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Actor Spotlight

Dallas actor who plays LBJ likes a challenge, not a kale smoothie

Lindsey Wilson
Mar 2, 2016 | 12:15 pm

Brandon Potter wasn’t originally cast as our 36th president in All the Way, a co-production between Dallas Theater Center and Houston’s Alley Theatre. But when the first actor had to step down for medical reasons, Potter found himself in the spotlight.

For the Brierley Resident Acting Company member, who has been consistently earning good notices for his supporting roles, it’s a chance to make his mark as a leading man. Potter recently played Richard III for Shakespeare in the Bar, and he more than proved his star quality then.

Before All The Way opens in Dallas on March 3 at the Wyly Theatre, after previously playing Houston, Potter took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

Name: Brandon Potter

Role in All The Way: Lyndon Baines Johnson

Previous work in the Dallas-Forth Worth area: King Lear, A Christmas Carol, The Book Club Play, Sense and Sensibility at Dallas Theater Center

Hometown: Weatherford, Texas

Where you currently reside: Knox-Henderson in a super-cute apartment with my amazing wife, Ardis Campbell, and my stupid cat, Toots.

First theater role: Harmony Rhodes in Weatherford High School’s production of Daddy’s Dyin’ Who’s got the Will? The whole show was double cast except for my role, which meant I got to kiss two different casts of girls.

As a 14-year-old boy, I thought I had beat the system. Little did I know I was just working twice as hard.

First stage show you ever saw: One of the King Johns or maybe one of the Henrys. It was Shakespeare Dallas, and it was bloody!

Moment you decided to pursue a career in theater: It was in high school. I realized I could fulfill my elective by either sharing a shower with a bunch of football players, or by sharing a dressing room with a bunch of theater chicks. I chose wisely, I think!

Most challenging role you’ve played: LBJ

Special skills: Oh, I don’t know if I have any skills that are truly special. I can, however, get super interested in one thing and pursue it doggedly no matter how bad I am at it. I think this is something most creative people do. It leads to being able to do neat party tricks like juggling and handstands, and being able to play a few tunes on the piano or standup bass.

There was a while a year or two ago when I was able to a back handspring. It always weirded people out to see a pudgy bald guy bust out some gymnastics.

Something you’re REALLY bad at: REALLY bad at, huh? The all-caps REALLY puts the pressure on to find the thing that I’m on record for being the worst at.

Ooooh, I know! There was this one time I talked my way into being a copywriter at this super hip Internet startup in SoHo back in New York. I was TERRIBLE at it. ALL CAPS TERRIBLE. About a week into the job I realized that I was out of my league. It took them another week to come to the same conclusion.

Current pop culture obsession: The Expanse. Best sci-fi TV show in years.

Last book you read: Indomitable Will by Mark K. Updegrove

Favorite movie(s): I like too many of ’em. Last one I watched that I really loved was The Witch. Saw that tonight with my wife. Had to scoop my jaw up off the floor when we left the theater. Before that, Holy Mountain or maybe Badlands. Geez, I like too many of ’em.

Favorite musician(s): Been listening to a lot of Disco Doom and Ghost these days. I always come back to Tom Waits, though. Who doesn’t?

Favorite song: I can almost always to listen to “Angel of Death” by Slayer.

Dream role: Hickey in The Iceman Cometh

Favorite play(s): Most of Shakespeare. I wish I had some new cutting-edge play to plug here, but, dang, Billy Shakes is the best.

Favorite musical(s): Maybe a Disney thing? Robin Hood? That whistling chicken is pretty cool!

Favorite actors/actresses: I saw Brian Cox in Super Troopers, then in a Stoppard play, then in 25th Hour. That dude is a stone cold master. Yep, I’m going with Brian Cox.

Favorite food: Cows. I wish that something with a soul didn’t have to die in order for me to have satisfying meal. But that’s just not true. Not now.

Maybe one day I’ll grow to love kale smoothies and couscous. But that day is not today.

Must-see TV show(s): Deadwood and Game of Thrones are probably my favorites. Love me some genre drama!

Something most people don’t know about you: I had my own Taekwondo studio when I was 14. I was a black belt and everything!

Place in the world you’d most like to visit: Gotta go to rural Japan sometime. Not robot-’splosion-future-Japan, but cherry-blossom-silent-shrine-Japan.

Pre-show warm-up: I gotta stretch. Especially my spine. Then I do text from the play. I do jumping jacks and push-ups. And I gotta walk onstage and speak before the play, before the house is open. Oh! And coffee. Gotta have some coffee before the show.

Favorite part about your current role: I like playing characters who own the world; they’re always at home. I also like playing characters who are backed into a corner; they’ll do anything to survive. LBJ is all of that stuff — and he’s funny to boot.

Most challenging part about your current project: Doing the makeup before every show. I’m an actor, not a painter!

Most embarrassing onstage mishap: This one time I was singing a song out in the house, and the crotch of my costume caught on the set. I turned to walk away and the entire front of my pants ripped away. I was both singing and flashing my underwear to audience members who were less than a foot away.

I tried to run offstage singing with a smile on my face, but the fabric was still stuck to the set, so I was trapped. I had to sing and unsnag myself while the audience averted their eyes from my freshly exposed boxer briefs.

Career you’d have if you weren’t in theater: Carpenter. I like working with my hands.

Favorite post-show spot: Old Monk or up in that bed with my lady and my cat.

Favorite thing about Dallas-Forth Worth: DFW is big enough and cosmopolitan enough that it competes on the national or global level in a variety of fields. But it’s not so huge that it feels anonymous or impersonal. That’s a tough balance.

I’ve lived a few places, and DFW passes my Goldilocks test.

Most memorable theater moment: I got to see James Gandolfini, Jeff Daniels, Hope Davis, and Marsha Gay Harden do God of Carnage. It was one of those unintentional master-class moments. That was when I realized that every actor has their own style, and that’s okay.

---

All the Way plays March 3-April 3 at the Wyly Theatre.

Potter (second from left) in Sense and Sensibility.

Dallas Theater Center presents Sense and Sensibility
Photo by Karen Almond
Potter (second from left) in Sense and Sensibility.
qa interview theater
news/arts

A Familiar Face

Dallas Theater Center names Jaime Castañeda as new artistic director

Lindsey Wilson
Dec 17, 2025 | 12:30 pm
Jaime Castañeda
Photo courtesy of Dallas Theater Center
Jaime Castañeda is the Tony-winning theater's new artistic director.

The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

“DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

"Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

“We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

“Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

dallas theater center jaime castañeda kevin moriarty theater
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