder, and Dallas Theater Center is celebrating with a new production of his classic Our Town that looks and sounds a lot more like how our actual towns do today.

Translated passages by Nilo Cruz and Jeff Augustin mean that about 20 percent of the production is presented in Spanish, with supertitles projected on either side of the Kalita Humphreys stage. During the February 5 and 6 performances, live Spanish translation of the entire play was available through headsets.

Essentially, in this production, the Webb family is now Latinx while the Gibbs family is Black, and it's a casting change that blends beautifully into the examination of everyday life, love, and connection on which Wilder's 1938 play has built its revered reputation.

Director Tatiana Pandiani, who also currently serves as the associate director for the national Broadway tour of What the Constitution Means to Me by Heidi Schreck, notes in the program that Our Town is about "the eternal and the ephemeral...a constant reminder that we are here, and then suddenly we are not."

Indeed, the show's plot does feel eerily reminiscent of this unpredictable limbo we've all been existing in for the past two years.

Guided by the Narrator (Liz Mikel), the audience gets glimpses into the everyday lives of the inhabitants of Grovers Corners, New Hampshire. It's a simple small town where the biggest drama is the not-so-secret alcoholism of the church's choir director.

Young Emily Webb (newly minted Brierley Resident Acting Company member Christina Austin Lopez) and George Gibbs (Zachary J. Willis) grow from schoolyard pals to nervous newlyweds, while wholesome and charming townsfolk flit in and out of their story.

Then comes the third act. Emily has died in childbirth, and from her spot in the cemetery she begs to return to the land of the living for just one day. An ordinary day, she pleads with the Narrator, so she can fully appreciate all that she's lost. But the pain is too great, and Emily realizes how sad it is that most people will never be able to understand the treasures that they already possess in friends and family.

Pandiani's production is stark, with the warmth flowing from the performances instead of the design elements.

Mikel, a Dallas treasure who will be starring on Broadway later this year in the new revival of 1776, is the ideal choice for the Narrator (who, not for nothing, is typically played by an older white man). She's known for her instant connections with audiences, and getting to address them directly is right in her wheelhouse.

Lopez switches wonderfully between childish innocence and exuberance and sudden adult pain and understanding, though Willis isn't quite up to her level.

As for the adults, Kenneisha Thompson projects quiet strength as Mrs. Gibbs while David Lugo brings affable humor as Mr. Webb. Brierley members Alex Organ and Molly Searcy do loads with their more periphery roles, while Madison Bryant is adorable as George's little sister, Rebecca.

It was originally announced that all cast members would wear masks while onstage, but that requirement seems to not be applicable anymore. Audience members, however, are still required to mask up while in the building.

---

Dallas Theater Center's production of Our Town runs through February 20 at the Kalita Humphreys Theater.

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GIFTED AND TALENTED

SMU historian Ariel Ron wins prestigious $800k MacArthur genius grant

Brandon Watson
Oct 2, 2026 | 10:36 am
Ariel Ron
Photo courtesy of the John D. and Catherine T. MacArthur Foundation
SMU historian Ariel Ron will receive $800,000 — no strings attached.

Three Texans have been named 2026 MacArthur Fellows, one of the most prestigious honors in the U.S. for artists, scientists, and scholars. Among them is Dallas historian and author Ariel Ron, who directs the Clements Center for Southwest Studies at Southern Methodist University.

San Antonio's Vincent Valdez and San Marcos-based anthropologist Kate Spradley were also on the 2026 list of 20 recipients of the “genius grants” given by the John D. and Catherine T. MacArthur Foundation. Each fellow will receive $800,000 over five years, with no strings attached.

Individuals do not apply for the honor. The grants are awarded via a confidential, multi-step process managed by the foundation, and many recipients express surprise that they were considered for the fellowship.

“While individuals will have a track record of significant achievement, the fellowship is not a lifetime achievement award — it is an investment in a person's originality, insight, and potential,” wrote MacArthur on its website. “The Fellows Program is proactively working to foster and enable innovative, imaginative, and ground-breaking ideas, thinking, and strategies.”

Ron's research focuses on how Northern agriculture shaped economic growth and federal power in 19th-century America. Grassroots Leviathan: Agricultural Reform and the Rural North in the Slaveholding Republic, his 2020 book, challenges the notion of an industrial North versus an agrarian South.

"My approach is to identify and look carefully at things that everyone knows to be important but are somehow too obvious-seeming to look at closely," Ron says in a video on the MacArthur Foundation's website. "If you scratch the surface a little bit, you discover that there are a lot of interesting things that might change the way we think about bigger questions."

Valdez, who splits his time between San Antonio and Houston, is known for large, hyperrealistic drawings and paintings of Mexican American life. More recently, he has turned his focus to broader sociopolitical issues in works like The Strangest Fruit, a series of paintings confronting the lynching of Latinos.

At Texas State University in San Marcos, forensic anthropologist Spradley founded Operation Identification in 2013 — a program that identifies and repatriates the remains of migrants who died along the Texas-Mexico border. She is also a cofounder of the Forensic Border Coalition, which pushes for policy changes at the local and national levels. Spradley is the school’s first MacArthur Fellow.

A full list of the 2026 MacArthur Fellows can be found online.

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