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    The Show Can Go On

    Dallas-Fort Worth theaters grapple with resuming shows at 50 percent capacity

    Lindsey Wilson
    Jun 10, 2020 | 4:54 pm
    Jubilee Theatre presents How I Got Over
    Jubilee Theatre is reopening its stage with How I Got Over, June 19-July 19.
    Photo by Freddie Watkins

    Texas Gov. Greg Abbott recently announced Phase III of the state's reopening plan, and it includes "fine arts performance halls." That means Dallas-Fort Worth theater companies are technically allowed to begin welcoming back patrons for live, indoor performances, but at a 50 percent capacity, utilizing six-foot distancing, and with strict health and safety guidelines.

    But it also begs the question, "is that really going to happen anytime soon?"

    For Jubilee Theatre in Fort Worth, the answer is yes. The company had previously postponed its production How I Got Over, a musical review by Nate Jacobs that celebrates the life of Mahalia Jackson and other gospel greats. With this new permission to reopen, Jubilee Theatre is now presenting the show from June 19-July 19 — with opening night landing on the theater's 39th anniversary.

    Most others, however, are planning to remain closed. Second Thought Theatre announced on June 10 that it was canceling its July 22-August 15 production of Tennessee Williams' classic A Streetcar Named Desire (which was originally planned to run in May). The final production of the season, Samuel Beckett's Endgame, is still scheduled to run September 16-October 10.

    About Streetcar, outgoing STT artistic director Alex Organ says, "We were so looking forward to bringing this storied play to life and are devastated to have to release it. But we also know it's the right decision. The health of our audience, staff, and visiting artists are our top priority, and we look forward to opening back up when we are able to ensure safety for all involved."

    Another factor in many theaters opting to remain closed is the stance of Actors' Equity Association, the national labor union representing professional actors and stage managers in live theater. On April 21, Equity decreed that members may only return to work when the union deems it safe to do so.

    A statement from the union issued on June 9 calls out Texas specifically, noting "record high number of hospitalized COVID-19 patients [in the] weeks following its early reopening."

    "It is deeply alarming that Texas resuming business as usual led to a surge of COVID-19," says Gail Gabler, the AEA Western regional director, in a statement. "The record number of cases in Texas is a stark and troubling reminder that science must guide our decision-making and safety plans in the theater community. Equity is continuing to work closely with our public health consultant, Dr. David Michaels, on creating science-based protocols for theaters to safely open so that Equity members may to return to work."

    While most DFW theater companies are not resuming performances yet, whether because of AEA's moratorium or because operating at 50 percent capacity doesn't make financial sense, members of its community have found ways to keep creating.

    Since April, CultureMap has redirected its monthly list of can't-miss local shows to the virtual realm, spotlighting livestreams, recorded rehearsals, Zoom festivals, and other virtual works of theater and dance. You can view June's list here.

    Local performers and arts leaders have also found new ways to connect with audiences, keeping alive the important social discussion that theater creates.

    Denise Lee, who hosts Community Conversations in collaboration with Change the Perception, has moved her talks online. Instead of focusing on speakers or panels, the public conversations are meant to "promote dialogue between the citizens of Dallas and surrounding areas in an effort for us to tear down whatever perceived walls separate us."

    On June 2, Lee hosted a Zoom conversation that explored today's climate for black men with the theme "The Burden They Carry." It proved so popular that Lee will be hosting another conversation on Stars in the House, the twice-daily YouTube series from SiriusXM star and Broadway personality Seth Rudetsky that supports The Actors Fund and its services.

    Lee will be joined by Devon Miller, Brandon White, Thomas Collier, Jerome Stevenson, and David Stewart to "help shed light on what it means to be an African man in today's world." They will collecting donations for Mothers Against Police Brutality, Inc.

    The program is airing on June 11 at 1 pm, and can be viewed via YouTube, Facebook, or on the Stars in the House website.

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    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

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