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    Theater Critic Picks

    These are the 13 can't-miss shows in Dallas-Fort Worth theater for October

    Lindsey Wilson
    Oct 1, 2021 | 4:47 pm
    Kitchen Dog Theater presents Good Latimer
    Kitchen Dog Theater presents the world premiere of Good Latimer.
    Photo by Matt Mrozek

    I didn't plan it, but somehow we ended up with a list of 13 shows for this spooky month. So in order not to anger the spirits, perhaps you'd better go see all 13 — just to be safe.

    In order of start date, here are 13 local shows to watch this month:

    Disclosure
    Pizza Chapel Theatre Company, October 1-9
    The truth is out there and Noah is looking for it. Camping in the Texas desert and hoping that the stars at night will shed light on personal matters, Noah is surprised by unexpected visitors and a few manipulations of the space-time continuum. Pizza Chapel will use nontraditional staging techniques and storytelling methods to create an original theater piece that blends the familiar and strange in a manner both immersive and DIY. Audiences are invited to join in on the fun and bring their own camping chair or picnic blanket to gather together around the campfire.

    Fabulation or, the Re-education of Undine
    Jubilee Theatre, October 1-24
    Written by Lynn Nottage and directed by Ayvaunn Penn, Fabulation tells the saga of Undine Barnes Calles, an ambitious and extremely confident (perhaps over-confident) socialite, businesswoman, wife, and mother-to-be who has climbed her way to the pinnacle of success. When a major cold dose of betrayal and reality hits her smack in the face, she plummets all the way to the bottom, in despair. To repair her life, Undine must return to her urban roots: Brooklyn’s hard-knock Walt Whitman projects.

    Little Shop of Horrors
    Theatre Three, October 6-31
    A deliciously devious Broadway and Hollywood sci-fi smash musical, Little Shop of Horrors has devoured the hearts of theatre goers for over 30 years. The meek floral assistant Seymour Krelborn stumbles across a new breed of plant named "Audrey II" — after their co-worker crush. As the plant grows, Seymour begins to realize how the plant that gave them everything desires to take everything (and everyone) in return. Performed at the Samuell-Grand Amphitheatre.

    In The Heights
    The Firehouse Theatre, October 7-17
    If you caught the movie, now's the time to see Lin-Manuel Miranda's pre-Hamilton musical about a community at the top of Manhattan performed live and onstage. It’s a community on the brink of change, full of hopes, dreams and pressures, where the biggest struggles can be deciding which traditions you take with you, and which ones you leave behind.

    JQA
    Stage West, October 7-31
    John Quincy Adams lived his life backwards: brilliant diplomat in his youth, fervent congressman as a man, ineffectual president in his prime. This unique and timely play — a regional premiere — imagines a kaleidoscope of confrontations between JQA and some of his key contemporaries.

    Good Latimer
    Kitchen Dog Theater, October 8-24
    A world premiere by Dallas native playwright Angela Hanks, the play follows Dallasites Ravinia and Good as they reach a crossroad in their 35-year relationship. Ravinia has had a sudden epiphany: she is no longer in love with Good. And Good? Far from accepting his fate, he is determined to win her back, even if it means overcoming a sky that rains armadillos, a rare North Texas earthquake, and Dallas's maddeningly ever-evolving landscape.

    The Taming
    WaterTower Theatre, October 13-24
    A patriotism obsessed Miss Georgia has kidnapped a Republican Senator’s campaign manager & a liberal activist who is fighting to save the endangered pandashrew and is holding them hostage in her hotel room the night before the big Miss America Pageant. In this hilarious, raucous, all-female “power-play” inspired by Shakespeare’s The Taming of the Shrew, contestant Katherine has political aspirations to match her beauty pageant ambitions.

    The Hairy Ape
    The Classics Theatre Company, October 13-November 6
    Adapted and directed by Joey Folsom, with an original score created and performed live by Braden Socia and Petra Milano, the ensemble cast tackles O'Neill's take on expressionism in this work that directly challenges the underlying rags-to-riches mythology of America and powerfully examines the effects of alienation in the modern world.

    Come From Away
    Broadway at the Bass, October 19-24
    On 9/11, the world stopped. On 9/12, their stories moved us all. Come From Away is the true story of the small town that welcomed the world. The musical takes audiences into the heart of the remarkable true story of 7,000 stranded passengers and the small town in Newfoundland that welcomed them.

