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    Actor Spotlight

    Dallas actress Janelle Lutz exposes her farm-girl past and intense love for TV

    Lindsey Wilson
    Sep 9, 2014 | 11:46 am

    She just won a DFW Theater Critics Forum Award for her stunning portrayal of Judy Garland in Uptown Players’ The Boy From Oz, but Janelle Lutz has been turning in exceptional performances since she hit the Dallas theater scene. With a resume built around playing strong, confident women, Lutz tries her hand at farce with the British comedy Out of Order, opening at Theatre Britain on September 12.

    Prior to the show’s opening, Lutz took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Janelle Lutz

    Role in Out of Order: Jane Worthington

    Previous work in the DFW area: Lyric Stage (Elsa Schreader, The Sound of Music; Claudia Nardi, Nine); Uptown Players (Marilyn Platt, Soho Cinders; Judy Garland, The Boy From Oz); MainStage Irving-Las Colinas (Little Becky Two-Shoes/ Mrs. Millenium, Urinetown) Stolen Shakespeare Guild (Marianne Dashwood, Sense and Sensibility)

    Hometown: Hollister, California

    Where you currently reside: Dallas

    First theater role: The first show I was ever in was at my church back home, and it was a musical adaptation of the story of the Good Samaritan. I played the doctor. My first community theater show was Fiddler on the Roof; I played Beilke, the youngest of the daughters. I was 16 playing a 12-year-old. So much fun.

    First stage show you ever saw: The first one that comes to mind is The Lion King. I saw it in San Francisco with friends, and it was so amazing. I would go and see that show again in an instant. Just magnificent.

    Moment you decided to pursue a career in theater: Well, I think it has been growing on me the last couple of years. Probably about a year or two ago I really started to think about it seriously.

    Most challenging role you’ve played: Judy Garland in The Boy from Oz

    Special skills: I don’t think this really counts as a “special skill,” but I’m really good at sleeping. I’m also pretty good at binge watching TV. I know it’s a terrible habit, but when I have time to sit and watch TV, by golly I do.

    Something you’re REALLY bad at: Sports. I would love to be good at them and be able to play them without hurting someone or falling on my face, but it doesn’t always work so well.

    Current pop culture obsession: Honestly, I just started watching TLC’s What Not to Wear again. Does that count?

    Last book you read:Get Happy: The Life of Judy Garland by Gerald Clark

    Favorite movie(s): I really like old movies. So I would have to say Roman Holiday, Operation Petticoat, The Thin Man Series, His Girl Friday and anything classic of the 1930s-1940s. I do also like more modern movies. One of my favorites is The Family Stone. Makes me cry every time.

    Favorite musician(s): Frank Sinatra, Judy Garland, Audra McDonald, Ramin Karimloo

    Favorite song: “The Man That Got Away” from A Star is Born and “Pretty Women” from Sweeney Todd. Both of those songs are just so hauntingly beautiful.

    Dream role: Christine in Phantom of the Opera. I know it’s a cliché, but it’s true. Of course, I have many dream roles, but I think I have wanted this one the longest.

    Favorite play(s): Wait Until Dark by Frederick Knott

    Favorite musical(s): Oy, that is too tough. All of them! I just love musicals.

    Favorite actors/actresses: Colin Firth, Cary Grant, Audrey Hepburn, Jimmy Stewart

    Favorite food: My Mom’s chicken casserole, chips and dip, and anything chocolate.

    Must-see TV show(s):Friends, The West Wing

    Something most people don’t know about you: Well, I grew up on a farm. From the age of 7 all the way through high school, I was in 4-H. My two main projects were sewing and sheep showing. Each year at the county fair, I would make an outfit out of wool, and a matching one for my sheep, and I would compete in a thing called “Lamb Lead.” We were judged on our outfit and how our lamb matched us. This is a true story. I have pictures to prove it.

    Place in the world you’d most like to visit: Italy

    Pre-show warm-up: Generally, it’s just getting to the theater nice and early, and drinking some throat coat tea or Dr Pepper. Oh, and I do hum to get my voice rolling.

    Favorite part about your current role: Getting to run around and have fun, while being awkward and goofy. This is such a wonderful cast, and we crack each other up all the time.

    Most challenging part about your current role: Honestly, it’s getting the comedic timing correct. This is my first British farce, so this show is most certainly stretching me as an actress. It’s a wonderful challenge.

    Most embarrassing onstage mishap: I think it probably would have been the opening night of Beauty and the Beast back in my hometown, Hollister. I was playing the part of Belle, and at this theater you had to go outside to get from one side of the stage to the other. Well, at the end of one scene, I was so nervous about making it to the other side of the stage for my next entrance that I left the stage early and ran to the other side. When I got to the other side the guy playing Maurice said, “Don’t worry about it. The orchestra just kept going. It’s okay.”

