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    Musical Magic

    Dallas audiences will leave Newsies singing its praises

    Alex Bentley
    May 4, 2015 | 10:12 am

    With all the ways in which musicals have evolved over the years, it’s almost refreshing to see an old-fashioned song-and-dance production. And Newsies (playing through May 10 at Winspear Opera House), the Tony Award-winning musical based on the 1992 Disney movie musical flop, is a throwback in more ways than one, as it’s set in New York City in 1899.

    The story follows a group of newsboys, or “newsies,” who hawk editions of Joseph Pulitzer’s New York World on the street every day. The newsies are actually forced to pay for the papers before they sell them, and when Pulitzer decides to up their fee, the group, led by Jack Kelly (Dan DeLuca), decides to go on strike in protest.

    Jack and his ragtag group are helped in their quest by cub reporter Katherine (Stephanie Styles), who works for a rival newspaper and views their quest as a noble one.

    Despite the somewhat dismal circumstances in which the newsies find themselves, epitomized by their dull and nearly colorless outfits, the music is overall pretty upbeat. Although only a few of the songs – “Seize the Day,” “King of New York,” “Watch What Happens” – actually stand out, the music by Alan Menken maintains a theme throughout that keeps things hopping.

    What’s worth the price of admission is the dancing. The production essentially stops multiple times in both acts for extended dance breaks, and the cast impresses with every turn. Utilizing modern dance, ballet and tap, among others, the actors flip and twirl their way into the audience’s hearts. The choreography by Christopher Gattelli has its own unique flavor but still finds a way to pay homage to the style of classic musicals.

    Although the dancing and music are showstoppers, almost equally as impressive is the set design by Tobin Ost. Three massive multistory staircases and landings serve multiple purposes during the show, including as a backdrop for projected imagery. But the myriad ways in which Ost configures the structures, twisting and turning them in every direction, is a spectacle in and of itself.

    DeLuca is a natural in the lead role, possessing both the voice and acting chops needed to make Jack into the leader he needs to be. Other standouts include Styles, Zachary Sayle as Crutchie and Angela Grovey as Medda Larkin.

    Newsies may not have you humming specific tunes as you leave the theater, but the overall consistency of the music, the eye-popping dancing and the ingenious sets will have you singing the musical’s praises.

    Dan DeLuca (center) leads the ragtag group of newsboys in Newsies, playing at Winspear Opera House through May 10.

    Dan DeLuca and cast of national tour of Newsies
    Photo by Deen van Meer
    Dan DeLuca (center) leads the ragtag group of newsboys in Newsies, playing at Winspear Opera House through May 10.
    unspecified
    news/arts

    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
    news/arts

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