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    Actor Spotlight

    Globetrotting actor Bruce DuBose on why yodeling is a marketable skill

    Lindsey Wilson
    May 19, 2013 | 9:00 am

    As a founding member and executive producer of Undermain Theatre, Bruce DuBose has seen a lot of successes during the acclaimed theater company's 29 seasons. His work onstage, both at Undermain and around Dallas, has garnered rave reviews and made him a local stage celebrity.

    In October of last year, DuBose embraced another acting challenge when he performed in Undermain's An Iliad with musician Paul Semrad. The one-man show was a whirlwind, calling on DuBose to embody Achilles and all the other players of the Trojan War while channeling the complex emotions and reactions through a blend of modern language and Homer's lyrical but difficult poetry.

    Now, due to popular demand, Undermain is reviving An Iliad for an exclusive two-week engagement. Before DuBose once again steps into his role as the wandering poet, he took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Full name: Bruce DuBose

    Previous work in the DFW area: Blasted, Macbeth, Penelope, The Birthday Party, Endgame and several dozen others at Undermain. Arms and the Man, Alice: Tales of a Curious Girl, A Family Affair and Porcelain, all at Dallas Theater Center. Long Way Go Down at Kitchen Dog. Antony and Cleopatra at Shakespeare Festival of Dallas. Fool for Love at Stage West.

    Hometown: Dallas

    Where you currently reside: Lakewood

    First theater role: Jonathan Harker in Dracula at Harry C. Withers elementary school

    First stage show you ever saw: Aside from my sister Belinda’s appearance as an angel and the Ice Capades, it was most likely the Dallas Summer Musicals’ production of Fiddler on the Roof with Herschel Bernardi as Tevye.

    Moment you decided to pursue a career in theater: I decided to pursue a career as an actor. The theater was inseparable from a desire to perform.

    Most challenging role you’ve played: Ian in Sarah Kane’s Blasted

    Special skills: Guitar player, harmonica, keyboard and composition as well as cat whistling and blue yodeling

    Something you’re REALLY bad at: Golf

    Current pop culture obsession: Post-steampunk

    Last book you read: Napoleon in Egypt by Paul Strathern

    Favorite movie(s): Last Tango in Paris, The Wages of Fear, The Bride of Frankenstein, to name a few

    Favorite musician(s): Ravi Shankar, John Lee Hooker, Lenny Kravitz, Bob Dylan, Alabama Shakes

    Favorite song: "Stand by Me"

    Dream role(s): Marc Antony (again), James Tyrone, one that begins with "L" and ends with "EAR," and Danton in Danton’s Death

    Favorite play(s): Antony and Cleopatra

    Favorite musical(s): Once, Man of La Mancha, Greendale

    Favorite actor(s): Daniel Day-Lewis, Alan Bates, Joaquin Phoenix, Ben Kingsley, Robert Mitchum, Julianne Moore, Ellen Burstyn, Claire Bloom. This could go on and on.

    Favorite food: Linguine with clam sauce

    Must-see TV show(s): Mad Men, The Wire

    Place in the world you’d most like to visit: Tibet

    Pre-show warm-up: Kundalini yoga, chi gong, and vocal and diction exercises

    Favorite part about your current role: Reciting large sections of Homer

    Most challenging part about your current role: Reciting large sections of Homer

    Most embarrassing onstage mishap: Once tripped over a toga

    Career you’d have if you weren’t a performer: Benefactor for any cause pursued by [Undermain artistic director] Katherine Owens

    Favorite post-show spot: Sons of Hermann Hall’s downstairs saloon

    Favorite thing about Dallas-Forth Worth: Great arts scene and great people

    Most memorable theater moment: Performing Goose and Tomtom for playwright David Rabe at Undermain or touring the play Sarejevo in Macedonia

    ---

    An Iliad plays May 29-June 15 at Undermain Theatre.

    Bruce DuBose in An Iliad at Undermain Theatre.

    Undermain Theatre presents The Iliad
    Photo by Katherine Owens
    Bruce DuBose in An Iliad at Undermain Theatre.
    unspecified
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    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

    att performing arts centerbeetlejuicebroadway at the centermusicmystic pizzaperforming-artsthe wiztheaterwinspear opera house
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