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    Actor Spotlight

    Why Dallas actors Katherine Bourne and Mikaela Krantz want to be jailbait

    Lindsey Wilson
    Aug 12, 2013 | 9:20 am

    In Deirdre O'Connor's Jailbait, the audience follows the characters of Claire and Emmy as they go out to a club and meet Mark and Robert. The two men are in their 30s; Emmy and Claire are only 15. Playing these teenagers are Katherine Bourne and Mikaela Krantz, two Dallas transplants who have been turning in notable, nuanced performances all over the city.

    Because Emmy and Claire are so inseparable, it only made sense to include both actresses in this month's Actor Spotlight. Before Dallas Actors Lab's Texas premiere of Jailbait opens August 22, Katherine and Mikaela took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Role in Jailbait:

    Katherine Bourne: Claire
    Mikaela Krantz: Emmy

    Previous work in the DFW area:

    KB: My most recent production was Black Tie with Watertower Theatre.
    MK: Rose of Sharon (The Grapes of Wrath), Debbie (The Real Thing), Kayleen (Gruesome Playground Injuries), Nobby Hopwood (Jeeves in the Morning), Simon (Lord of the Flies), Puck (A Midsummer Night's Dream), Brooke Ashton (Noises Off!), The Kid (Seven in One Blow), Helen (Hollywood Arms), Katie Bell (Talking Pictures) …

    Hometown:

    KB: Seattle, Washington
    MK: Edina, Minnesota

    Where you currently reside:

    KB: Lakewood! East Dallas represent!
    MK: Wherever I can find a couch ;-)

    First theater role:

    KB: Groucho Marx. It was in a second-grade production where some kids get trapped in a wax museum and the statues come back to life to explain their role in history.
    MK: Ever? The experimental program I was a part of in grade school (in Minnesota) had us learning through all sorts of creative mediums. This included doing plays where I was a blue whale or a ghost or a penguin looking for where she belonged. Professionally? Designated guitarist and ensemble member for both The Taming of the Shrew and Troilus & Cressida at the Hudson Valley Shakespeare Festival in New York.

    First stage show you ever saw:

    KB:Stellaluna at Seattle Children’s Theatre
    MK: I have no idea. The first shows I saw were shows that I was also involved with at school, which was first, second and third grade. It was less of a foreign event that I had to travel outside of my little world to see, and more of an element within the very atmosphere I breathed. Theater was something that was always part of my schema of the world.

    Moment you decided to pursue a career in theater:

    KB: No idea! I know I wasn’t surprised when it clicked, and I don’t think anyone else was either, honestly.
    MK: I suppose I could refer you to the previous answer. However I was also a singer, and senior year of high school was when I made the big decision to go to university for theater performance instead of music.

    Most challenging role you’ve played:

    KB: Probably this one. I didn’t realize the way I’ve “moved on” from 15 until I started playing a 15-year-old — and, on the flipside, the ways I have definitely stayed in that place.
    MK: Oooh, there have been many challenges and each for a wide range of reasons. A long time ago I played Beth in A Lie of the Mind. That was my first opportunity to step inside a character who carried very severe physical and psychological trauma within her body. As a first of many, it was extremely daunting.

    Special skills:

    KB: I’m learning ventriloquism, and I make very good cinnamon rolls.
    MK: I can yo-yo. And juggle. But on a more serious note: I’m learning cinnamon rolls, and I make very good ventriloquism.

    Something you’re REALLY bad at:

    KB: Once I feel awkward, I can’t get out of it, which leads to lots of bad jokes and creepy smiling.
    MK: Being concise when I am called upon to do so. Also: elaborating before it is angrily demanded of me.

    Current pop culture obsession:

    KB: Thrifting, Marvel, Comic Con and Spotify
    MK: I'm not so obsessed that I can't wait for it to be posted online, but I love Food Network Star. I'm a huge Alton Brown fan, because when I first saw Good Eats, I couldn't understand how he was able to retain an audience, because all his jokes failed. But in his failure was so much humor that he endeared himself to me very quickly.

    Last book you read:

    KB: A Farewell to Arms
    MK: Last good one was Blindsight by Peter Watts. I hold my authors to high standards.

    Favorite movie(s):

    KB: Capote, Waiting for Guffman, O Brother Where Art Thou, Almost Famous
    MK: I don't often watch movies more than once, but one of the only movies I use as a go-to is The Fifth Element.

