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    Opera news

    The Dallas Opera debuts new Netflix-like subscription streaming service

    Stephanie Allmon Merry
    Apr 26, 2021 | 5:33 pm
    The Magic Flute at Dallas Opera
    Dallas Opera's 2019 production of The Magic Flute is available for streaming.
    Photo courtesy of The Dallas Opera

    Like most arts organizations, The Dallas Opera has been forced to rethink how it produces and presents works to audiences amid the COVID-19 pandemic. On April 26, it took a new step to bridge the gap between traditional concert hall and at-home entertainment with the launch of thedallasopera.TV, a new subscription streaming platform.

    According to a release, the new website brings together new original opera films created specifically for a virtual audience with all of TDO's existing video content — "which ranges from full opera productions for audiences of all ages to musical conversations and original opera-themed sit-com style episodes to artist-hosted series that spotlight their interests and careers, educational series, and more."

    “We are so thrilled that thedallasopera.TV is launching today,” says Ian Derrer, The Dallas Opera’s Kern Wildenthal General Director and CEO, in the release. “To watch this project go from idea to reality in less than a year has been amazing to see, and we’re so proud of the content that we have ready to offer our global audience. This platform truly helps redefine our company as a leader in digital content, as well as on the opera house stage. We are breaking new ground in the field while continuing to preserve the great traditions of live opera.”

    Subscriptions to thedallasopera.TV cost far less than other streaming services you subscribe to and watch once or twice (raise your hand if you, too, purchased a year of Disney+ to watch Hamilton once) — $4.99 per month with a free seven-day trial. In addition, premium content — Originals — will be offered periodically by pay-per-view.

    Content is made up of four categories: Originals, Stages, tdo network, and OperaKids — all available via an app for mobile devices (iOS and Android), on smart TVs via Fire TV and Roku, and on the website for desktop/laptop users.

    Here's an overview of the content, as outlined in the release:

    Two Originals available immediately: That Which We Love, a recital by acclaimed mezzo-soprano Isabel Leonard, and Vanished, a three-part art film starring countertenor John Holiday and tenor Russell Thomas with music by Gluck, Monteverdi, and Janáček assembled into a new narrative.

    A third original, The Heart of the Song, featuring conversation with and performances by tenors Javier Camarena, Rolando Villazón, and David Lomelí, will be released on May 25 for a limited time. (Rental fee is $11.99. Available May 25-31 only.)

    Stages content is included with thedallasopera.TV subscriptions, and will feature “greatest hits” from The Dallas Opera, including full-length operas, concerts, recitals, and archival video streams and radio broadcasts. Streaming now are the company’s 2019 production of Mozart’s The Magic Flute; “The John Holiday Experience,” a recital by recent finalist on The Voice, recorded April 9 at the Winspear Opera House; a celebration of the first five years of The Dallas Opera Hart Institute for Women Conductors, and more.

    TDO network, launched in February 2020, has amassed a viewership of nearly 157 million followers from 50 countries in the past year with its ever-evolving collection of whimsical, topical, and informative original content hosted by artists and social media influencers. Access to all tdo network content is included with thedallasopera.TV subscriptions.

    OperaKids offers programming for children, as well as educational resources for parents and children, all produced by The Dallas Opera’s education department and included in the monthly subscription price. Two family operas are available now — Jack and the Beanstalk and Dr. Miracle — as is Kids Opera Boot CampTM, "an interactive look behind the scenes at the opera, where viewers can learn from a series of five video lessons what it takes to make an opera, how to make an opera set, and how to learn music like an opera singer."

    Content on the platform can be streamed and viewed anywhere, 24/7/365.

    “What we’ve learned over the course of the past year without live performances is that there is a thirst for quality online content, and we are so happy to lead the way in producing that for our eager fans around the world,” says David Lomelí, a tenor, TDO’s Artistic Consultant, and creative force behind the initiative, in the release. “Statistics show that viewers ages 18-34 and 34-45 are online for more than 10 hours each day, and our efforts to reach that demographic — through unique and creative offerings — have proven successful, growing in just a year from 2,000 unique views in March 2020 to more than 150 million unique views today on our Facebook channel.

