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    Theater Review

    A mystery's afoot as live indoor performance returns to Addison

    Lindsey Wilson
    Jul 21, 2021 | 10:23 am
    WaterTower Theatre presents The Curious Incident of the Dog in the Night-time
    Colin Hodgkin stars as Christopher Boone.
    Photo by Jerry Walker

    We begin with the elephant in the room: WaterTower Theatre has been embroiled in a heated discussion regarding its casting for The Curious Incident of the Dog in the Night-Time.

    The cast and artistic team are all white or white-passing, and there has been outrage from the Dallas-Fort Worth theater community that this does not accurately reflect "modern-day London," as the theater's description of the show claims.

    But this review is not going to tackle that issue. Yes, it is important to note and I personally am uncomfortable with such a homogenous presentation. And it's an important conversation that is still developing (or trying to) between WaterTower's artistic staff and the DFW community, but it's one that's happening offstage.

    Onstage, Mark Haddon's bestselling novel of the same name (which was turned into a play by Simon Stephens) begins with a mystery. Someone has killed his neighbor's dog, and 15-year-old Christopher Boone, a neurodiverse young man with very specific limits around his life, is determined to crack the case.

    On a versatile set designed by Kennedy Styron that places the audience on either side of the action, we get a glimpse into both Christopher's world and his mind. He's cared for by his laborer father (a tough but vulnerable John-Michael Marrs) outside London, having been told only a handful of months ago that his mother suddenly died of a heart attack.

    His teacher, Siobhan (Megan Haratine, with a lovely, lilting Irish accent), narrates Christopher's adventures from the notebook he's recorded them in for school. It is through her that we see what Christopher can be capable of, as the mystery grows and morphs to include new discoveries about his family.

    As the autistic teen, Colin Hodgkin is a revelation. The Michigan native has played the role before, honing Christopher's highly specific physical tics and vocal patterns and now inviting the audience into his reality with a masterfully raw edge.

    Shannon McGrann is also a stand-out, one of six actors who make up the hard-working ensemble. Through Emily Scott Banks' specific direction, McGrann and company embody everyone (and everything) from neighbors to household furniture to frazzled travelers.

    Lighting and projections from Adam Chamberlin likewise take us everywhere from a busy London tube station to Christopher's bedroom to even space itself. David Lanza's evocative sound design solidifies the time-bending transitions.

    Though the drama happening with WaterTower Theatre does warrant further discussion, for now its drama onstage also deserves a closer look.

    ---

    WaterTower Theatre's production of The Curious Incident of the Dog in the Night-Time runs through July 25 in Addison.

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    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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