    Favorite musician(s):

    KB: Chris Rice, Kodaline, Sam Cooke, Boyz II Men
    MK: My alter ego is Amanda Palmer. (And she ended up marrying one of my favorite authors, Neil Gaiman! Huzzah!) I am really into lyrics, and I think she brilliantly balances quippy wit and soulful depth, while adding just a dash of goofy absurdity to round out her whole music cocktail.

    Favorite song:

    KB: “These Foolish Things” (the Sam Cooke cover)
    MK: I go through favorites very quickly and can often fall into long periods of abstaining from listening to music all together. I leave my radio on NPR for those times. One song that has resonated very strongly within me, and still does to this day, is “We Exchanged Words” by Azure Ray.

    Dream role:

    KB: Anyone in a Checkhov play. I’ll even play the maid or the old man.
    MK: I was able to check one dream role off my list when Stolen Shakespeare cast me as Puck from Midsummer. However I am not done with him and would so love to play him/her/it again.

    Favorite play(s):

    KB:A View From the Bridge, The Last Days of Judas Iscariot
    MK:The Walworth Farce by Enda Walsh is trilled-R brilliant! I also enjoy George Bernard Shaw's plays, in particular Major Barbara, mainly because of his intellect. Mikaela the person is extremely cerebral, so she finds herself drawn to mind-stimulating plays. Mikaela the actor prefers plays like Gruesome Playground Injuries or a play called Fishtank, written and performed by the good people at Theatre de le June Lune, a theater in Minneapolis that, unfortunately, is no more. Fishtank didn't have a single line of dialogue, and the four actors on stage were all working within the world of the red-nosed clown. Funny, beautiful, heart-breaking. It will stay with me forever.

    Favorite musical(s):

    KB:Annie, hands down.
    MK: I don't often go see musicals, and I really don't know many out there. I have never seen it, but from what I hear about it, I bet I would really enjoy Assassins and The Book of Mormon!

    Favorite actors:

    KB: Tom Hiddleston and Mikaela Krantz, of course!
    MK: I really enjoy Noomi Rapace from Girl with the Dragon Tattoo (Swedish version) and Prometheus. Locally I fell in love with Emily Scott Banks when I watched her do a reading of a show at the Bath House, and since then I have gotten to see her and perform with her on stage. She is always a fascinating, present, specific, inviting actress.

    Favorite food:

    KB: Pimento cheese and wine.
    MK: Broccoli! I love it so much, I eat it all the time! I have to be gluten-free, because I have celiac, so much of what I eat are meats, veggies and fruits. But I can never have enough broccoli!

    Must-see TV show(s):

    KB:Battlestar Galactica, Lost
    MK:Battlestar Galactica! The Daily Show, The Colbert Report, Bitchin' Kitchen. I recently also started getting into Comedy Bang! Bang!

    Something most people don’t know about you:

    KB: When I was 11 I tried to pluck my eyebrows for the first time and failed miserably. I kept trying to even each side out until I had two half-eyebrows. When people asked I said they “burned off,” and I didn’t want to talk about it. Now everyone knows the truth!
    MK: Way back when, I fooled a bunch of my high school friends into thinking they saw the theater ghost disappear in front of their eyes, when really it was me. After I "vanished," I quickly snuck around and walked up behind them just as they were talking about how much it looked like me, so when they saw me coming up to meet them, they flipped their sh--opping carts because that obviously meant it was a ghost, and not me at all that they had seen. That was a really stupid run-on sentence. I apologize for that stupid run-on sentence.

    Place in the world you’d most like to visit:

    KB: New Zealand
    MK: Iceland! No, Russia! (My brother is in Russia.) No, Japan! Some place with epic landscapes. OUTER SPACE!

    Pre-show warm-up:

    KB: Just relaxing and releasing my spine.
    MK: I sing the whole Boba Fett rap (Fett's Vette) as my diction exercise every show. I'll do random vocal warm-ups mainly because Mikaela in real life doesn't talk much. Hardly at all, really. I guess you can't tell by this questionnaire.

    Favorite part about your current role:

    KB: The empathy and vulnerability required to play her.
    MK: Finally getting a chance to be the rebellious, irresponsible, carefree teenager who wants to drink and get in trouble and hasn't a clue what she wants to be when she grows up. I could never be an Emmy when I was that age.

    Most challenging part about your current role:

    KB: Same thing. Vulnerability is scary!
    MK: Not falling into the humor of the dialogue. It's a funny script, but I don't want that to outshine the gravity of the experiences these characters — and my character in particular, for me anyway — are going through.

