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    Actor Spotlight

    Dallas actress Janelle Lutz exposes her farm-girl past and intense love for TV

    Lindsey Wilson
    Sep 9, 2014 | 11:46 am

    She just won a DFW Theater Critics Forum Award for her stunning portrayal of Judy Garland in Uptown Players’ The Boy From Oz, but Janelle Lutz has been turning in exceptional performances since she hit the Dallas theater scene. With a resume built around playing strong, confident women, Lutz tries her hand at farce with the British comedy Out of Order, opening at Theatre Britain on September 12.

    Prior to the show’s opening, Lutz took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Janelle Lutz

    Role in Out of Order: Jane Worthington

    Previous work in the DFW area: Lyric Stage (Elsa Schreader, The Sound of Music; Claudia Nardi, Nine); Uptown Players (Marilyn Platt, Soho Cinders; Judy Garland, The Boy From Oz); MainStage Irving-Las Colinas (Little Becky Two-Shoes/ Mrs. Millenium, Urinetown) Stolen Shakespeare Guild (Marianne Dashwood, Sense and Sensibility)

    Hometown: Hollister, California

    Where you currently reside: Dallas

    First theater role: The first show I was ever in was at my church back home, and it was a musical adaptation of the story of the Good Samaritan. I played the doctor. My first community theater show was Fiddler on the Roof; I played Beilke, the youngest of the daughters. I was 16 playing a 12-year-old. So much fun.

    First stage show you ever saw: The first one that comes to mind is The Lion King. I saw it in San Francisco with friends, and it was so amazing. I would go and see that show again in an instant. Just magnificent.

    Moment you decided to pursue a career in theater: Well, I think it has been growing on me the last couple of years. Probably about a year or two ago I really started to think about it seriously.

    Most challenging role you’ve played: Judy Garland in The Boy from Oz

    Special skills: I don’t think this really counts as a “special skill,” but I’m really good at sleeping. I’m also pretty good at binge watching TV. I know it’s a terrible habit, but when I have time to sit and watch TV, by golly I do.

    Something you’re REALLY bad at: Sports. I would love to be good at them and be able to play them without hurting someone or falling on my face, but it doesn’t always work so well.

    Current pop culture obsession: Honestly, I just started watching TLC’s What Not to Wear again. Does that count?

    Last book you read: Get Happy: The Life of Judy Garland by Gerald Clark

    Favorite movie(s): I really like old movies. So I would have to say Roman Holiday, Operation Petticoat, The Thin Man Series, His Girl Friday and anything classic of the 1930s-1940s. I do also like more modern movies. One of my favorites is The Family Stone. Makes me cry every time.

    Favorite musician(s): Frank Sinatra, Judy Garland, Audra McDonald, Ramin Karimloo

    Favorite song: “The Man That Got Away” from A Star is Born and “Pretty Women” from Sweeney Todd. Both of those songs are just so hauntingly beautiful.

    Dream role: Christine in Phantom of the Opera. I know it’s a cliché, but it’s true. Of course, I have many dream roles, but I think I have wanted this one the longest.

    Favorite play(s): Wait Until Dark by Frederick Knott

    Favorite musical(s): Oy, that is too tough. All of them! I just love musicals.

    Favorite actors/actresses: Colin Firth, Cary Grant, Audrey Hepburn, Jimmy Stewart

    Favorite food: My Mom’s chicken casserole, chips and dip, and anything chocolate.

    Must-see TV show(s): Friends, The West Wing

    Something most people don’t know about you: Well, I grew up on a farm. From the age of 7 all the way through high school, I was in 4-H. My two main projects were sewing and sheep showing. Each year at the county fair, I would make an outfit out of wool, and a matching one for my sheep, and I would compete in a thing called “Lamb Lead.” We were judged on our outfit and how our lamb matched us. This is a true story. I have pictures to prove it.

    Place in the world you’d most like to visit: Italy

    Pre-show warm-up: Generally, it’s just getting to the theater nice and early, and drinking some throat coat tea or Dr Pepper. Oh, and I do hum to get my voice rolling.

    Favorite part about your current role: Getting to run around and have fun, while being awkward and goofy. This is such a wonderful cast, and we crack each other up all the time.

    Most challenging part about your current role: Honestly, it’s getting the comedic timing correct. This is my first British farce, so this show is most certainly stretching me as an actress. It’s a wonderful challenge.

    Most embarrassing onstage mishap: I think it probably would have been the opening night of Beauty and the Beast back in my hometown, Hollister. I was playing the part of Belle, and at this theater you had to go outside to get from one side of the stage to the other. Well, at the end of one scene, I was so nervous about making it to the other side of the stage for my next entrance that I left the stage early and ran to the other side. When I got to the other side the guy playing Maurice said, “Don’t worry about it. The orchestra just kept going. It’s okay.”

    Well, come to find out, I completely skipped a whole scene and song! And of course it was the scene where Belle finds out her father is missing. Glad it’s a well-known story and people could just figure it out. Yep, great opening night.

    Career you’d have if you weren’t a performer: I would be a teacher.

    Favorite post-show spot: Anywhere there is a good drink and mac and cheese or tacos.

    Favorite thing about Dallas-Forth Worth: Oh gracious, it’s the people. The people I have met here are beyond wonderful. They have accepted me, taken me under their wings and become my family here. I love them! My theater family is amazing to me. Truly.

    Most memorable theater moment: I have to say it would be the closing performance of The Boy from Oz. Those who were involved in that show will understand why I chose this moment because that final performance we were all a mess. We all wanted to soak in every possible moment before they all slipped away.

    One moment of that afternoon in particular was during “Quiet Please, There’s a Lady On Stage.” This is the song that Peter Allen wrote as a tribute to Judy Garland, and in the show Judy makes a little cameo appearance. It was always a special scene for me, but that afternoon it was ever so much more.

    At that moment, I realized that I wasn’t just portraying Judy saying goodbye to Peter and to her audience, but it was me personally saying goodbye. Saying goodbye to the cast, crew and to Judy herself. It was me saying thank you.

    I am eternally grateful and honored to have been involved with such a treasure of a show. There are not enough words to say how much The Boy from Oz meant to me, so that has to be my most memorable theater moment.

    Janelle Lutz and Alex Ross in The Boy From Oz at Uptown Players.

    The Boy From Oz
    Photo by Mike Morgan
    Janelle Lutz and Alex Ross in The Boy From Oz at Uptown Players.
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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
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