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    Actor Spotlight

    Dallas actor who plays LBJ likes a challenge, not a kale smoothie

    Lindsey Wilson
    Mar 2, 2016 | 12:15 pm

    Brandon Potter wasn’t originally cast as our 36th president in All the Way, a co-production between Dallas Theater Center and Houston’s Alley Theatre. But when the first actor had to step down for medical reasons, Potter found himself in the spotlight.

    For the Brierley Resident Acting Company member, who has been consistently earning good notices for his supporting roles, it’s a chance to make his mark as a leading man. Potter recently played Richard III for Shakespeare in the Bar, and he more than proved his star quality then.

    Before All The Way opens in Dallas on March 3 at the Wyly Theatre, after previously playing Houston, Potter took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Brandon Potter

    Role in All The Way: Lyndon Baines Johnson

    Previous work in the Dallas-Forth Worth area:King Lear, A Christmas Carol, The Book Club Play, Sense and Sensibility at Dallas Theater Center

    Hometown: Weatherford, Texas

    Where you currently reside: Knox-Henderson in a super-cute apartment with my amazing wife, Ardis Campbell, and my stupid cat, Toots.

    First theater role: Harmony Rhodes in Weatherford High School’s production of Daddy’s Dyin’ Who’s got the Will? The whole show was double cast except for my role, which meant I got to kiss two different casts of girls.

    As a 14-year-old boy, I thought I had beat the system. Little did I know I was just working twice as hard.

    First stage show you ever saw: One of the King Johns or maybe one of the Henrys. It was Shakespeare Dallas, and it was bloody!

    Moment you decided to pursue a career in theater: It was in high school. I realized I could fulfill my elective by either sharing a shower with a bunch of football players, or by sharing a dressing room with a bunch of theater chicks. I chose wisely, I think!

    Most challenging role you’ve played: LBJ

    Special skills: Oh, I don’t know if I have any skills that are truly special. I can, however, get super interested in one thing and pursue it doggedly no matter how bad I am at it. I think this is something most creative people do. It leads to being able to do neat party tricks like juggling and handstands, and being able to play a few tunes on the piano or standup bass.

    There was a while a year or two ago when I was able to a back handspring. It always weirded people out to see a pudgy bald guy bust out some gymnastics.

    Something you’re REALLY bad at: REALLY bad at, huh? The all-caps REALLY puts the pressure on to find the thing that I’m on record for being the worst at.

    Ooooh, I know! There was this one time I talked my way into being a copywriter at this super hip Internet startup in SoHo back in New York. I was TERRIBLE at it. ALL CAPS TERRIBLE. About a week into the job I realized that I was out of my league. It took them another week to come to the same conclusion.

    Current pop culture obsession: The Expanse. Best sci-fi TV show in years.

    Last book you read:Indomitable Will by Mark K. Updegrove

    Favorite movie(s): I like too many of ’em. Last one I watched that I really loved was The Witch. Saw that tonight with my wife. Had to scoop my jaw up off the floor when we left the theater. Before that, Holy Mountain or maybe Badlands. Geez, I like too many of ’em.

    Favorite musician(s): Been listening to a lot of Disco Doom and Ghost these days. I always come back to Tom Waits, though. Who doesn’t?

    Favorite song: I can almost always to listen to “Angel of Death” by Slayer.

    Dream role: Hickey in The Iceman Cometh

    Favorite play(s): Most of Shakespeare. I wish I had some new cutting-edge play to plug here, but, dang, Billy Shakes is the best.

    Favorite musical(s): Maybe a Disney thing? Robin Hood? That whistling chicken is pretty cool!

    Favorite actors/actresses: I saw Brian Cox in Super Troopers, then in a Stoppard play, then in 25th Hour. That dude is a stone cold master. Yep, I’m going with Brian Cox.

    Favorite food: Cows. I wish that something with a soul didn’t have to die in order for me to have satisfying meal. But that’s just not true. Not now.

    Maybe one day I’ll grow to love kale smoothies and couscous. But that day is not today.

    Must-see TV show(s):Deadwood and Game of Thrones are probably my favorites. Love me some genre drama!

    Something most people don’t know about you: I had my own Taekwondo studio when I was 14. I was a black belt and everything!

    Place in the world you’d most like to visit: Gotta go to rural Japan sometime. Not robot-’splosion-future-Japan, but cherry-blossom-silent-shrine-Japan.

