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    Proud of Your Boys

    Dallas-Fort Worth natives return to star in national tour of Aladdin

    Lindsey Wilson
    Jun 6, 2019 | 9:28 am

    The Disney musical Aladdin has been good to Texas actors. Not only has Dallas native Brian Gonzales been appearing in the Broadway production since 2014 as Babkak, one of Aladdin's sidekicks, but in 2015 the Fort Worth-raised Major Attaway was called up as stand-by for the role of Genie, under Tony winner James Monroe Iglehart.

    In 2017, the production's first national tour was readying to hit the road with another Dallas actor in the cast: Clinton Greenspan was playing a member of the ensemble and understudying Aladdin. Then, in 2018, something magical happened: Both Attaway and Greenspan assumed their starring roles full-time.

    The real magic, at least for the DFW family, friends, teachers, and fans, will happen June 6-23, when Aladdin comes to the Music Hall at Fair Park via Dallas Summer Musicals. Greenspan is appearing as Aladdin, and Attaway has taken a leave of absence from Broadway this year (from February to September) to join the tour cast as Genie. Flower Mound native Annie Wallace is also in the ensemble and understudies Jasmine.

    "It's a dream," says Greenspan. "The fact that my grandmother would take me to shows at the Music Hall all the time when I was growing up and to come back now touring in a show there ... it's hard to believe still. I've had a few moments recently where I'm doing the show and scenes occur, and I start tearing up because I'm thinking about the fact that I'm about to perform on that stage. There's going to be a kid out there in the audience that was me at one time!

    "Major and I have had a lot of conversations about what this really means to us right now. It's something that we've dreamt of. The fact that we can come back and perform something like this for our family and friends and hometown — it leaves me speechless."

    Though Attaway and Greenspan each worked regularly on local DFW stages, they only ever appeared in one show together: The Hot Mikado at Theatre Three in 2015. Greenspan was in the ensemble, and Attaway appeared near the end of the musical as the Mikado himself.

    "The Mikado is such a small part of the show that we hardly talked and didn't have many rehearsals together," says Attaway. "With that show, I knew everyone but didn't really get to know them. But now it's great to have a connection outside the energy of the show, to have someone you can easily relate to. Being from the exact same area adds to the trust onstage in a way that's automatic; there's an instinct about how each other navigates the show."

    Based on the Academy Award-winning animated film, the stage version of Aladdin is a dazzling display of athletic dancing, sparkly costumes, and plenty of Disney magic (yes, there's still a flying carpet).

    Expect to hear all the memorable songs from composers Alan Menken, Howard Ashman, and Tim Rice, including "Friend Like Me," "Arabian Nights," and "A Whole New World," along with some new songs written for the stage and others that had previously been cut from the film.

    One of those songs is "Proud of Your Boy," where Aladdin expresses his guilt over thieving after promising his now-deceased mother he'd stop.

    "'Proud of Your Boy' will always be a special part of the show for me, because I'm a mama's boy," says Greenspan. "I was an only child raised by a single parent, so we had a very close connection, and she helped me through so much. So to sing that song is very special to me. There are still moments where I get emotional about it, but I always dedicate it to her."

    Since he's been playing the Genie for more than three years, Attaway finds it hard to pick a favorite moment. The iconic role was first made famous by Robin Williams and later awarded prestige by Iglehart, but Attaway has enjoyed putting his own spin on the character — including adding the high kicks he was famous for on DFW stages.

    "Everything this character is required to do onstage is in my wheelhouse, from flexibility to improv," he says. "It's wild that there was a role that feels like it was written for my archetype, but then they also let me enhance it. Nobody else who's played the Genie does the high kick, and probably no one else will."

    Major Attaway as Genie on Broadway.

    Major Attaway in Aladdin on Broadway
    Photo by Matthew Murphy
    Major Attaway as Genie on Broadway.
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    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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