    St. Nicholas
    Undermain Theatre, October 20-November 7
    Undermain brings its most widely-viewed and nationally acclaimed streaming production back for live performances with a vivid soundscape and lighting design. A cynical and jaded drama critic falls for a beautiful young actress. On a drunken bender one weekend he pursues her to London, where he falls in with a coven of modern-day vampires. Is it a drunken fairytale or his own vision of a higher truth? Storytelling at its spooky best comes to life in this haunting solo story performed by Undermain artistic director Bruce DuBose.

    The Glass Menagerie
    Circle Theatre, October 28-November 20
    From her cramped St. Louis apartment, Amanda Wingfield dreams of her days as a Southern debutante while worrying about the future of her aimless son Tom and unmarried daughter Laura. With their father absent and the Great Depression in motion, the siblings find comfort in their foibles — alcohol, movies, and writing for Tom and a collection of glass animals for Laura — which only heightens Amanda’s anxiety. When a gentleman caller arrives for dinner, the Wingfields are flooded with hope. But it’s unclear if his presence will change things for the better or shatter their fragile illusions.

    The Merit System
    Teatro Dallas, October 29-November 13
    Edwin Sanchez's play, the second production in the Latino Cultural Center’s new blackbox theater, centers on Ray Rivers (Danny Lovelle), a young Puerto Rican man on the way up. Everything is going great for him except he doesn’t believe he deserves it. Struggling with the cost of assimilation, he walks a tightrope both at the factory where he has been recently promoted to management, and with his fiancée. When a recently divorced Cuca (Dolores Godinez) joins the assembly line, with the sole purpose of making enough money to return to her beloved Puerto Rico, an unexpected friendship between Ray and Cuca develops and allows him to finally accept the part of himself that he’s long denied.

    Egress
    Amphibian Stage, October 29-November 14
    This world premiere is a psychological thriller examining the way spaces can protect or trap us. Picture this: You’re an architecture professor specializing in modes of egress. You try to teach your students to care about safe passage through spaces and they write about doors and windows. They write about transparent open spaces versus closed systems with no entrances or exits. You don’t sleep soundly at night because you startle awake wondering what had just been in the room with you. You know it was something big and cold and damp and it just walked in like it owned the place. What do you expect to come find you? How do you get away?

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    Netflix House will debut in Dallas with murals from acclaimed artist

    Desiree Gutierrez
    Dec 8, 2025 | 12:51 pm
    ​Jeremy Biggers at Netflix House
    Netflix House
    Jeremy Biggers at Netflix House

    A long-awaited immersive venue is opening in Dallas, and it will debut with local art on its walls: Netflix House, a year-round exhibit revolving around Netflix shows and movies, will open at Galleria Dallas on December 11, with two murals from award-winning Dallas multi-medium artist Jeremy Biggers.

    Netflix House is an immersive dive complete with merchandise store, film house, arcade, and restaurant-bar. When it opens, Dallas will be the second location in the U.S., following Philadelphia, where it debuted in November 2025, also with murals from a local artist.

    A graduate of Booker T. Washington High School for Performing and Visual Arts, Biggers is a renowned artist whose murals can be found spashed on walls across Dallas. Many, such as the Selena portrait on the wall outside Top Ten Records at 306 S. Bishop Ave., have become local landmarks.

    He's a logical choice, having worked with a number of corporations including Nike, Adidas, the Dallas Mavericks, and IBM, for whom he created the "THINK" mural in their Dallas corporate office. His works have also been exhibited nationally, including a 2024 solo exhibition "be safe out there bro" at Band of Vices, a gallery in Los Angeles.

    "Being chosen to be the artist to paint this mural, it would have been a disservice to myself, as well as the art scene in the city, not to try to infuse myself into it," he says.

    \u200bJeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

    Biggers did two murals featuring his interpretation of Netflix figures including the Squid Game Young-hee doll, characters from KPop Demon Hunters and megahit series Stranger Things, plus Pandy and DJ Catnip, the best friends in the interactive series Gabby’s Dollhouse.

    Both murals are intensely colored works that incorporate Biggers' signature motif: a grid of polka dots spread across the image.

    • One is on the exterior of Netflix House, at the parking entrance, a colorful collage of characters, measuring 38 feet x 50 feet — the tallest mural Biggers has tackled. He painted it with aerosol; it took him two months to complete.
    • The other is on the interior, on the mall side entrance of Netflix House, measuring 57 feet x 12 feet — a study in moody blacks and blues, with accents of neon-red that give it a 3D effect.

    “I'm trying to tell the story of Netflix, and the story of where Netflix has been historically, where Netflix is headed in the future, and then also infusing my own narrative and my own language visually into that story,” he says.

    “They could have opened this anywhere, so for Dallas to be one of the very first locations — that’s a testament to us as a market, as consumers of arts and consumers in general," he says.

    Jeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

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