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    What To Watch Onstage

    Stay cool with these sizzling hot Dallas theater picks

    Lindsey Wilson
    Aug 7, 2013 | 2:10 pm

    Here’s a lovely fact about theaters: more often than not, they come equipped with air conditioning. Heck, Trinity Shakespeare Festival in Fort Worth even includes this fact in its marketing!

    As the summer begins to wind down, this cool coincidence becomes even more attractive to overheated Texans who want to seek shelter from the 100-plus-degree temps with some icy entertainment.

    Below is a list of upcoming productions that look like they will include — in addition to sweet, sweet AC — some pretty incredible performances.

    The Aliens
    Upstart Productions, August 8-31

    Upstart Productions was poised to become the new “it” group on the Dallas theater scene when it debuted five years ago — and then it disappeared. Now the company is back and producing Annie Baker’s hit Off-Broadway play about two directionless slackers who make a pet of a young coffee shop employee who’s desperate for inclusion.

    Another new company, PlaySites, recently presented a well-reviewed production of the show and performed it in an actual back alley. This one is at the Magnolia Lounge in Fair Park, the same venue that launched local mega-hit On the Eve.

    So Help Me God!
    Theatre Three, August 8-September 1

    Fresh off the national tour of Memphis, Dallas treasure Julie Johnson returns home in a backstage satire penned by the woman who introduced the world to merry murderess Roxie Hart (the character that would later inspire the musical Chicago).

    Maurine Dallas Watkins’ 1929 comedy has all the ingredients for a biting, old-fashioned romp through the world of show business: ditzy divas, greedy commercialism and backstage back-stabbing.

    In a Forest, Dark and Deep
    Second Thought Theatre, August 9-31

    Neil LaBute is famously provocative, both onstage and off. Besides writing a trilogy known as The Beauty Plays that includes a play titled Fat Pig, he’s also engaged in some pretty petty online sparring with critics who have panned his shows.

    But Second Thought is one of Dallas’ best theater companies, and the group has been known to impress: Playwright Rajiv Joseph was a huge fan of Second Thought’s staging of his Gruesome Playground Injuries a few months ago.

    In this psychological thriller, adult siblings confront long-hidden secrets and past bad choices. Regan Adair, whose handling of Red Light Winter in 2011 was masterful, returns from New York City to direct.

    The Book of Mormon
    Lexus Broadway Series, August 20-September 1

    It’s here. IT’S FINALLY HERE. Broadway’s hottest ticket since The Producers arrives in Dallas for 16 performances only, and although a lot of the tickets were scooped up immediately when they first went on sale in June, there might still be time to call in a few favors.

    Trey Parker and Matt Stone, they of South Park fame, wrote a deliciously un-PC musical about straight-laced Mormon missionaries trying to introduce African “heathens” to their religion. Expect crass language, vulgar jokes, and some surprisingly beautiful melodies in this definitely not-for-kids show.

    Miss Saigon
    Casa Mañana, August 10-18

    Broadway’s Jennifer Paz and Fort Worth native Daniel Rowan (who’s taking a hiatus from his role in Off-Broadway’s The Fantasticks) headline as star-crossed lovers Kim and Chris in Casa Mañana’s ambitious mounting of the Vietnam War-era musical.

    Will the famous helicopter make an appearance? Director Tim Bennett is being coy, but he does promise that this version will pour just as much energy into the story as it does into the special effects.

    The Zoo Story
    Fun House Theatre & Film, September 4-7

    They wowed with Hamlet and shocked with Daffodil Girls: Inspired by David Mamet’s Glengarry Glen Ross. Now Bren Rapp and Jeff Swearingen are back with a pint-sized version of Edward Albee’s The Zoo Story.

    Young Chris Rodenbaugh and Doak Campbell Rapp are taking the bond they formed by playing Hamlet and Claudius and using it to interpret the two men in Albee’s 1959 play, who famously meet on a bench in Central Park and hurtle toward a brutal climax.

    Jailbait
    Dallas Actors Lab, August 22-31

    In only its second production, Dallas Actors Lab is presenting the Texas and DFW premiere of Jailbait, written by Deirdre O’Connor. Undermain Theatre associate director Dylan Key directs this look into what it really means to be a grown-up, as the audience follows two teenagers during a night out clubbing.

    Katherine Bourne, last seen as the overachieving little sister in WaterTower Theatre’s Black Tie, and Mikaela Krantz, of WaterTower’s The Grapes of Wrath, star.

    Profanity
    Undermain Theatre, September 12-October 12

    We revealed a tiny preview of this play while discussing Undermain’s challenging upcoming season, but now it’s time to dive deeper. Starring Undermain artistic director Bruce DuBose, Alex Organ, Michael Federico, Shannon Kearns-Simmons and Katy Tye, Sylvan Oswald’s world-premiere dark comedy explores corruption and the unraveling of one family’s foundation.

    Family secrets of course play a part, as they always must in drama. But this time there’s squabbling brothers and a nosy secretary to help things along.

    Matt & Ben
    Echo Theatre, September 12-28

    Before she was Kelly Kapoor on The Office and Dr. Mindy Lahiri on The Mindy Project, Mindy Kaling was writing and starring in this two-woman show about Matt Damon and Ben Affleck. That’s right: the wicked-smaht bros who wrote Good Will Hunting and went on to become two of Hollywood’s hottest commodities.

    Here, two ladies embody the playful rivalry between the best buds, shown mostly as flashbacks before they hit it big. Charming, funny, delightfully self-aware — and with not a J-Lo in sight.

    A Raisin in the Sun and Clybourne Park
    Dallas Theater Center, September 13-October 27
    and October 4-27
    Written in 2010 by Bruce Norris in response to Lorraine Hansberry’s 1959 drama about a dream deferred, the Pulitzer Prize-winning Clybourne Park picks up where A Raisin in the Sun left off. Dallas Theater Center presents the two plays almost in repertory, clearly spotlighting the ties shared by the two works and illustrating how well they play off each other.

    Tre Garrett and Joel Farrell each direct, and some of the same cast members appear in both shows.

    Peter and the Starcatcher
    Lexus Broadway Series, September 17-29

    Fly may have presented the Boy Who Wouldn’t Grow Up in a new, more tribal light, but this inventive take on the Peter Pan myth focuses instead on how Peter ended up in Neverland in the first place.

    Using unassuming props and a cast of 12, Peter and the Starcatcher creates a world that relies heavily on the audience’s imaginations yet spins a magical, fantastic origin story that’s as captivating as it is infectious.

    Bonus: Pride Performing Arts Festival
    Uptown Players, September 5-14

    Now in its third year, Uptown’s theatrical Pride Fest invites local companies and visiting performers to present works that express the gay experience. Staged readings, plays and cabaret performances abound during the nine-day festival, with offerings by Second Thought Theatre (Cock), Theatre New West (The Timekeepers), and Uptown itself (Dishing it Out, Made in Heaven, Good Boys and True and Five Lesbians Eating a Quiche).

    A performance by Chicago-based cabaret duo Amy and Freddy opens the festival.

    Julie Johnson returns to Dallas in Theatre Three's So Help Me God!

    So Help Me God, Julie Johnson at Theatre Three in Dallas
    Photo by Jeffrey Schmidt
    Julie Johnson returns to Dallas in Theatre Three's So Help Me God!
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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