    Pre-show warm-up: I gotta stretch. Especially my spine. Then I do text from the play. I do jumping jacks and push-ups. And I gotta walk onstage and speak before the play, before the house is open. Oh! And coffee. Gotta have some coffee before the show.

    Favorite part about your current role: I like playing characters who own the world; they’re always at home. I also like playing characters who are backed into a corner; they’ll do anything to survive. LBJ is all of that stuff — and he’s funny to boot.

    Most challenging part about your current project: Doing the makeup before every show. I’m an actor, not a painter!

    Most embarrassing onstage mishap: This one time I was singing a song out in the house, and the crotch of my costume caught on the set. I turned to walk away and the entire front of my pants ripped away. I was both singing and flashing my underwear to audience members who were less than a foot away.

    I tried to run offstage singing with a smile on my face, but the fabric was still stuck to the set, so I was trapped. I had to sing and unsnag myself while the audience averted their eyes from my freshly exposed boxer briefs.

    Career you’d have if you weren’t in theater: Carpenter. I like working with my hands.

    Favorite post-show spot:Old Monk or up in that bed with my lady and my cat.

    Favorite thing about Dallas-Forth Worth: DFW is big enough and cosmopolitan enough that it competes on the national or global level in a variety of fields. But it’s not so huge that it feels anonymous or impersonal. That’s a tough balance.

    I’ve lived a few places, and DFW passes my Goldilocks test.

    Most memorable theater moment: I got to see James Gandolfini, Jeff Daniels, Hope Davis, and Marsha Gay Harden do God of Carnage. It was one of those unintentional master-class moments. That was when I realized that every actor has their own style, and that’s okay.

    ---

    All the Way plays March 3-April 3 at the Wyly Theatre.

    Potter (second from left) in Sense and Sensibility.

    Dallas Theater Center presents Sense and Sensibility
      
    Photo by Karen Almond
    Potter (second from left) in Sense and Sensibility.
    qainterviewtheater
    news/arts

    Season Announcement

    Dallas Theater Center finds rhythm and rhyme in 2025-26 season

    Lindsey Wilson
    Apr 2, 2025 | 5:31 pm
    Ragtime at City Center Encores
    Photo by Joan Marcus
    "Ragtime" was recently staged in New York by City Center Encores.

    The 2025-26 season for Dallas Theater Center is a mix of classic and new, large and small, and it even raises the curtain on more collaborations with the Tony Award-winning regional theater.

    This season includes the launch of a three-year partnership between Dallas Theater Center and Stage West Theatre in Fort Worth, as well as a multi-year partnership with SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre. An ongoing collaboration continues with TheatreSquared in Fayetteville, Arkansas, and DTC will newly partner with Fort Worth Symphony Orchestra on a concert to be performed at Bass Performance Hall featuring FWSO, conducted by Robert Spano, and actors from DTC’s Brierley Resident Acting Company, directed by DTC's executive director Kevin Moriarty.

    “Collaboration is at the heart of DTC’s mission,” Moriarty says. “It’s wonderful to join with TheaterSquared to support Jonathan Norton’s brilliant playwriting and introduce his work to a national audience. Further, by partnering with Stage West Theatre, SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre, and the Fort Worth Symphony Orchestra, we are able to expand opportunities for artists, introduce new audience members to the arts, and enrich our artistry. I’m grateful to be surrounded by so many talented, visionary artists and arts leaders here in North Texas and honored to be partnering with them this season.”

    “In curating Dallas Theater Center’s 2025-26 season, I chose to follow my mission as a playwright, which is to break down barriers through the shared joy of great storytelling,” says interim artistic director Jonathan Norton. “And the five shows in our upcoming season will do just that."

    First up is the classic slapstick farce Noises Off by Michael Frayn, directed by Ashley H. White.

    This play-within-a-play plunges you into the chaotic world of Nothing’s On, a fictional touring production tormented by backstage romances and onstage blunders. From flubbed lines to slamming doors, witness the hilarious unraveling of a troupe of eccentric actors. It runs October 3-26, 2025, at the Kalita Humphreys Theater.

    Next is the Pulitzer Prize-winning Fat Ham by James Ijames, a co-production with Stage West that's directed by vickie washington.

