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    Theater Review

    Manipulative playwriting muddies the message for this Dallas theater production

    Lindsey Wilson
    Apr 27, 2016 | 10:52 am
    Second Thought Theatre presents The Great God Pan
    Drew Wall, Alex Organ, and Natalie Young in The Great God Pan.
    Photo courtesy of Second Thought Theatre

    Amy Herzog doesn't shy away from difficult subject matter.

    In Belleville, which Second Thought Theatre staged to great acclaim last season, a married couple kept ultimately fatal secrets from each other. In the case of The Great God Pan, which Second Thought Theatre is currently staging at Bryant Hall under the direction of Carson McCain, the play's main topic gets jostled out of the spotlight by other more interesting revelations.

    The basis of Pan is that Jamie (Alex Organ), a seemingly successful writer who's hiding man-child tendencies, may or may not have been sexually molested at a young age by a friend's father. He was about 4 at the time, and although all signs point to the possibility that it happened, he truly cannot remember.

    While he's wrestling with this, his longtime girlfriend Paige (Natalie Young) is going through her own crisis. She's recently discovered she's pregnant but has been unable to really connect with Jamie about whether they should follow it to term. She's also trying to launch her own counseling practice for nutrition and eating disorders, having been a former dancer who retired early due to an injury and then experienced "sickness" herself.

    Popping in and out of their lives are Jamie's parents (Bob Hess and Cindy Beal), an affable pair who were too focused on their own problems 27 years ago to have noticed if they put Jamie in harm's way. Jamie's former babysitter (Laura Yancey) also comes into play, supplying memories to Jamie, though her dementia-addled brain can't be entirely trusted.

    The trigger for all this is Frank (Drew Wall), who's prosecuting his father for the crimes he committed on him and possibly others. Though pierced and tattooed, with a burgundy mohawk and jean vest studded with safety pins, Frank is perhaps the most pulled-together of anyone, having worked through his demons and emerged happy, gainfully employed, and in love.

    By contrast we're supposed to believe Jamie, with leather patches on his scholarly cardigan and the beautiful girlfriend, has it all figured out. The more we learn of him though, the less interesting he becomes. That's not Organ's fault, as he tries to imbue Jamie with as much under-the-skin turmoil as possible (just watch him methodically shred that sugar packet in the first scene).

    It's Herzog's fault, since she introduces characters who know for certain what they are struggling with. Paige, especially, makes for a more compelling lead character, as we see her working out her personal insecurities under the professional counselor's veneer. The scenes between Young and Dagny Sanson, playing a recovering bulimic, feel more real and accessible that any of Jamie's.

    Herzog relies on the child molestation label to provide the shock and awe, but it's what's going on along the play's edges that is more compelling.

    ---

    Second Thought Theatre's The Great God Pan runs through May 14.

    reviewstheater
    news/arts

    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
    news/arts

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