    Most embarrassing onstage mishap:

    KB: Being unable to find my exit in the blackout before intermission and having the lights go up on me still feeling around for a doorknob.
    MK: I was playing a spunky little boy, and as I was running off the stage, my foot got caught in the back wall curtain, causing me to slide about four feet across the stage on my side, the curtain dragging behind me. I got up with barely a scrape and laughed along with everyone else. It was the first time I realized, “Hey, it's actually kind of fun to fall flat on your face.” And it set me up for being able to try different things a lot more and therefore to fail a lot more through my acting education.

    Career you’d have if you weren’t a performer:

    KB: Teacher
    MK: Probably a Lexicographer. I love words and the ambiguity of the English language! It's my favorite playground! Or perhaps I'd work more diligently on becoming a public intellectual, a career that is quickly dying out. We lost another great one when we lost Christopher Hitchens.

    Favorite post-show spot:

    KB: Lakewood Landing or the Belmont
    MK: ... My bed?

    Favorite thing about Dallas-Forth Worth:

    KB:Oral Fixation at the MAC, the theater community, and the food.
    MK: I have befriended certain people here who have influenced my life in a profound way. For that I am grateful.

    Most memorable theater moment:

    KB: In Dividing the Estate at Dallas Theater Center, I came onstage as sort of the deus ex machina at the very end, and the wall of energy that hit me when I walked onstage first preview was pretty overwhelming.
    MK: While playing Simon in Lord of the Flies, I have a monologue where I stumble upon the pig skull, and I believe it is actually talking to me. This happens in the book, but in the play the pig reminds him of a past male teacher making fun of him.

    Because we were doing an all-female version, it made more sense to me if this previous male teacher had sexually abused Simon. Almost every night, without fail, I would get laughter from the audience when I first spoke as the pig, moving it in my hand like a puppet. But the laughter quickly became awkward and uncomfortable, finally dropping away to a profound silence when I began reliving the sexual abuse.

    My body would try to escape from the pig skull/my predator (which at this point was between my legs) while being “involuntarily” pulled back toward the pig skull. The lights would go out, and I'd clear the stage in the blackout. But the energy of the audience always felt like a cat spooked by its own shadow. It was disturbing and heartbreaking for all parties involved.

    ---

    Dallas Actors Lab's Jailbait plays at the Bath House Cultural Center August 22-31.

    Mikaela Krantz as Kayleen in Gruesome Playground Injuries.

    Dallas actor Mikaela Krantz in Gruesome Playground Injuries
      
    Photo courtesy of Mikaela Krantz
    Mikaela Krantz as Kayleen in Gruesome Playground Injuries.
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    Season Announcement

    Dallas Theater Center finds rhythm and rhyme in 2025-26 season

    Lindsey Wilson
    Apr 2, 2025 | 5:31 pm
    Ragtime at City Center Encores
    Photo by Joan Marcus
    "Ragtime" was recently staged in New York by City Center Encores.

    The 2025-26 season for Dallas Theater Center is a mix of classic and new, large and small, and it even raises the curtain on more collaborations with the Tony Award-winning regional theater.

    This season includes the launch of a three-year partnership between Dallas Theater Center and Stage West Theatre in Fort Worth, as well as a multi-year partnership with SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre. An ongoing collaboration continues with TheatreSquared in Fayetteville, Arkansas, and DTC will newly partner with Fort Worth Symphony Orchestra on a concert to be performed at Bass Performance Hall featuring FWSO, conducted by Robert Spano, and actors from DTC’s Brierley Resident Acting Company, directed by DTC's executive director Kevin Moriarty.

    “Collaboration is at the heart of DTC’s mission,” Moriarty says. “It’s wonderful to join with TheaterSquared to support Jonathan Norton’s brilliant playwriting and introduce his work to a national audience. Further, by partnering with Stage West Theatre, SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre, and the Fort Worth Symphony Orchestra, we are able to expand opportunities for artists, introduce new audience members to the arts, and enrich our artistry. I’m grateful to be surrounded by so many talented, visionary artists and arts leaders here in North Texas and honored to be partnering with them this season.”

    “In curating Dallas Theater Center’s 2025-26 season, I chose to follow my mission as a playwright, which is to break down barriers through the shared joy of great storytelling,” says interim artistic director Jonathan Norton. “And the five shows in our upcoming season will do just that."

    First up is the classic slapstick farce Noises Off by Michael Frayn, directed by Ashley H. White.

    This play-within-a-play plunges you into the chaotic world of Nothing’s On, a fictional touring production tormented by backstage romances and onstage blunders. From flubbed lines to slamming doors, witness the hilarious unraveling of a troupe of eccentric actors. It runs October 3-26, 2025, at the Kalita Humphreys Theater.

