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    Out-of-Site Art

    DallasSITES exhibit at DMA gives the city's art scene the attention it deserves

    Kendall Morgan
    kendall Morgan
    May 25, 2013 | 11:24 am

    New York has the press. Miami has the parties. But the contemporary art scene in Dallas has something far more important — potential for growth as wide open as a Texas sky.

    Opening Sunday, May 26, the Dallas Museum of Art’s new exhibition DallasSITES: Charting Contemporary Art, 1963 to Present takes a closer look at both the past and future of North Texas’s bold and distinctive art scene, from the envelope-pushing work of the Betty McLean Gallery in the mid-’50s to painting, sculpture and performance art provocateurs of the 21st century.

    “The moments where Dallas’ history of contemporary art crisscrosses with a more national or international history will be a real eye-opener for our audience,” says assistant curator Gabriel Ritter.

    Dividing the exhibition into geographic areas — the Arts District and downtown, Deep Ellum, Oak Cliff, Oak Lawn and Cedar Springs, as well as university communities like Arlington and Denton — DallasSITES presents the history of the local art world through gallery invitations, posters, photography, video and objects culled from private archives and public records.

    Supported by a grant from UTD’s Texas Fund for Curatorial Research, DallasSITES was originally spearheaded by former DMA contemporary art curator Charles Wylie. Leigh Arnold, a curatorial research assistant for the exhibition, began sourcing materials in May 2011 under Wylie’s direction.

    “When I was hired to begin the research, Charlie had seen the Pacific Standard Time exhibit [at L.A.’s Getty Center], as well as similar exhibitions in Houston. These were early influences, and he gave me a road map of highlights he had heard about and wanted me to go into in greater detail.”

    “The amount of material that Leigh has unearthed and the alternative narrative that we were able to articulate will be a surprise to everyone,” explains Gabriel Ritter, DMA’s Nancy and Tim Hanley assistant curator of contemporary art.

    “There are favorites [artists and galleries] they’ll be quite familiar with, but the moments where Dallas’ history of contemporary art crisscrosses with a more national or international history will be a real eye-opener for our audience.”

    This includes guest appearances from Claes Oldenburg (who staged a 1962 “happening” at the Dallas Museum for Contemporary Arts) and Robert Smithson (who spent a year as an artist-in-residence at a local college). A timeline that illustrates significant moments such as these grounds the exhibition with visual ephemera.

    Throughout July and August, the DMA presents DallasSITES: Available Space, a month-long experimental showcase of some of today’s top contemporary talent, including interactive installations by the Fort Worth-based HOMECOMING! Committee collective, Oil and Cotton workshops, and programming from the Dallas VideoFest.

    “We’re excited about bringing community into the space of the museum; it bookends the exhibition in an interesting way,” Ritter says. “It’s a continuation and the beginning of a fruitful relationship between the Dallas Museum of Art and the artists working in this community.”

    ---

    DallasSITES: Charting Contemporary Art, 1963 to Present is on view May 26 through September 15, 2013. DallasSITES: Available Space runs run July 19 to August 18 in the Barrel Vault and surrounding galleries.

    Film still from "Injun" (Claes Oldenburg happening at the Dallas Museum for Contemporary Art, 1962), Roy Fridge.

    Claes Oldenburg Happening at the Dallas Museum of Art
    Dallas Museum of Art Archives
    Film still from "Injun" (Claes Oldenburg happening at the Dallas Museum for Contemporary Art, 1962), Roy Fridge.
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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