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Divine diva proves that Love Never Dies in Phantom sequel's Dallas premiere

Tarra Gaines
Jul 23, 2018 | 9:16 am

Broadway’s longest running musical, Andrew Lloyd Webber’s Phantom of the Opera, has enthralled audiences for 30 years, but Dallas will soon discover that the Phantom story didn’t end with the crashing of the giant chandelier. In the new musical Love Never Dies, that ultimate bizarre love triangle between the Phantom, the angelic-voiced Christine Daaé, and her protector, Raoul, lives on as they all meet again — this time in the new, strange world of early 20th-century New York.

As the Love Never Dies tour heads to Dallas Summer Musicals, CultureMap caught up with Meghan Picerno, who stars as Christine, to find out what it takes to bring new life to this iconic role. In this Phantom sequel, 10 years have past. While Christine married Raoul, had a child, and has sung her way into international diva acclaim, the Phantom has found refuge and a new freedom living among the performers, freaks, and geeks of Coney Island.

A voice for two worlds
While Picerno hasn’t experienced any theater-haunting, masked maestros in real life, she is a classically trained opera performer in her own right, who finds it easy to move back and forth between opera and musical productions.

“I am one of those artists who lives in both worlds,” she says of her opera and musical theater experiences. “Both of the worlds really help each other. The colors and tools that I’m using and learning in one, I bring over to the other. They enrich each other.”

Picerno believes that with her opera training, she brings “a flavor that perhaps wasn’t always there” when tackling a Broadway show, yet when she crosses back to opera, she believes her experience with musical theater helps her bring urgency, and sense of being in the moment in her characters’ development. For Picerno, Love Never Dies, in some ways, merges those two worlds together.

“Andrew Lloyd Webber is an absolute musical genius of our day, and his music is not too far from the opera world. This score of Love Never Dies is extremely classical. It’s a difficult score to sing and beautiful one.”

A 20th-century woman with 21st-century problems
From the first notes to the last, the story in Phantom was always one of heightened emotions and drama, perhaps very like some classic opera, and Picerno finds Love Never Dies offers that same volume of intensity.

“Particularly in this story and where we find them, to me it is very operatic in the most glorious way. Everything is heightened. Where the story finds them all is in the most insane, extraordinary circumstance, she describes, adding “I do find from my opera training, when you do have larger than life situations and emotions, in order for that to work the foundation has to be completely genuine.”

At first glance Christine’s story set at the turn of the 20th century might seem very removed from our 21st-century relationship concerns, but Picerno says some of her character’s dilemmas feel somewhat familiar, comparing the situation a bit like being ghosted by a guy or that unsettled situation when an old boyfriend pops back into your life. Above all, she sees aspects of the story having contemporary relevance.

“Christine is not the 18 years old that we see in Phantom, a little naive and just starting out to discover what life is. This woman has lived, traveled and seen things, and she’s in a marriage that’s not so great,” Picerno describes of Christine’s growth and struggles. “She is the one making the money in her family. Even today, what is it like in our society when a woman is working and has a child. This is still in 2018, in some areas, an issue. For a woman of that strength in 1907, I find her pretty incredible.”

The new adventures of Christine
When asked if she tries to find connection with all the previous Christines who have gone before her, including Sarah Brightman who originated the role, while making this older, hopefully wiser woman her own, Picerno says it was conversations with Webber that helped her find her own way.

“Within the context and constraints of the directing and the flavor of the show, he basically gave permission to make it my own. And that’s really exciting. It’s an honor to portray an iconic role, but again, it’s 10 years later. I want to be true to the role and stay true to her roots but find where she can grow and mature.”

Whether opera or musical theater, early 20th or 21st-century set situations, Picerno believes there are some aspects of love stories we can all understand.

“I cry every day onstage. Maybe there’s something wrong with me,” she says with a laugh. “It’s because I’m using my own pain, experiences and joy and then I use the music that Andrew Lloyd Webber writes to communicate that to the audience. Especially in this day and age with everything that’s going on in the world, people need art. They need theater, the human connection and to feel the things on stage.”

---

Love Never Dies runs July 24-August 5 at The Music Hall at Fair Park. For tickets, showtimes, and information, visit the official site.

Meghan Picerno (Christine Daaé) and Gardar Thor Cortes (The Phantom) star in Love Never Dies.

Love Never Dies
Photo by Joan Marcus
Meghan Picerno (Christine Daaé) and Gardar Thor Cortes (The Phantom) star in Love Never Dies.
music theater
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Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

design district kitchen dog theater new works festival performing-arts plays theater
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