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New Theater Alert

Dallas theater vets launch new nonprofit company with a classic twist

Lindsey Wilson
Apr 16, 2018 | 5:09 pm
Gregory Patterson, Joey Folsom, and Bren Rapp for The Classics Theatre Project
Gregory Patterson, Joey Folsom, and Bren Rapp are giving classics a fresh voice.
Photo by Chuck Marcelo

Three Dallas theater pros are determined to make classic works relevant to today's audiences with their new company, The Classics Theatre Project. The group, which will mount 19th and 20th century plays in a way that modern crowds will find accessible, is founded by Gregory Patterson, Joey Folsom, and Bren Rapp.

Here's why you might know those names:

  • Patterson was a longtime presence at WaterTower Theatre, capping his 40-year career in nonprofit arts management as the Addison organization's managing director. At Classics, he'll serve as executive director.
  • Folsom is an acclaimed actor, producer, and director, known for tackling difficult roles and delivering raw performances. He'll serve as artistic director.
  • Rapp is one of the driving forces behind Fun House Theatre and Film, the youth company that churned out several of the area's best young actors (including current Nickelodeon star Lizzy Green and Rapp's own son, Doak). She'll serve as producing managing director.

Most recently, Patterson and Rapp helped get a script by Fun House co-founder Jeff Swearingen to Off Broadway, with a presentation in New York. Rapp and Folsom toured Dallas, Chicago, and Los Angeles with the one-man show Lenny Bruce is Back.

The new company stresses that it's not just for the theatrically savvy, but will focus on finding what is universal in great works and presenting them as publicly viable entertainment. That includes audiences rediscovering them or newcomers seeing them for the first time, and there is also talk of educational outreach.

"As with all things in life, learning from the past is essential to how we move forward, whether that's listening to the lessons history teaches us or reflecting on the inspiration of great artists." says Patterson. "The classics are the foundation upon which all great pieces of theater find their inspiration, and these works time and time again have proven to have far-reaching relevance."

The nonprofit group's first production will be an adaptation by local actor/playwright Ben Schroth of Anton Chekhov's The Cherry Orchard, running June 22-July 14 at the Trinity River Arts Center. The goal is mount three productions in its first year.

"What you have in the leadership of this company are people who have the experience, reputation, and track record ... to launch the project at a starting point it takes some organizations a few years to get to," says Rapp. "That is exciting when at the core is a shared respect, reverence, and desire to honor the classic works that formed each of our, and many others', interest in the arts."

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Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

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