    In this Dallas premiere of the hit Broadway comedy, Juicy’s got a lot on his plate — his mom just married his uncle. All he wants is to make his own way as a queer Black man in a Southern family. But here’s the rub: his father’s ghost just turned up at a backyard barbecue demanding vengeance. In this delicious and sizzling reinvention of Shakespeare’s masterpiece, a young man vows to break the cycles of violence in service of his own liberation and joy. It runs January 30-February 8, 2026, at the Kalita Humphreys Theater

    The regional premiere of Donnetta Lavinia Grays' Where We Stand, another co-pro with Stage West, follows.

    Directed by Akin Babatunde, Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic — part fable, part call-and-response. Your town stands at a crossroads. A neighbor — desperate and out of options — has struck a dangerous bargain. Now, their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? The future of the town — and the fate of a soul — hang in the balance. This isn’t a game. It’s your choice. It runs February 27-March 22, 2026, at Bryant Hall on the Kalita Humphreys Theater campus.

    The grand, sweeping musical Ragtime will be produced in partnership with SMU and AT&T Performing Arts Center, with direction and choreography by Sexton Institute for Musical Theatre director Joel Ferrell.

    Based on the novel by E.L. Doctorow, with music by Stephen Flaherty, lyrics by Lynn Ahrens, and book by Terrence McNally, the musical tells the intertwined stories of three families from different walks of life, all chasing the American Dream in 1902 New York. It runs March 27-April 19, 2026, at the Wyly Theatre.

    The world premiere of Jonathan Norton's Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem closes out the regular season.

    A commission by and co-production with TheatreSquared, which previously supported the development of Norton’s I AM DELIVERED’T, the play will be directed by Dexter J. Singleton. In the sweltering summer of 1943, two young men — Little & Foxy — forge an unlikely bond over leftover fried chicken and dirty dishwasher. But as the world outside erupts in chaos, their friendship is tested by betrayal, ambition, and the call of history. Inspired by a true story. It runs May 8-June 7, 2026, at the Wyly's Studio Theater.

    "There is nothing like the rejuvenating sensation of rollicking laughter spreading through packed houses at Noises Off and Fat Ham," says Norton. "Where We Stand will inspire rich conversations about forgiveness and redemption. Ragtime will send audiences home lifted by the stirring music and feeling ever more hopeful in these changing times. And Malcolm X and Redd Foxx Washing Dishes At Jimmy’s Chicken Shack in Harlem will leave you empowered with the knowledge that true friendship can change the world. I can’t wait for October, when I get to welcome audiences at the start of our new season. We will throw open our doors and become Dallas’ town hall — a place for the community to gather for conversation, celebration, and ultimately, connection.”

    There are also two add-on productions, beginning with the company's annual presentation of A Christmas Carol.

    Based on the novel by Charles Dickens, adapted by Kevin Moriarty, and directed by Alex Organ, with musical direction by Cody Dry, and choreography by Joel Ferrell, DTC's production takes audiences on a magical Christmas Eve adventure with Ebenezer Scrooge, as three otherworldly spirits whisk him away on a breathtaking journey of hope and redemption. From the nostalgic warmth of Christmases past to the stark truths of the present and the ominous shadows of the future, Scrooge's journey is a spectacle of wonder. It runs November 28-December 28, 2025, at the Wyly Theatre.

    Under the direction of Robert Spano and Kevin Moriarty, the Fort Worth Symphony Orchestra and Dallas Theater Center collaborate to bring musical drama and theatrical intrigue center stage in the FWSO's newest "Theater of a Concert" concept: Shakespeare at the Symphony.

    Featuring Mendelssohn's Selections from A Midsummer Night's Dream and Prokofiev's Selections from Romeo and Juliet, interspersed with scenes from Shakespeare, the multi-discipline production brings The Bard to life. It runs February 27-March 1, 2026, at Bass Performance Hall in Fort Worth.

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season. Company members include Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, and Zachary J. Willis.

    “The talent and collaborative spirit of my colleagues in the Brierley Resident Acting Company constantly inspires me,” Norton says. “And later this spring I look forward to announcing a new company member who will further enrich our artistry.”

    Subscriptions are available now and can be purchased at DallasTheaterCenter.org and by phone at 214-522-8499. Single tickets are not yet available.

    dallas theater centernoises offfat hamragtimesmusexton institute for musical theatrea christmas carolfort worth symphonytheater
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