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    Getting Kinky Again

    Dallas Summer Musicals stocks 2016-17 season with underwhelming titles

    Lindsey Wilson
    Jun 20, 2016 | 1:15 pm

    When Dallas Summer Musicals president Michael Jenkins was suddenly ousted in May, the board of directors and interim managing director David Hyslop promised a new direction for the 76-year-old institution. Not that new, apparently, as the 2016-17 season has been announced, and it's less than exciting.

    It all begins with a quick stop November 25-27 from Rudolph the Red-Nosed Reindeer. The annual tour has played the Majestic Theatre for its Dallas stops in the past, but this year it's making its way to Fair Park instead. This will be an add-on to the main season, and also one of the four productions co-presented with Bass Hall.

    Next up is "one of the most delightful and enchanting Christmas shows ever," Broadway Christmas Wonderland. The holiday revue promises leggy chorus girls, a dancing Santa Claus, and a song catalog bursting with traditional Christmas tunes. It plays December 6-18.

    Proving that nothing is safe from a stage adaptation, 2017 begins with Cheers Live On Stage, January 6-8. Yes, someone made a live version of the classic sitcom, and no, it does not feature any new storylines or characters. Just reenactments of popular moments from the TV show. This is another add-on to the main season.

    Perhaps the most anticipated of all next season is An American in Paris, the Tony-winning musical that Jenkins and DSM co-produced for Broadway. We knew long ago that this tour was coming, but it's still a bright spot in an otherwise lackluster lineup. Catch it January 31-February 12.

    The stalwart musical Stomp is next, February 14-19, clanging its way to a percussive stop at Fair Park as another add-on. Running in some form or another since 1991, the theatrical experience makes rhythms out of everyday items.

    The final add-on show is the return of The Illusionists, a magic extravaganza that stopped at Fair Park in spring 2015 before heading on to Broadway. Now it boomerangs back here, and the conjurers are actually pretty worthy of the gasps they elicit. If you missed it the first time around, see it February 28-March 5 in 2017.

    Reliving the past seems to be a theme this year, as the next show is a "time capsule" of the Beatles at the height of their popularity. Let It Be is "a reunion that never happened" because of, well, the group's breakup and John Lennon's murder and other unavoidable events. But in this fantasy, the Fab Four is back for one night only and performing all their greatest hits. Wonder what local tribute band A Hard Night's Day thinks of this show, which is playing March 7-19.

    Kinky Boots is back March 28-April 9, so soon after its visit in 2015. The last tour lacked the energy of the long-running Broadway production, but perhaps second time's the charm?

    The oddly named Circus 1903: The Golden Age of Circus doesn't put nearly enough emphasis on its two most important components: Cirque du Soleil and the puppeteers from War Horse. Those two ingredients might mix up a thrilling theatrical experience from May 23-June 4, provided the final product is as pretty and mysterious as the promo shots.

    Even Broadway diva Heather Headley couldn't save the stage adaptation of The Bodyguard when it premiered in London. But in the queasy tradition of Ghost, Flashdance, and Dirty Dancing, DSM is bringing the movie-turned-musical to Dallas July 18-30. This tour is starring Deborah Cox, whom you may remember from the abysmal tour of Jekyll & Hyde that played the Winspear a few years ago and starred Constantine Maroulis. Cox proved then that she's adept at "park and bark" — planting yourself in one spot and singing for all you're worth — so perhaps that'll translate well to some of Whitney Houston's greatest hits.

    Performing Arts Fort Worth's Broadway at the Bass season will include Rudolph the Red-Nosed Reindeer (November 22-23), Cirque Dreams Holidaze (December 3-4), Annie (January 17-22), An American in Paris (February 14-19), Let It Be (March 21-26), Greater Tuna (March 29-30), Matilda (June 13-18), The Bodyguard (August 1-6), Beautiful: The Carole King Musical (September 12-17), Rent (October 17-22), and Irving Berlin's White Christmas (November 14-19).

    Dallas Summer Musicals tickets are available by calling 214-346-3300; visiting the website; or in person at the box office, located at 5959 Royal Ln., Ste. 542 in Dallas.

    Tickets for Broadway at the Bass in Fort Worth are available over the phone at 817-212-4280, online, or in person at the Bass Hall box office.

    Let It Be reunites The Beatles.

    Let It Be Beatles musical
    Photo by Paul Coltas
    Let It Be reunites The Beatles.
    theater
    news/arts

    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

    att performing arts centerbeetlejuicebroadway at the centermusicmystic pizzaperforming-artsthe wiztheaterwinspear opera house
    news/arts
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