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    Theater Critic Picks

    These are the 13 can't-miss shows in Dallas-Fort Worth theater for October

    Lindsey Wilson
    Oct 1, 2021 | 4:47 pm
    Kitchen Dog Theater presents Good Latimer
    Kitchen Dog Theater presents the world premiere of Good Latimer.
    Photo by Matt Mrozek

    I didn't plan it, but somehow we ended up with a list of 13 shows for this spooky month. So in order not to anger the spirits, perhaps you'd better go see all 13 — just to be safe.

    In order of start date, here are 13 local shows to watch this month:

    Disclosure
    Pizza Chapel Theatre Company, October 1-9
    The truth is out there and Noah is looking for it. Camping in the Texas desert and hoping that the stars at night will shed light on personal matters, Noah is surprised by unexpected visitors and a few manipulations of the space-time continuum. Pizza Chapel will use nontraditional staging techniques and storytelling methods to create an original theater piece that blends the familiar and strange in a manner both immersive and DIY. Audiences are invited to join in on the fun and bring their own camping chair or picnic blanket to gather together around the campfire.

    Fabulation or, the Re-education of Undine
    Jubilee Theatre, October 1-24
    Written by Lynn Nottage and directed by Ayvaunn Penn, Fabulation tells the saga of Undine Barnes Calles, an ambitious and extremely confident (perhaps over-confident) socialite, businesswoman, wife, and mother-to-be who has climbed her way to the pinnacle of success. When a major cold dose of betrayal and reality hits her smack in the face, she plummets all the way to the bottom, in despair. To repair her life, Undine must return to her urban roots: Brooklyn’s hard-knock Walt Whitman projects.

    Little Shop of Horrors
    Theatre Three, October 6-31
    A deliciously devious Broadway and Hollywood sci-fi smash musical, Little Shop of Horrors has devoured the hearts of theatre goers for over 30 years. The meek floral assistant Seymour Krelborn stumbles across a new breed of plant named "Audrey II" — after their co-worker crush. As the plant grows, Seymour begins to realize how the plant that gave them everything desires to take everything (and everyone) in return. Performed at the Samuell-Grand Amphitheatre.

    In The Heights
    The Firehouse Theatre, October 7-17
    If you caught the movie, now's the time to see Lin-Manuel Miranda's pre-Hamilton musical about a community at the top of Manhattan performed live and onstage. It’s a community on the brink of change, full of hopes, dreams and pressures, where the biggest struggles can be deciding which traditions you take with you, and which ones you leave behind.

    JQA
    Stage West, October 7-31
    John Quincy Adams lived his life backwards: brilliant diplomat in his youth, fervent congressman as a man, ineffectual president in his prime. This unique and timely play — a regional premiere — imagines a kaleidoscope of confrontations between JQA and some of his key contemporaries.

    Good Latimer
    Kitchen Dog Theater, October 8-24
    A world premiere by Dallas native playwright Angela Hanks, the play follows Dallasites Ravinia and Good as they reach a crossroad in their 35-year relationship. Ravinia has had a sudden epiphany: she is no longer in love with Good. And Good? Far from accepting his fate, he is determined to win her back, even if it means overcoming a sky that rains armadillos, a rare North Texas earthquake, and Dallas's maddeningly ever-evolving landscape.

    The Taming
    WaterTower Theatre, October 13-24
    A patriotism obsessed Miss Georgia has kidnapped a Republican Senator’s campaign manager & a liberal activist who is fighting to save the endangered pandashrew and is holding them hostage in her hotel room the night before the big Miss America Pageant. In this hilarious, raucous, all-female “power-play” inspired by Shakespeare’s The Taming of the Shrew, contestant Katherine has political aspirations to match her beauty pageant ambitions.

    The Hairy Ape
    The Classics Theatre Company, October 13-November 6
    Adapted and directed by Joey Folsom, with an original score created and performed live by Braden Socia and Petra Milano, the ensemble cast tackles O'Neill's take on expressionism in this work that directly challenges the underlying rags-to-riches mythology of America and powerfully examines the effects of alienation in the modern world.

    Come From Away
    Broadway at the Bass, October 19-24
    On 9/11, the world stopped. On 9/12, their stories moved us all. Come From Away is the true story of the small town that welcomed the world. The musical takes audiences into the heart of the remarkable true story of 7,000 stranded passengers and the small town in Newfoundland that welcomed them.

    St. Nicholas
    Undermain Theatre, October 20-November 7
    Undermain brings its most widely-viewed and nationally acclaimed streaming production back for live performances with a vivid soundscape and lighting design. A cynical and jaded drama critic falls for a beautiful young actress. On a drunken bender one weekend he pursues her to London, where he falls in with a coven of modern-day vampires. Is it a drunken fairytale or his own vision of a higher truth? Storytelling at its spooky best comes to life in this haunting solo story performed by Undermain artistic director Bruce DuBose.