    Well, come to find out, I completely skipped a whole scene and song! And of course it was the scene where Belle finds out her father is missing. Glad it’s a well-known story and people could just figure it out. Yep, great opening night.

    Career you’d have if you weren’t a performer: I would be a teacher.

    Favorite post-show spot: Anywhere there is a good drink and mac and cheese or tacos.

    Favorite thing about Dallas-Forth Worth: Oh gracious, it’s the people. The people I have met here are beyond wonderful. They have accepted me, taken me under their wings and become my family here. I love them! My theater family is amazing to me. Truly.

    Most memorable theater moment: I have to say it would be the closing performance of The Boy from Oz. Those who were involved in that show will understand why I chose this moment because that final performance we were all a mess. We all wanted to soak in every possible moment before they all slipped away.

    One moment of that afternoon in particular was during “Quiet Please, There’s a Lady On Stage.” This is the song that Peter Allen wrote as a tribute to Judy Garland, and in the show Judy makes a little cameo appearance. It was always a special scene for me, but that afternoon it was ever so much more.

    At that moment, I realized that I wasn’t just portraying Judy saying goodbye to Peter and to her audience, but it was me personally saying goodbye. Saying goodbye to the cast, crew and to Judy herself. It was me saying thank you.

    I am eternally grateful and honored to have been involved with such a treasure of a show. There are not enough words to say how much The Boy from Oz meant to me, so that has to be my most memorable theater moment.

    Janelle Lutz and Alex Ross in The Boy From Oz at Uptown Players.

    The Boy From Oz
      
    Photo by Mike Morgan
    Janelle Lutz and Alex Ross in The Boy From Oz at Uptown Players.
    unspecified
    news/arts

    Theater news

    Dallas' Theatre Three asks public for urgent help to keep lights on

    Stephanie Allmon Merry
    May 13, 2025 | 5:13 pm
    Natasha, Pierre, and the Great Comet of 1812 Off Broadway.
    Photo by Chad Batka
    "Natasha, Pierre, and the Great Comet of 1812" ran Off Broadway.

    A longtime Dallas theater company is asking for urgent help. Theatre Three (T3) has made a plea to the community for $200,000 in donations to stay in business.

    In a Facebook post on May 13, they say, "Without immediate and substantial help from our community, we will be forced to close our doors."

    They say they've suffered several years' worth of financial hardships, including effects of the COVID-19 pandemic, and more recently, cuts in arts funding.

    The post says, in part:

    "For 64 years, Theatre Three has been a cornerstone of Dallas’ creative spirit — bringing bold, innovative productions to life and showcasing the extraordinary talent of our local artists, designers, and creatives. We have been an intimate stage for everyone. But now, we face the greatest challenge in our history.

    "After mourning the loss of our beloved Jac Alder, and then, under the leadership of the incredible Jeffrey Schmidt, surviving the immense toll of the COVID-19 pandemic, we find ourselves once again at a significant crossroads. The ongoing erosion of support for the arts has dealt a devastating blow to our funding ...

    Our goal is $200,000. This is not the news we want to share, but it is news that we believe you all would want to know."

    The post is signed by board members Jessica Turner Waugh, Suzanne Burkhead, Rosa Medina-Cristobal, Scott T. Williams, Robert McCollum, Harrison Herndon, David G. Luther, Mia Glogau, and Jon Collins.

    Donations, they say, will help support local artists, staff and creatives to produce their next show, Xanadu; counter the rising costs of rent, insurance, and production; and allow them to retain staff.

    "We know times are tough. But we also know what this theater and its people mean to our city and to the generations who have found meaning, joy, and belonging within its walls," they say. "And that is why we are making this urgent plea. Help us preserve this Dallas institution."

    They end the post with a link to their donation page: https://www.theatre3dallas.com/support/.

    T3's black-box theater Theatre Too's final show of the season is The Mystery of Irma Vep, a fast-paced and campy parody that is on stage now through May 18.

    Theatre Three will close out its current season with Xanadu, a high-energy, roller-skating extravaganza that brings the 1980 cult film to life. Douglas Carter Beane is behind the hilarious book, and music and lyrics are by John Farrar and Electric Light Orchestra (ELO) founding member Jeff Lynne. It is set to run June 5-July 6, 2025.

    In addition to a full season of mainstage productions, Theatre Three offers additional programs for the community throughout the year.

    Monday Night Playwright features unique and affordable opportunities for local writers to showcase their works. Fight Night provides the community and artists alike with movement and other physical skills through monthly stage combat classes.

    The Norma Young Advanced Acting Lab, a collaboration with Booker T. Washington High School for the Performing and Visual Arts, is in its fifth year. Students have access to masterclasses hosted by industry professionals and exclusive insight on the professional production process at Theatre Three, then the course concludes with a professionally produced showcase.

    Theatre Three is located at 2688 Laclede St. in the Quadrangle in Uptown Dallas. For more information in productions and programs, visit their website.

    ---

    Lindsey Wilson contributed to this story.

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