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    A Graceful Pivot

    Texas Ballet Theater adjusts 2020-21 season in light of COVID-19 upheaval

    Lindsey Wilson
    May 7, 2020 | 3:16 pm
    Nutty Nutcracker 2
    Dallas will now get The Nutty Nutcracker.
    Photo by Steven Visneau

    Just two months after announcing its 2020-2021 season, Texas Ballet Theater has done a pirouette on its original plan thanks to COVID-19 and released an updated schedule.

    There are still four productions planned, just with a different order, and one very exciting addition for Dallas.

    Artistic director Ben Stevenson's The Nutcracker now leads off the season, beginning November 27-December 6 at Winspear Opera House and then December 11-27 at Bass Performance Hall.

    For the first time ever, Dallas is also receiving a performance of The Nutty Nutcracker, the company's irreverent, pop culture-filled take on the holiday classic. It will play December 4 in Dallas and December 18 in Fort Worth — and both are expected to sell out quickly.

    Remaining on February 5-7, 2021, is the company's first mixed repertoire production: George Balanchine's Serenade, the world premiere of Ben Stevenson's Star Crossed, and the world premiere of a piece by TBT associate artistic director Tim O'Keefe, all set to music by composer Pyotr Ilyich Tchaikovsky. The run at Bass Performance Hall is followed by two added performances February 13-14, 2021, at Winspear Opera House.

    TBT canceled its production of Bartok/Image/Imbue just weeks ago because of COVID-19, but due to popular demand, will be able to bring back this mixed repertoire in 2020-21. It features work by Stevenson and choreographer Garrett Smith, ranging from neoclassical to contemporary styles, and will run March 5-7, 2021, at Bass Performance Hall.

    Beauty and the Beast, originally slated to open the season, will now close it. The company will perform the ballet at Winspear Opera House May 14-16, 20201, and Bass Performance Hall May 21-23, 2021.

    "We are looking forward to the new season, including the exciting performances we're adding in Dallas," executive director Vanessa Logan says. "We cannot wait to come together again with the North Texas community and welcome everyone back into the theater."

    For more information and tickets, visit www.texasballettheater.org.

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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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