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    Season Announcement

    Cara Mía Theatre Co. travels beyond Dallas for its 2017-18 season

    Lindsey Wilson
    Aug 3, 2017 | 2:39 pm

    Cara Mía Theatre Co. is hitting the road for its 2017-18 season, bringing the culturally significant production of Deferred Action to cities across Texas and into California.

    The first-ever regional tour for the company kicks off its 22nd season, which also includes three world premieres and a few cool collaborations.

    “My original vision for Cara Mí Theatre was to create new plays with a core ensemble that speak to the here and now of our city,” says executive artistic director David Lozano. “Ready to inspire social change, we will take our one-two punch of ensemble-based plays and our Community Action programs through North Texas, Los Angeles, and of course, right here in our own hometown.”

    The politically charged Deferred Action, which the company co-produced with Dallas Theater Center in 2016, focuses on Javier Mejía, one of the immigrants known as DREAMers who arrived in the USA as an undocumented minor. Now, after years in the States, he finds himself caught in the tangle of existing immigration laws, new presidential policies, and the harsh reality of living in the shadows.

    Written by Lozano and Lee Trull, and directed by Lozano, the play will travel first to Southern Methodist University (September 14-17, 2017), then University of North Texas in Denton (September 21-23, 2017), and then to Cara Mía's home at the Latino Cultural Center (September 27-29, 2017). From there, it will visit Talento Bilingue in Houston (October 5-7, 2017) and make a stop in Los Angeles at the Encuentro de las Americas International Theatre Festival (October 29-November 19, 2017), courtesy of Latino Theatre Company in association with the Latinx Theatre Commons. The tour is commissioned by Ignite / Arts Dallas.

    Next up is Gog and Magog: Two Clowns Trapped in Hell, a co-production with PrismCo. Written by Jeff Colangelo and Hope Endrenyi, and directed by Colangelo, the world premiere wordless comedy (it had previously been workshopped at Cara Mía's new works festival in 2016) introduces us to two best friends whose only hope of escape from Hell's kitchen is to cook the perfect meal for God. They are terrible cooks. It runs February 24-March 11, 2018, at the Latino Cultural Center.

    Cara Mía teams up with Dallas Children's Theater next for Yana Wana’s Legend of the Bluebonnet. Directed by Robyn Flatt, the original play by Roxanne Schroeder-Arce and María F. Rocha (with original music by Héctor Martínez Morales and choreography by Evelio Flores) follows 10-year-old María as she goes to live with her Coahuiltecan grandmother in Laredo. There, María is told an ancient story of young Yana Wana, who followed a revered deer to find water to save her people. After struggling with her new surroundings, María discovers an amazing and unknown ancestral connection to Yana Wana, the deer, and the bluebonnet, filling her with a renewed sense of self and family pride. It runs March 23-April 8, 2018, at Dallas Children's Theater.

    Finally there's Where Earth Meets the Sky, an indigenous futurism/sci-fi performance on colonization and environmental destruction. Written by Edyka Chilomé, Ariana Cook, and Vanessa Mercado Taylor, and directed by Taylor, it explores Earth's past and possible future through the lens of a hidden matriarchal society. It runs April 14-April 29, 2018, at the Latino Cultural Center.

    Single tickets, season passes, and Cara Mía Theatre Co. memberships are currently on sale, and are available by calling 214-516-0706 or visiting www.caramiatheatre.org.

    Deferred Action will go on tour later in 2017.

    Deferred Action at Dallas Theater Center
    Photo by Karen Almond
    Deferred Action will go on tour later in 2017.
    theater
    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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