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    Getting Kinky Again

    Dallas Summer Musicals stocks 2016-17 season with underwhelming titles

    Lindsey Wilson
    Jun 20, 2016 | 1:15 pm

    When Dallas Summer Musicals president Michael Jenkins was suddenly ousted in May, the board of directors and interim managing director David Hyslop promised a new direction for the 76-year-old institution. Not that new, apparently, as the 2016-17 season has been announced, and it's less than exciting.

    It all begins with a quick stop November 25-27 from Rudolph the Red-Nosed Reindeer. The annual tour has played the Majestic Theatre for its Dallas stops in the past, but this year it's making its way to Fair Park instead. This will be an add-on to the main season, and also one of the four productions co-presented with Bass Hall.

    Next up is "one of the most delightful and enchanting Christmas shows ever," Broadway Christmas Wonderland. The holiday revue promises leggy chorus girls, a dancing Santa Claus, and a song catalog bursting with traditional Christmas tunes. It plays December 6-18.

    Proving that nothing is safe from a stage adaptation, 2017 begins with Cheers Live On Stage, January 6-8. Yes, someone made a live version of the classic sitcom, and no, it does not feature any new storylines or characters. Just reenactments of popular moments from the TV show. This is another add-on to the main season.

    Perhaps the most anticipated of all next season is An American in Paris, the Tony-winning musical that Jenkins and DSM co-produced for Broadway. We knew long ago that this tour was coming, but it's still a bright spot in an otherwise lackluster lineup. Catch it January 31-February 12.

    The stalwart musical Stomp is next, February 14-19, clanging its way to a percussive stop at Fair Park as another add-on. Running in some form or another since 1991, the theatrical experience makes rhythms out of everyday items.

    The final add-on show is the return of The Illusionists, a magic extravaganza that stopped at Fair Park in spring 2015 before heading on to Broadway. Now it boomerangs back here, and the conjurers are actually pretty worthy of the gasps they elicit. If you missed it the first time around, see it February 28-March 5 in 2017.

    Reliving the past seems to be a theme this year, as the next show is a "time capsule" of the Beatles at the height of their popularity. Let It Be is "a reunion that never happened" because of, well, the group's breakup and John Lennon's murder and other unavoidable events. But in this fantasy, the Fab Four is back for one night only and performing all their greatest hits. Wonder what local tribute band A Hard Night's Day thinks of this show, which is playing March 7-19.

    Kinky Boots is back March 28-April 9, so soon after its visit in 2015. The last tour lacked the energy of the long-running Broadway production, but perhaps second time's the charm?

    The oddly named Circus 1903: The Golden Age of Circus doesn't put nearly enough emphasis on its two most important components: Cirque du Soleil and the puppeteers from War Horse. Those two ingredients might mix up a thrilling theatrical experience from May 23-June 4, provided the final product is as pretty and mysterious as the promo shots.

    Even Broadway diva Heather Headley couldn't save the stage adaptation of The Bodyguard when it premiered in London. But in the queasy tradition of Ghost, Flashdance, and Dirty Dancing, DSM is bringing the movie-turned-musical to Dallas July 18-30. This tour is starring Deborah Cox, whom you may remember from the abysmal tour of Jekyll & Hyde that played the Winspear a few years ago and starred Constantine Maroulis. Cox proved then that she's adept at "park and bark" — planting yourself in one spot and singing for all you're worth — so perhaps that'll translate well to some of Whitney Houston's greatest hits.

    Performing Arts Fort Worth's Broadway at the Bass season will include Rudolph the Red-Nosed Reindeer (November 22-23), Cirque Dreams Holidaze (December 3-4), Annie (January 17-22), An American in Paris (February 14-19), Let It Be (March 21-26), Greater Tuna (March 29-30), Matilda (June 13-18), The Bodyguard (August 1-6), Beautiful: The Carole King Musical (September 12-17), Rent (October 17-22), and Irving Berlin's White Christmas (November 14-19).

    Dallas Summer Musicals tickets are available by calling 214-346-3300; visiting the website; or in person at the box office, located at 5959 Royal Ln., Ste. 542 in Dallas.

    Tickets for Broadway at the Bass in Fort Worth are available over the phone at 817-212-4280, online, or in person at the Bass Hall box office.

    Let It Be reunites The Beatles.

    Let It Be Beatles musical
    Photo by Paul Coltas
    Let It Be reunites The Beatles.
    theater
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    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
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