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An Artistic Education

Dallasites need to get reacquainted with pioneering Goss-Michael Foundation

Kendall Morgan
kendall Morgan
Aug 31, 2014 | 12:06 pm

Famous for glittering parties, charitable causes and envelope-pushing exhibitions, the Goss-Michael Foundation is taking an even more expansive — yet local and accessible — approach for its 2014-2015 season. No doubt Dallasites will start to think about it in a new way.

Originally founded in 2007 by Kenny Goss and recording artist George Michael to share their personal collection, the foundation has solidified its mission of pairing philanthropy and art as it has expanded its focus. Goss-Michael may have been criticized in the past for catering to high rollers and high bank accounts, but its big donors and glossy events have enabled it to support local talent alongside mid-career and emerging British artists.

“We’re using our network to try and create a slight shift in the perception of Dallas,” says new curator Kevin Rubén Jacobs.

This Dallas-centric approach to exhibitions has been inspired and encouraged by the foundation’s newest curator, Kevin Rubén Jacobs. For Jacobs, who runs OFG.XXX (formerly Oliver Francis Gallery) in his spare time, hanging local works next to the likes of Tracey Emin and Antony Gormley can only be a positive thing for our arts scene.

“I suppose I’ve been the influence for it not being so Brit-centric because I was doing my own thing for three years, and Kenny wanted to utilize that energy over here,” he explains. “He had the idea of using our back exhibition space to show significant Dallas-based artists.

“More often than not, people who visit our foundation from Berlin, New York or London will ask with great intrigue about the works. We’re using our network to try and create a slight shift in the perception of Dallas.”

First up for fall? A dual show opening September 4 that pairs Bright Young Brit painter Adam Ball with Dallas-based mixed media artist Michelle Rawlings. To coincide with this opening, and to introduce these artists to the community in a more intimate way, enthusiasts can lunch with Ball and Rawlings on September 5. This event is the start of an initiative called Fridays (at) GMF, a collaboration with Green House Market in which people can hang out at the foundation, enjoy a farm-to-table lunch and get to know the exhibiting artists.

This fall the foundation also will launch a curated outpost of Damien Hirst’s Other Criteria shop, which recently opened its first U.S. branch in New York’s SoHo this May. Taking over an old conference room along with executive director Joyce Goss’ former office, Other Criteria + GMF will offer Hirst’s and other major artists’ print editions, books and collectibles alongside work from the Dallas art community — all at a relatively affordable price.

GMF will launch an outpost of Damien Hirst’s Other Criteria shop, offering Hirst’s and other major artists’ print editions, books and collectibles.

Expanding its retail offerings lets Goss-Michael support its mission of educational programming, meaning we’ll see more events like the open-to-the-public preview of season seven of the PBS series ART21. The September 18 screening at Texas Theatre, sponsored by the foundation, explores Katharina Grosse’s recent exhibition at the Nasher Sculpture Center. The after-party features music by Lee Escobedo.

January 2015 brings a traveling exhibition showcasing work by notable Rhode Island School of Design grads, including Huma Bhabha, Katherine Bradford, Dennis Congdon, Jason Fox, Arthur Peña, Ryan Sullivan and Jordan Wolfson. Curated by locally based artist Peña and RISD professor and painter Congdon, the show is a bit of a coup for Dallas. It will eventually move on to Rhode Island, Los Angeles and Chicago.

But of course, the charitable and social event of the spring season is the fourth iteration of the wildly successful MTV RE:DEFINE. Having raised a jaw-dropping $3.8 million to date for AIDS research, RE:DEFINE returns home to the foundation’s space on April 10, 2015, honoring the work of influencer Michael Craig-Martin.

“Among [his] talents, it is impossible to ignore his influence as a mentor and professor at Goldsmiths, where he has been impactful to some of the most recognizable names in the art world, including Damien Hirst, Sarah Lucas, Gary Hume and more,” says Kenny Goss.

Here’s hoping he discovers some Texas talent to take under his wing while he’s here.

The Goss-Michael Foundation has evolved since its inception in 2007 to include a focus on local artists. But philanthropy and education have remained core parts of its mission.

the goss-michael foundation, redefine2014
Photo by Bruno
The Goss-Michael Foundation has evolved since its inception in 2007 to include a focus on local artists. But philanthropy and education have remained core parts of its mission.
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news/arts

Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

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