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    Your Show of Shows

    Art gallery picks of the month: Modern photography icons and stitches in time

    Kendall Morgan
    kendall Morgan
    Sep 7, 2013 | 6:00 am

    In September, the art world goes back to cool to prep for a season of stand-out shows and gallery walks. Our top three must-sees involve some fresh fabrications, precise lines and saturated shades, but you’ll find all the mediums that matter at the free DADA Fall Gallery Walk this September 21, noon-8 pm. Bike-friendly gallery-goers can also sign up to pedal from space to space from 11 am to 5 pm on Facebook.

    INCRE-MENTAL, Linnea Glatt, at Barry Whistler Gallery
    Opening reception:
    September 14, 6-8 pm

    Exhibition dates:
    September 14-October 12

    Needle and thread begets poetry in the hands of Dallas-based artist Linnea Glatt. Taking her exploration of sense of place in new directions with sewn and stitched drawings and sculptural books, her work has a textural allure all its own.

    “I like the idea of elevating what someone might think of a handicraft, and I love the sensual quality of the materials,” explains the artist. “Whatever medium I’m working on, the medium is the conveyor [of the message].”

    Glatt’s machine-stitched drawings range in size up to an impactful 68-by-68 inches, and her deconstructed books take the bound objects from a state of disintegration into wholeness.

    SOME NEW PAINTINGS, Susie Rosmarin, at Talley Dunn Gallery
    Opening reception:
    September 14, 6-8 pm

    Exhibition dates:
    September 14-October 26

    “Some New Paintings” is a rather demure title for Houston artist Susie Rosmarin’s optically engaging show. Applying layer after layer (after layer!) of acrylic paint onto her masked canvases in precise lines, she alternates between using neutral shapes and saturated color to achieve an almost hallucinatory quality, making each piece seem to vibrate off the walls.

    Just the latest iteration in a longtime love of mathematical patterns and numerical equations, “Some New Paintings” is a visual playground for both artist and observer.

    WILLIAM EGGLESTON: HIS CIRCLE & BEYOND, various artists, at Photographs Do Not Bend Gallery
    Opening reception:
    September 7, 5-8 pm

    Exhibition dates:
    September 7-November 9

    Fine art or fast fashion — modern photography owes quite a debt to William Eggleston, who changed the standard of black-and-white photography in 1976 with his landmark Museum of Modern Art exhibition “Color Photographs by William Eggleston.” His use of compositional color and elevation of ordinary landscapes and objects give his images an intensity that is still a source of inspiration for artists of his time, as well as the generations that followed.

    PNDB is showing six of Eggleston’s rare pieces, which are difficult to source for both collector and institution. “Some of his work sells for seven figures, and the dye transfer prints are the most sought-after,” says gallery co-owner Missy Finger.

    “When he began shooting, the color photography of the time was mostly snapshot photography, but he took it beyond that to a high art form. As far as contemporary photographers go, the use of color is so much more refined and such a major part of the image, it becomes a character in itself.”

    The exhibit also highlights the work of some of Eggleston’s contemporaries and fellow Southerners, including Peter Brown, William Christenberry, David Graham, William Greiner, Birney Imes, Bill Owens, Stephen Shore, Neal Slavin and Alec Soth.

    Peter Brown at PDNB Gallery.

    DO NOT USE - Peter Brown
    Photo courtesy of PDNB Gallery
    Peter Brown at PDNB Gallery.
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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