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    Cue the Orchestra

    Italian conductor named new Dallas Symphony Orchestra music director

    Stephanie Allmon Merry
    Jun 4, 2018 | 11:30 am
    Fabio Luisi, Dallas Symphony Orchestra music director
    Jaap is out, Fabio is in.
    Photo by Barbara Luisi Photography

    The Dallas Symphony Orchestra has selected charismatic Italian conductor Fabio Luisi as its next music director. Luisi will serve as music director designate in the 2019-20 season and will assume the title of music director in the 2020-21 season, the DSO says, succeeding Jaap van Zweden, who ended his decade-long tenure in May.

    DSO announced Luisi's appointment at an event June 4 on the Meyerson Symphony Center stage, which was streamed for the public via Facebook live. In a Q&A-style conversation that often had the audience chuckling, the affable conductor teased his plans with the orchestra — playing more from the American repertoire, more pieces by female composers, more opera works, more chorus collaboration — but did not reveal too much.

    "People ask me for my visions. If you have visions, you should go to the doctor," he said to great laughter. "I have plans."

    Luisi, best known to American audiences for his work as principal conductor of the Metropolitan Opera and guest engagements with leading U.S. orchestras, currently holds three European positions: principal conductor of the Danish National Symphony Orchestra, general music director of the Zurich Opera, and music director of Maggio Musicale Fiorentino. He has also held posts in Dresden, Leipzig, and Vienna. He earned a Grammy award in 2013 for Best Opera Recording for his recordings of Wagner’s Siegfried and Götterdämmerung with the MET Orchestra.

    Luisi was born in Genoa, Italy and resides with his wife, celebrated photographer and violinist Barbara Luisi, in New York and Zurich. He told the audience at the Meyerson event that he became a musician because an illness prevented him from playing sports as a child, so his parents looked for something different for him to do. He started playing the piano.

    Now, off the podium, he is something of a renaissance man whose passions include perfumery; his personal perfume line was featured on CBS Sunday Morning in 2015. (No word whether that fragrant tidbit swayed the DSO search committee.)

    "This is a passion. I like to do it, and you are welcome to buy them if you want," he told the Meyerson audience. "I have a suspicion they will be available in the symphony store."

    For the Monday event, he was wearing colorful striped socks, so one wonders (hopes) if he might become a Dallas sartorial standout. Vanity Fair has called Luisi a “remarkable man, who in person is modest, impeccably turned out, and immensely likeable.”

    Luisi first appeared with the Dallas Symphony Orchestra in 2002, and returned on March 8, 2018. The Dallas Morning News called his “brilliant and elegantly detailed” performance of Richard Strauss’s Ein Heldenleben highlighted “one of the most compelling guest conductor appearances in recent memory.”

    After that performance, DSO musicians voted unanimously for him to be their next maestro, Alexander Kerr, DSO concertmaster, revealed at the event.

    Here's how the DSO says his tenure will work: Luisi will return to Dallas next spring to lead a special concert. He will begin his official tenure as music director designate in the 2019-20 season and will take on the title of music director in the 2020-21 season, when he will conduct the DSO for seven weeks. Luisi will expand his concert week count in Dallas throughout the initial five-year contract period, which runs through 2023-24. He will conduct concerts in the Texas Instruments Classical Series, programs in the Nancy A. Nasher and David J. Haemisegger Family SOLUNA International Music & Arts Festival, and other performances throughout the North Texas community and beyond.

    Each season he will conduct opera-in-concert performances with the DSO, beginning with Richard Strauss’s Salome in 2019-20 and continuing with Verdi’s Otello in 2020-21.

    Under Luisi’s supervision, the DSO will launch a 10-year program to commission 20 new works for the orchestra from composers including Julia Wolfe and Steve Mackey. This commissioning project will yield at least 10 new works by female composers. The DSO will also begin planning for international tours during Luisi’s tenure.

    Luisi also will focus on education and community engagement. His time in Dallas will include work outside of the Meyerson to spark inspiration and collaboration around the city and in underserved areas.

    Luisi was chosen following a two-year search by a 13-member committee chaired by Morton H. Meyerson and comprised of musicians, board, staff and community leaders.

    “The Dallas Symphony Orchestra’s future is incredibly bright as we begin a new period of artistic growth,” says Kim Noltemy, President & CEO of the Dallas Symphony Association, in a release.

    Luisi told the Meyerson audience he looks forward to exploring Dallas, but not necessarily by peddling around the neighbhorhood on one of the city's famous bike-share bikes. His wife rides bikes, said, but he is too scared. "If she drives, I feel safe," he said.

    Most importantly, he said he has his Texas cowboy boots — but not yet a cowboy hat.

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    Theater Critic Picks

    DFW theater heats up with 14 must-see shows this February

    Lindsey Wilson
    Feb 2, 2026 | 9:03 am
    Kitchen Dog Theater presents Pompeii!!
    Photo by Jordan Fraker
    Kitchen Dog Theater is opening its new performance space with a remounting of 'Pompeii!!'

