Season Announcement

Uptown's Theatre Three expands artistic leadership in local-focused season

Christie Vela and Jeffrey Schmidt.

Photo courtesy of Theatre Three

UPDATE: Theatre Three has added a holiday show, Gold, Frankincense, and Credit Card Debt: A Christmas Holiday December Sketch Comedy Show. This production is co-presented by Bootstraps Comedy Theatre and directed by celebrated local playwright Matt Lyle. It is written collectively by Matt Lyle, Nicole Neely, Jim Kuenzer, Jeff Swearingen, Matt Coleman, and Rachel Farmer, and will be performed December 13-28. Tickets are now on sale.

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Three works penned by Dallasites — two of which are world premieres — are featured in Theatre Three's 2019-20 season, but that's not the only big announcement from the theater-in-the-round in the Quadrangle.

Local director and actor Christie Vela is joining T3 as its associate artistic director, and is already slated to direct the first show of the company's 58th season.

"Christie is a longtime colleague and friend," says T3 artistic director Jeffrey Schmidt, who is entering his third year in the role. "Her work both as a director and actor here in the Metroplex as well as regionally is impressive, to say the least. Many will remember when both Norma Young and Jac Alder were the artistic forces behind Theatre Three. I'm thrilled to see where Theatre Three will head by combining our aesthetics and visions."

Together with Michael Federico, who co-wrote last season's new musical The Manufactured Myth of Eveline Flynn, Vela conceived a new adaptation of Bram Stoker's Dracula, which will kick off the new season. Vela will direct (she also directed Dr. Jekyll and Mr. Hyde from two seasons ago), with Federico writing the well-known Gothic horror tale from the perspective of through the eyes of the count's mysterious mistress, Mina.

It will play concurrently with The Bippy Bobby Boo Show, a haunting parody of 1960s musical variety shows co-produced by Danielle Georgiou Dance Group. A roster of theatrical ghosts living in the basement Theater Too space bring the works of Pirandello, Pinter, Albee, and Beckett into their acts for an evening of glamorous, ghoulish entertainment. This "double scream Halloween" pairing runs October 10-November 3, 2019.

Michael Frayn's classic farce Noises Off brings its door-slamming slapstick to the holiday season (seems the beleaguered experiment that was Solstice has been put to rest after two seasons). Kara-Lynn Vaeni directs the onstage comedy that shows the backstage antics of an amateur traveling theater production as it puts the saying "the show must go on" to the test. It runs November 29-December 29, 2019.

As was hinted last year, Denise Lee's original play Funny, You Don't Act Like a Negro is premiering under Vela's direction. Audience interaction seems like it will be encouraged during this world premiere, while will explore the pre-judgments we make on our neighbors, the biases we inadvertently pass on to our children, and how the simple act of talking to one another is being subverted by social media. It runs February 20-March 15, 2020.

Schmidt assumes the directing reins for The Elephant Man, Bernard Pomerance's biographical drama about medical marvel and social outcast John Merrick. Shunned by Victorian-era society due to his dramatically deformed body, Merrick finds compassion with a caring surgeon and longs to escape his "sideshow freak" status. It runs April 9-May 10, 2020.

Theatre Three has its own Hamilton ... Texas, that is. It's the setting for The Immigrant, Mark Harelik's based-on-a-true-story play about his grandfather, Haskell Harelik, and the changes the Russian-Jewish immigrant experiences over his 30 years in the town. Schmidt once again directs, and it runs June 4-28, 2020.

Noticing the lack of a musical in this lineup? T3 promises there will be one — sort of. A "special fundraising event" musical revue is planned for late January or early February, 2020, and will "scratch your musical itch with an evening jam-packed with Broadway's biggest hits."

Theatre Too will continue to provide a home for Theatre Three's Monday Playwright series, which provides local writers an opportunity to showcase their works-in-progress.

Season tickets (which range from $60-$225) will go on sale on May 14, 2019. Single tickets will be available at a later date. For ticket information, call 214-871-3300 or visit www.theatre3dallas.com.

theater

Arts in Fort Worth

DFW museum debuts landmark exhibition about Statue of Liberty

Amon Carter Museum of American Art presents "The Statue of Liberty from Bartholdi to Warhol"

Frédéric-Auguste Bartholdi (1834–1904), Early View of the Statue of Liberty, n.d.,, watercolor, Musée Bartholdi, Colmar, 2005.0.16.3, © Musée Bartholdi, Colmar, Photo Chr. Kempf

"The Statue of Liberty from Bartholdi to Warhol" opens at the Amon Carter Museum of American Art on August 15.

The Amon Carter Museum of American Art will celebrate the United States' 250th anniversary with a major exhibition examining one of the country's most recognizable symbols: "The Statue of Liberty from Bartholdi to Warhol" will open Saturday, August 15 for a nearly five-month run.

The exhibition, co-organized by the Denver Art Museum, is an examination of the Statue of Liberty’s enduring relevance in American visual culture and the evolution of its image from the 1870s to the present.

According to a release, it will bring together nearly 100 artworks and objects from more than 70 artists, exploring the statue’s varied manifestations - from artistic marvel and pop culture icon to symbol of immigration, patriotism, and resistance.

Successive generations of artists who have represented the statue's iconic form over the past 150 years will be included in the exhibition, including Pacita Abad, Benny Andrews, Edward Moran, Norman Rockwell, Nari Ward, and Andy Warhol.

The exhibition is anchored by a rare cast of French sculptor Frédéric Auguste Bartholdi’s bronze sculpture Liberty Enlightening the World (Statue of Liberty) (1894-1901), one of only five domestic-scale bronze reductions made during the artist’s lifetime.

The exhibition will be broken up into four distinct sections:

Creating a Monument, which focuses on the statue’s origins and initial public reception in the tumultuous decades between the American Civil War and World War I.
A National Monument, which showcases the way society and visual culture were inundated with Statue of Liberty imagery between World War I and the 1950s. The installation of newspapers, advertisements, lithographs, images, films, and paintings demonstrate the turning point in the statue’s transformation into a dominant American icon.
Reimagining an Icon, which explores pop art and reproductions of the statue’s imagery, demonstrating its increasing detachment from its original image and malleability as an American symbol.
The Statue of Liberty Today, which closes the exhibition with a selection of works by living artists who have continued to investigate the Statue of Liberty’s meaning in the 21st century.

“This monumental exhibition tells the story of how our nation has interpreted the Statue of Liberty not only as a national icon, but also as a reflection of American values, creativity, and identity throughout our collective history,” said Scott Wilcox, Interim Director of the Carter, in a statement. “Premiering 'The Statue of Liberty from Bartholdi to Warhol' in Fort Worth on the occasion of the 250th anniversary of our nation’s founding invites our community to see this emblematic statue in new dimensions.”

"The Statue of Liberty from Bartholdi to Warhol" will remain on display through January 3, 2027.

It will then travel to Denver for a presentation from March 14-July 4, 2027. The exhibition will also travel to the Munson Museum of Art in Utica, New York, from August 5-December 5, 2027.

The Amon Carter Museum will celebrate the opening with a special event called "Liberty Talks" on August 15 from 11 am-3 pm, featuring gallery talks, live music, poetry, treats, and more. A second event, "Second Thursdays: Monuments & Martinis," will take place September 10 and include Statue of Liberty-inspired flash tattoos by Fort Worth artist Joseph Ayala of Panther City Tattoo.

Admission to the Carter is free.

amon carter museum exhibitions-visual-arts museums statue of liberty