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    Treasures of a Legend

    A sneak peek at precious Van Cliburn treasures coming up for auction

    Jennifer Chininis
    Feb 24, 2014 | 2:57 pm

    On March 4-5, Christie’s offers collectors the rare opportunity to procure treasures from the estate of renowned musician Van Cliburn, who died a year ago this week at his Fort Worth home. The New York auction, dubbed Two Distinguished American Collections, also features pieces from the estate of Noreen Drexel.

    But it’s the Van Cliburn collection that speaks most to Capera Ryan, senior vice president and managing director, Southwest region, for Christie’s, who selected some of her favorite pieces in the slideshow above. She recounts with fondness her time spent with “sweet Van,” a cherished family friend.

    “The objects he collected in a way tell the story of his life,” Ryan says. “As he played all over the world, he’d always buy himself something. He collected everything, and he went after it passionately. He didn’t have children; these objects were like his family.”

    “The objects he collected in a way tell the story of his life,” says Capera Ryan, a senior VP at Christie’s and friend of Van Cliburn’s.

    Silver was one of Van Cliburn’s great loves, a passion he inherited from his mother and aunt, who were also big silver collectors. “The oval tea tray [lot 445] to me is very reminiscent of his passion for English silver,” Ryan says. “He had it in his library. It just makes me think of him.”

    Russian pieces also figure prominently among the auction items, of course, as the pianist skyrocketed to fame in 1958, when, at the tender age of 23, he won the International Tchaikovsky Piano Competition in Moscow at the height of the Cold War. In addition to buying himself collectibles during his travels, he would often receive gifts from the Russians he encountered as he toured.

    “The Russian pieces say so much about his connection to the country,” says Ryan, who also remembers attending a Russian gala with Van Cliburn and watching young Russian women approach him as if he were a rock star. It was in that moment, she says, that she truly understood his celebrity status in that country.

    Naturally, the Christie’s auction also includes a C. Bechstein piano, dated 1869. It was a gift to Van Cliburn from his mother, who taught music. “He had seven pianos in his house. A piano of Van’s is such a collectible item,” Ryan says.

    Ryan really got to know Van Cliburn in 2012, when Christie’s held its first auction featuring items from his estate. (You can watch an interview from that time in the video below.) The pianist considered Ryan’s grandmother, Deborah Moncrief, a good luck charm, and he would often send her lavish bouquets of flowers after a performance. By 2012, Moncrief had passed, but Ryan says her grandmother is what bonded her to Van Cliburn.

    As they catalogued the pieces in that 2012 auction, the two shared fond memories of Ryan’s grandmother. Van Cliburn also had an incredible memory of his objects and shared elaborate stories about each, from the provenance and the artist to where he bought it and even how much he paid for it. Ryan says he saw beauty in everything and had impeccable taste, which is reflected in the assortment of items up for bid.

    Ryan also notes that Van Cliburn truly enjoyed his collections and, as an avid entertainer, put items like his silver to good use. They didn’t sit around collecting dust. They were very much a part of his household, and he took great pleasure in sharing them with those who visited his home.

    “He had everything out, in view,” Ryan says. “He enjoyed these things. He served food on his silver. It was as much about collecting as enjoying.”

    The upcoming auction is bittersweet, Ryan says, because the musician wasn’t there to relate the stories of how he acquired his beloved objects and the lives they had before coming into his possession. But she knows these treasures will live on, creating memories for their new owners, just as Van Cliburn himself lives on through his music.

    “I can see the similarity between Van the collector and the objects themselves,” Ryan says. “I think he believed in many lives.”

    ---

    The auction, Two Distinguished American Collections, takes place March 4-5 in New York. Bidders can register by telephone, bid online or in person. The pieces will be on view at Christie's New York — open to the public — for a week preceding the sale.

    C. Bechstein, model V piano, Berlin, 1869. Estimate: $8,000-$12,000.

    Van Cliburn Christie's auction lot 526
    Photo courtesy of Christie's Images LTD 2014
    C. Bechstein, model V piano, Berlin, 1869. Estimate: $8,000-$12,000.
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    news/arts

    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
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