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    Theater Review

    Geeks unite for a monster-laden fantasy quest at Dallas' Theatre Three

    Lindsey Wilson
    Mar 21, 2018 | 1:38 pm
    Theatre Three presents She Kills Monsters
    Kennedy Waterman, Bree Redmond, and Aaron Jay Green
    Photo by Jeffrey Schmidt

    Like Easter eggs in superhero movies, it's the details that delight in She Kills Monsters at Theatre Three. The way a trio of insect-bear creatures bop in place while waiting to battle the play's heroines, calling to mind the distinctive movement patterns of early video game opponents, or how their masks are styled to resemble basic eight-bit animation. Focus enough on these facets from co-directors Jeffrey Schmidt and Katy Tye, and the play's bigger holes won't seem so glaring.

    Qui Nyguen's script is, on the whole, packed with solid-gold geekery. A young woman who lost her parents and younger sister in a car crash finds solace in a notebook the teen left behind. As Agnes (Bree Redmond) delves deeper and deeper into the world of Dungeons & Dragons — where her sister, Tilly (the always dependable Kennedy Waterman), was a local legend — she discovers how little she really knew the girl.

    Griffin Hammel is endearingly dorky as Chuck, the Dungeon Master who guides Agnes through the game Tilly built. It's through him that Agnes speaks to her lost sister, and he's especially tender when he has to pull her out of the therapeutic reveries with reminders that he's only re-enacting what Tilly left behind.

    The metaphor that high school is a war zone is rendered through colorful villains (Alle Mims and Sam Schneider-Behen have great fun as cheerleader harpies, while Chandra Rees sparkles in a brief turn as a homicidal fairy) and clever boss fights (Lydia Mackay's guidance counselor is a Karen Walker-like treat).

    A huge chunk of this show's joy comes from seeing what sci-fi creature might appear next, and Ryan Schaap (costumes), Raul Luna (assistant costumes), and Karina Branson (makeup) raise the stakes with each monster. Amanda West's effective lighting has to sometimes fight against choppy and unnecessary animation, played on mounted TVs that partially obscure the perch of the Narrator (Beth Lipton, mellifluous-voiced and a dead ringer for Cate Blanchett as Galadriel).

    The fights are whimsical with a realistic edge, thanks to Jeff Colangelo's choreography and excellent sound design from John Flores. Filling out Agnes' scrappy D&D team is the ethereal elf Kaliope (Carine Rice), a slacker orc named Orcus (Seth Monhollon), and Lilith (Bear Campbell) the dominatrix demon. Somewhat joining in is Agnes' boyfriend Miles, an underwritten role that's nevertheless gamely played by Aaron Jay Green.

    When Nyguen's script is pitting everyday kids (like Christopher Lew's intrepid loner) against fantastic beasts and throwing in grade-A nerd references, it's a adrenaline-fueled quest. But when it tries to linger too long on human emotions, the artificiality of its world begins to seep through. Forcing loose ends into a neat little bow also causes the loss of a few hit points, but not every game can last forever.

    ---

    She Kills Monsters runs at Theatre Three through April 1.

    reviewstheater
    news/arts

    shop local

    Cool Deep Ellum shop named one of America’s best indie bookstores

    Amber Heckler
    Apr 27, 2026 | 3:33 pm
    Deep Vellum Books, independent bookstores in Dallas
    Deep Vellum Books/Facebook
    Dallas' Deep Vellum Bookstore claimed bragging rights as one of the 20 best independent bookstores in America

    Dallas' Deep Vellum Bookstore is claiming new bragging rights as one of the 20 best independent bookstores in America, according to a new guide from Condé Nast Traveler.

    The list was published in celebration of Independent Bookstore Day on April 25 — but every day can be Indie Bookstore Day when you're supporting your local shop rather than a national chain like Amazon or Barnes and Noble.

    Indie bookstores and physical media have been having a much needed renaissance in today's digital (and AI slop-filled) era. More than 400 new bookshops opened in 2025 alone, the American Booksellers Association reported, and local bookstores are welcome third spaces for many literature loving individuals.

    Deep Vellum won the title as the best indie bookstore in the Lone Star State, outshining several other popular Texas booksellers. Located at 3000 Commerce St. in Dallas' Deep Ellum neighborhood, Condé Nast said the bookshop serves as "one of the country’s premier translators of contemporary global literature."

    "As esoteric as its collection may seem, the bookstore itself makes exploration approachable," wrote editorial assistant Kat Chen. "Crack into a can of craft beer, gaze at the wall plastered with polaroids of smiling patrons, and tuck into an engrossing read on one of the tweed armchairs."

    Deep Vellum was founded by Will Evans in 2013 as a community-focused literary arts center and nonprofit publishing house for diverse international literature, as well as local Dallas writers. The bookstore soon followed in 2015, and operations have now expanded to five publishing imprints that produce half English-original works and half international literature.

    This mighty bookshop and publishing house has long proved its staying power even after its federal funding was axed last year. In early April, the organization revealed it would launch its inaugural Deep Vellum Music and Literature Festival from July 10-12, 2026.

    "Through literary readings, author panels, spoken word, live music performances, and community activations this festival will bring voices from across Texas and around the world," a press release said.

    Until then, Condé Nast provided some recommended reading for Dallas bibliophiles that want to check out some (new-to-you) literary and psychological fiction: Tram 83 by Fiston Mwanza Mujila (translated by Roland Glasser) and Miss MacIntosh, My Darling by Marguerite Young.

    dallasindie bookstoredeep ellumbookstoresconde nast traveler
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