    Next is the Pulitzer Prize-winning Fat Ham by James Ijames, a co-production with Stage West that's directed by vickie washington.

    In this Dallas premiere of the hit Broadway comedy, Juicy’s got a lot on his plate — his mom just married his uncle. All he wants is to make his own way as a queer Black man in a Southern family. But here’s the rub: his father’s ghost just turned up at a backyard barbecue demanding vengeance. In this delicious and sizzling reinvention of Shakespeare’s masterpiece, a young man vows to break the cycles of violence in service of his own liberation and joy. It runs January 30-February 8, 2026, at the Kalita Humphreys Theater

    The regional premiere of Donnetta Lavinia Grays' Where We Stand, another co-pro with Stage West, follows.

    Directed by Akin Babatunde, Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic — part fable, part call-and-response. Your town stands at a crossroads. A neighbor — desperate and out of options — has struck a dangerous bargain. Now, their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? The future of the town — and the fate of a soul — hang in the balance. This isn’t a game. It’s your choice. It runs February 27-March 22, 2026, at Bryant Hall on the Kalita Humphreys Theater campus.

    The grand, sweeping musical Ragtime will be produced in partnership with SMU and AT&T Performing Arts Center, with direction and choreography by Sexton Institute for Musical Theatre director Joel Ferrell.

    Based on the novel by E.L. Doctorow, with music by Stephen Flaherty, lyrics by Lynn Ahrens, and book by Terrence McNally, the musical tells the intertwined stories of three families from different walks of life, all chasing the American Dream in 1902 New York. It runs March 27-April 19, 2026, at the Wyly Theatre.

    The world premiere of Jonathan Norton's Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem closes out the regular season.

    A commission by and co-production with TheatreSquared, which previously supported the development of Norton’s I AM DELIVERED’T, the play will be directed by Dexter J. Singleton. In the sweltering summer of 1943, two young men — Little & Foxy — forge an unlikely bond over leftover fried chicken and dirty dishwasher. But as the world outside erupts in chaos, their friendship is tested by betrayal, ambition, and the call of history. Inspired by a true story. It runs May 8-June 7, 2026, at the Wyly's Studio Theater.

    "There is nothing like the rejuvenating sensation of rollicking laughter spreading through packed houses at Noises Off and Fat Ham," says Norton. "Where We Stand will inspire rich conversations about forgiveness and redemption. Ragtime will send audiences home lifted by the stirring music and feeling ever more hopeful in these changing times. And Malcolm X and Redd Foxx Washing Dishes At Jimmy’s Chicken Shack in Harlem will leave you empowered with the knowledge that true friendship can change the world. I can’t wait for October, when I get to welcome audiences at the start of our new season. We will throw open our doors and become Dallas’ town hall — a place for the community to gather for conversation, celebration, and ultimately, connection.”

    There are also two add-on productions, beginning with the company's annual presentation of A Christmas Carol.

    Based on the novel by Charles Dickens, adapted by Kevin Moriarty, and directed by Alex Organ, with musical direction by Cody Dry, and choreography by Joel Ferrell, DTC's production takes audiences on a magical Christmas Eve adventure with Ebenezer Scrooge, as three otherworldly spirits whisk him away on a breathtaking journey of hope and redemption. From the nostalgic warmth of Christmases past to the stark truths of the present and the ominous shadows of the future, Scrooge's journey is a spectacle of wonder. It runs November 28-December 28, 2025, at the Wyly Theatre.

    Under the direction of Robert Spano and Kevin Moriarty, the Fort Worth Symphony Orchestra and Dallas Theater Center collaborate to bring musical drama and theatrical intrigue center stage in the FWSO's newest "Theater of a Concert" concept: Shakespeare at the Symphony.

    Featuring Mendelssohn's Selections from A Midsummer Night's Dream and Prokofiev's Selections from Romeo and Juliet, interspersed with scenes from Shakespeare, the multi-discipline production brings The Bard to life. It runs February 27-March 1, 2026, at Bass Performance Hall in Fort Worth.

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season. Company members include Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, and Zachary J. Willis.

    “The talent and collaborative spirit of my colleagues in the Brierley Resident Acting Company constantly inspires me,” Norton says. “And later this spring I look forward to announcing a new company member who will further enrich our artistry.”

    Subscriptions are available now and can be purchased at DallasTheaterCenter.org and by phone at 214-522-8499. Single tickets are not yet available.

    dallas theater centernoises offfat hamragtimesmusexton institute for musical theatrea christmas carolfort worth symphonytheater
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