    It's cold outside but hot onstage, as evidenced by this extra-large list of plays and musicals opening in Dallas-Fort Worth this month. From theater festivals to one-night-only concerts, world premieres and returns to old favorites, there truly is something for everyone in February.

    Here are 14 shows appearing in Dallas-Fort Worth theaters in January, listed in order of start date:

    Hype Man: A Break Beat Play
    Jubilee Theatre, through February 28
    A pulse-pounding, thought-provoking work by Idris Goodwin that explores friendship, accountability, and the often-unseen creative forces shaping hip-hop culture. It follows three artists on the brink of a breakthrough: a rising rap star, his longtime hype man, and a gifted woman beat maker whose sound fuels their success. When an unexpected crisis erupts on the eve of a career-defining performance, all three must confront difficult truths about loyalty, responsibility, and whose voices are truly heard when the spotlight hits.

    Gem of the Ocean
    Soul Rep Theatre Company, February 5-22
    Set in 1904, August Wilson's Gem of the Ocean begins the playwright's legendary Century Cycle with a spiritual journey toward freedom and redemption. Through the mystical presence of Aunt Ester, a 285-year-old spiritual guide, Wilson weaves a powerful meditation on memory, responsibility, and Black survival.

    Pompeii!!
    Kitchen Dog Theater, February 11-March 8
    Opening their brand-new home in the Design District, Kitchen Dog Theater co-artistic directors Christopher Carlos and Tina Parker will direct a remounting of the company's first-ever company-created musical. Under the shadow of a volcano, the citizens of Pompeii sing, dance, and tell jokes in this zany vaudeville show. It's togas and tap shoes, centurions and sing-alongs in the timely satire of nationalistic hubris and narcissistic excess.

    Medea/Liturgia
    Cara Mía Theatre, February 12-22
    This world premiere of a contemporary, multimedia adaptation of the Greek tragedy Medea is written and directed by Diego Fernando Montoya, Colombia’s 2025 National Playwriting Award winner. The production reimagines Medea through a modern lens that confronts imperialism, immigration, and rebellion.

    22nd International Theatre Festival
    Teatro Dallas, February 7, 14, 21
    The festival takes place over three weeks, featuring three separate productions from Portugal, England, and Argentina.

    Six
    Broadway at the Bass, February 10-15
    Divorced, beheaded, died, divorced, beheaded, survived. From Tudor queens to pop icons, the six wives of Henry VIII take the microphone to remix 50 years of historical heartbreak into a euphoric celebration of 21st-century girl power.

    Dallas Divas
    Lyric Stage, February 11
    This one-night-only event serves as a fundraiser for Lyric Stage, with some of Dallas' most talented voices singing songs that run the gamut from Broadway to pop.

    Bull in a China Shop
    Amphibian Stage, February 11-March 1
    This is an explosive queer romantic comedy set amidst the fight for women’s rights. Galloping across four decades at Mount Holyoke, Mary Woolley and Jeannette Marks light fires in the classroom and in the bedroom. As their ambitions grow bolder, so do the cracks in their relationship.

    The Skin of Our Teeth
    Undermain Theatre, February 12-March 8
    Thornton Wilder’s classic three-part allegory about the resilience of mankind centers on the Antrobus family of the fictional town of Excelsior, New Jersey. The epic comedy-drama follows the family through an impending Ice Age, a world war, and a devastating flood, all of which they survive by the skin of their teeth.

    The Great Gatsby
    Broadway Dallas, February 17-March 1
    Based on the classic American novel by F. Scott Fitzgerald, this musical is an unforgettable journey of love, wealth, and tragedy that brings the Roaring Twenties to life onstage.

    Penelope
    Theatre Three, February 19-March 22
    What’s Penelope been up to since Odysseus went off to war? She’s had a few drinks and started a band! So go ahead and grab a drink too, and listen to this ancient tale made new with a beautiful folk-inflected pop score about a woman wondering who she is if she’s alone, and discovering that she has, is, and will always be complete, with her husband by her side or otherwise.

    Where We Stand
    Dallas Theater Center, February 25-March 22
    Your town stands at a crossroads. A neighbor, desperate and out of options, has struck a dangerous bargain. Now their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic. The play, making its regional premiere, is a co-production with Stage West.

    You Must Wear a Hat
    Echo Theatre, February 26-March 14
    Two survivors of a climate apocalypse strive to preserve their humanity, and community.

    Hairspray
    Casa Mañana, February 27-March 8
    Set in 1962 Baltimore, the musical follows Tracy Turnblad, a big-hearted teen with dreams of dancing on The Corny Collins Show. As she fights for a chance to shine, Tracy challenges outdated norms and pushes for a more inclusive future. RuPaul's Drag Race star Nina West plays Edna Turnblad.

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