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    Please Drive Responsibly

    The Omni hotel becomes the city's largest canvas at Dallas VideoFest's ExpandedCinema

    Kendall Morgan
    Sep 26, 2012 | 7:49 am
    • The lit-up Omni Dallas hotel is a familiar site driving into town. September 26,Bart Weiss intends to use it as a canvas to kick off VideoFest 25.
      Photo by Jerry McClure
    • Featured works in Extended Cinema include (from top) Michael Alexander Morris,Monument for Juanita: Candy is the Sun, 2:45 min.; Shane Mecklenburger, OMNEY, 4min.; Andrea Goldman, Stop. Collaborate. Listen., 3:07 min.
    • A test run the night before the exhibition.
      Photo by Jerry McClure

    For 25 years, the Dallas VideoFest has built a solid reputation for straddling the line between art and technology. After all, forward-thinking founder/director Bart Weiss has embraced innovation from the very first festival in 1987, exploring HDTV, virtual reality and CD-ROMs years before they entered the average filmgoer’s vernacular.

    For its silver anniversary, Weiss is bringing videos out of the screening room and onto the walls of the Omni Dallas, a space he calls “the largest canvas in Dallas.” Including works by 14 artists selected by Weiss, Michael A. Morris and show coordinator/compiler Carolyn Sortor, the pieces in Expanded Cinema are diverse in their approach. Only the artists’ connection to Texas ties the works together.

    “I’ve always been into bringing art into nontraditional environments,” says Weiss, who showcased video works at such iconic ’80s clubs as On the Air and the Video Bar. “I live in Oak Cliff, so when I drive at night into the city, I see the Omni, and it struck me we should do something about [the space].”

     

    The founders hope that — barring potential traffic accidents — Expanded Cinema will live on, transforming the Omni Dallas hotel’s façade into a continuous canvas for Dallas art.

    Fortuitously, a member of Weiss’ board had a connection with the hotel, and the idea for Expanded Cinema was born. Named after a seminal text by new media art theorist Gene Youngblood, the event highlights video’s potential as a fine art medium and will serve as a splashy kickoff to the 25th VideoFest.

    Artists were confined by the curvature of the Omni and limited amount of pixels used in the hotel’s display, but the restrictions presented by the space resulted in some works gaining an extra, unintended meaning.

     You’ll Forget Everything, Soon from Mona Kasra, featuring a couple in discussion, wrapped the walls in such a way that the duo were no longer looking at each other but facing in the same direction. Rebecca Carter and Mark Collop’s The Eyeballs From Outer Space/Strangers in the Night's sea of surreal cat eyes poses the question of who is the alien in the landscape: the viewers outside or the visitors watching from inside the Omni?

    “Some of the issues raised by the platform are seeing and being seen. What happens when you transfer objects on a large display?” asks Carolyn Sortor, who also has a work in Cinema. “It looks very simple, but the way the images are chosen and displayed raises all these different questions for the viewer.”

    Although the installation appears on the Omni only on Wednesday, September 26, at 8 pm sharp, the founders hope that — barring potential traffic accidents — Expanded Cinema will live on, transforming the hotel’s façade into a continuous canvas for Dallas art.

    “If it goes as well as we think it will, we’ll sit down and have a meeting to see what we can do next,” says Weiss. “What we’re doing here is pointing to the next generation of architecture — it’s a place artists and others can put messages and communication for all to see. It’s a big conceptual leap for us.”

     Expanded Cinema airs September 26 at 8 pm on the exterior of the Omni Dallas, with an audio simulcast on public radio KXT 91.7 FM. The official/unofficial public viewing location is an empty field at Colorado Avenue and Jefferson Boulevard, and patrons are encouraged to wear practical shoes and bring flashlights, radios and armchairs. Please avoid accidents by stopping and parking to watch the show. The Dallas VideoFest runs September 27-30 at the Dallas Museum of Art.

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    Theater Critic Picks

    From Wilde to 'The Wiz': 8 unmissable July shows in North Texas

    Lindsey Wilson
    Jul 2, 2025 | 10:18 am
    Second Thought Theatre presents Your Wife’s Dead Body
    Photo courtesy of Second Thought Theatre
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    Your instinct during the summer might be to hide out in an air-conditioned theater, and there are plenty of options to do exactly this month. But we would be remiss if we didn't remind you about a North Texas tradition: Shakespeare under the stars. Pack a picnic, bring a blanket, and watch The Bard (and this year Oscar Wilde) at Samuell-Grand Amphitheater with Shakespeare Dallas. Both shows opened in June, but continue through most of July.

    Here are eight shows local shows, listed in order of start date:

    The Importance of Being Earnest
    Shakespeare Dallas, through July 18 extended to July 26
    This witty romantic comedy by Oscar Wilde, first performed in 1895, tells the story of two men who assume the identities of a fictional man named Ernest. This leads them to each fall in love and encounter an assortment of comical problems along the way.

    Othello
    Shakespeare Dallas, through July 20
    In this Shakespearean tragedy, Othello is at the peak of his powers: not only Venice's greatest general but also husband to the noble and beautiful Desdemona. But he does not know that in passing over his servant Iago for promotion, he has created a deadly but brilliant enemy. This production is set in an alternate-history version of the 1990s in which the Venetian empire is the predominant political, military, and economic power.

    King Kirby
    American Chronicle Theatre Co., July 4-12
    This is the story of Jack "King of Comics" Kirby. The play follows him from the tough Jewish ghetto of Hell’s Kitchen in New York, to the harrowing battlefields of Normandy during WWII, to tense Senate hearings in the 1950s. Watch as he creates some of the most iconic heroes in pop culture: Captain America, Thor, the Fantastic Four, the X-Men, Iron Man, the New Gods, and countless others.

    Your Wife’s Dead Body
    Second Thought Theatre, July 9-26
    Written by Second Though Theatre artistic associate Jenny Ledel in her playwriting premiere, the play takes place in the near future, as Jane takes advantage of a new AI technology that would extend her lifespan ... even if she's not around to see it for herself.

    The Wiz
    Broadway at the Bass, July 15-20
    This all-new production of the groundbreaking, Tony Award-winning musical returns “home” in an all-new pre-Broadway tour, the first one in 40 years. The groundbreaking twist on The Wizard of Oz changed the face of Broadway, from its iconic score packed with soul, gospel, rock, and finger-snapping '70s funk to its stirring tale of Dorothy’s journey to find her place in a contemporary world.

    Noises Off
    Mainstage Irving-Las Colinas, July 18-August 2
    This play-within-a-play captures a touring theater troupe’s production of Nothing On in three stages: dress rehearsal, the opening performance, and a performance towards the end of a debilitating run. Playwright Michael Frayn gives a window into the inner workings of theatre behind-the-scenes, progressing from flubbed lines and missed cues in the dress rehearsal to mounting friction between cast members in the final performance.

    Everybody's Talking About Jamie
    Uptown Players, July 18-August 3
    Inspired by true events, this musical tells the inspiring story of Jamie New, a 16-year-old boy from Sheffield who dreams of becoming a drag queen. His loving mom showers him with endless support but it's not all rainbows for Jamie as his deadbeat dad and some ignorant school kids attempt to rain on his sensational aspirations.

    Shucked
    Broadway at the Bass, July 29-August 3
    This Tony Award-winning musical comedy features a book by Tony Award winner Robert Horn, a score by the Grammy Award-winning songwriting team of Brandy Clark and Shane McAnally, and direction by Tony Award winner Jack O’Brien. The corn-fed, corn-bred American musical is sure to satisfy an appetite for great musical theater.

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