    "Our hope is that this streaming model will reach even more.”

    opera
    news/arts

    Theater News

    Dallas' Theatre Three gets provocative with 2026-2027 season productions

    Alex Bentley
    Apr 21, 2026 | 12:45 pm
    Theatre Three staff
    Photo by Jeffrey Schmidt/courtesy of Theatre Three
    The 2026-2027 season from Theatre Three will feature seven bold productions.

    The 2026-2027 season for Dallas' Theatre Three will feature a lineup of seven productions, musicals, comedies, and solo performances that collectively explore identity, resilience, love, and the chaos of being human.

    Taking place in both the main Norma Young Arena Stage and Theatre Too spaces, the season blends iconic titles with daring new works, inviting audiences into stories that are as entertaining as they are thought-provoking, says a release.

    Opening the season on the Norma Young Arena Stage will be the groundbreaking rock musical Spring Awakening, featuring music by Duncan Sheik and book and lyrics by Steven Sater.

    Based on Frank Wedekind’s controversial play, the production (running September 10-27, 2026) follows teenagers pushing against the constraints of a repressive society as they navigate desire, identity, and the consequences of silence.

    The Theatre Too season will kick off with Doug Wright’s Pulitzer Prize-winning play I Am My Own Wife, running October 15-November 1, 2026.

    Performed as a solo piece, it tells the true story of Charlotte von Mahlsdorf, chronicling survival, identity, and self-invention in the face of Nazi and Stasi oppression.

    The holiday season brings mischief and mayhem with GREMLINS! (mostly), a brand-new commission by local playwright Matt Lyle inspired by the beloved 1984 cult classic movie.

    Running December 3-20, 2026 on the Norma Young Arena Stage, the play is packed with dark humor and chaotic fun, promising a wildly entertaining theatrical experience where one small mistake leads to unforgettable consequences.

    Dear Jack, Dear Louise by Ken Ludwig, starts the 2027 portion of the Theatre Too season, running February 4-21.

    The play offers a heartfelt and humorous love story inspired by the playwright’s own parents. Through letters exchanged during World War II, two strangers discover connection, resilience, and romance across distance and uncertainty.

    In the spring, laughter takes center stage on the Norma Young Arena Stage with Neil Simon’s fast-paced farce, Rumors.

    Running March 11-28, 2027, the production features a glamorous anniversary party spiraling into confusion as gossip flies and lies multiply in a hilarious race to keep up appearances.

    Closing the Theatre Too season will be Miss Margarida’s Way by Roberto Athayde, running April 29-May 16, 2027.

    As Miss Margarida’s lesson unfolds, audiences find themselves implicated in a provocative exploration of authority, control, and complicity. The sharp, darkly comic satire transforms a classroom into a battleground.

    The season culminates in a major event: the regional premiere of Teeth, the bold and genre-defying musical by Michael R. Jackson and Anna K. Jacobs.

    Running June 3-20, 2027, the production is equal parts hilarious, provocative, and empowering. It is a coming-of-age story with a bite; exploring power, fear, sexuality, and self-determination in a way that is as unforgettable as it is unflinching.

    Committed to providing accessible theatre to the community next season, Theatre Three will continue to offer $10 T3Rush tickets for Thursday night performances.

    Students can also purchase $10 tickets to any performance with a valid student ID, or take advantage of $5 student rush tickets.

    Subscriptions are available for renewal now at Theatre3Dallas.com. New subscriptions will be available on June 15. Single tickets and Flex Passes will be available August 3.

    For more information, call 214-871-3300 x1 or e-mail at BoxOffice@t3dallas.org.

    performing-artstheatertheatre three
    news/arts

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