    The Glass Menagerie
    Circle Theatre, October 28-November 20
    From her cramped St. Louis apartment, Amanda Wingfield dreams of her days as a Southern debutante while worrying about the future of her aimless son Tom and unmarried daughter Laura. With their father absent and the Great Depression in motion, the siblings find comfort in their foibles — alcohol, movies, and writing for Tom and a collection of glass animals for Laura — which only heightens Amanda’s anxiety. When a gentleman caller arrives for dinner, the Wingfields are flooded with hope. But it’s unclear if his presence will change things for the better or shatter their fragile illusions.

    The Merit System
    Teatro Dallas, October 29-November 13
    Edwin Sanchez's play, the second production in the Latino Cultural Center’s new blackbox theater, centers on Ray Rivers (Danny Lovelle), a young Puerto Rican man on the way up. Everything is going great for him except he doesn’t believe he deserves it. Struggling with the cost of assimilation, he walks a tightrope both at the factory where he has been recently promoted to management, and with his fiancée. When a recently divorced Cuca (Dolores Godinez) joins the assembly line, with the sole purpose of making enough money to return to her beloved Puerto Rico, an unexpected friendship between Ray and Cuca develops and allows him to finally accept the part of himself that he’s long denied.

    Egress
    Amphibian Stage, October 29-November 14
    This world premiere is a psychological thriller examining the way spaces can protect or trap us. Picture this: You’re an architecture professor specializing in modes of egress. You try to teach your students to care about safe passage through spaces and they write about doors and windows. They write about transparent open spaces versus closed systems with no entrances or exits. You don’t sleep soundly at night because you startle awake wondering what had just been in the room with you. You know it was something big and cold and damp and it just walked in like it owned the place. What do you expect to come find you? How do you get away?

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    Opera News

    Dallas Opera's new season stages dramatic debuts and beloved encores

    Alex Bentley
    Feb 24, 2026 | 1:30 pm
    The Elixir of Love at Santa Fe Opera
    Photo by Curtis Brown Photography
    The 2026-27 season for The Dallas Opera will include a new version of The Elixir of Love.

    The 2026-2027 season for The Dallas Opera will feature four mainstage productions, two family operas, and a trio of annual events, with all productions taking place as usual at Winspear Opera House.

    One production —Janáček’s The Cunning Little Vixen — will be completely new to Dallas audiences, as it is making its North American premiere with the company.

    The other three mainstage productions — Donizetti’s The Elixir of Love, Puccini’s Turandot, and Wagner’s Lohengrin — will be making encore appearances, although at least two will differ from their original productions.

    The season will start with The Elixir of Love, which will be performed four times between October 9 and 17, 2026. The colorful production, now set in post-World War II Italy, is about a hopeless romantic who swoons for the town’s school teacher.

    Performers, each of which are making their Dallas Opera debuts, will include British Iranian coloratura soprano Soraya Mafi, 2022 Operalia winner Anthony León, legendary Italian baritone Alessandro Corbelli, 2025 Operalia winner Mihai Damian, and 2025 TDO Lone Star Vocal Competition winner Kayla Nanto.

    Next up is the North American debut of Janáček’s The Cunning Little Vixen, running October 30-November 7. It's the story of a young fox, which is trapped as a cub, going on to make a dramatic escape in search of what a wild animal’s life should be.

    Conducted by Mrs. Eugene McDermott Music Director Emmanuel Villaume, the bold and glitzy production will star Estonian soprano Mirjam Mesak (making her U.S. debut), American baritone Zachary Nelson, Hungarian American mezzo-soprano Shannon Keegan, and American contralto Lindsay Ammann.

    The 2027 portion of the season will begin with Puccini’s unfinished work Turandot, running February 12-20. To win the hand of Princess Turandot, a suitor must solve three riddles; failure to do so means death.

    Conducted by Villaume, this production features a new ending with music by Grammy Award winner and video game composer Christopher Tin (known for the Civilization IV game) and a libretto from Succession writer Susan Soon He Stanton.

    Italian soprano Anna Pirozzi and Venezuelan tenor Jorge Puerta, both celebrated for their renditions of this opera, make their Dallas Opera debuts as Turandot and Calaf, respectively.

    Wrapping up the season will be Wagner’s Lohengrin, running March 5-13. Accused of her brother’s murder, Elsa prays for a way to prove her innocence. In answer, a knight in shining armor appears, ready to save her. He asks one thing in return: never ask his name.

    Director Louis Désiré returns to lead this premiere production, which will be conducted by Villaume. It will star Pavarotti d’Oro winner Saimir Pirgu, American soprano Lise Lindstrom, and bass Peixin Chen, among others.

    "The 2026/2027 Season spans the breadth of what opera has to offer the world," said Mrs. Eugene McDermott Music Director Emmanuel Villaume in a statement.

    Additionally, The Dallas Opera will feature two family operas: The Bremen Town Musicians, with performances on October 17, 2026 and February 21, 2027, and The Little Prince, with performances on November 8, 2026 and February 13, 2027.

    Other annual events include:

    • The Linda and Mitch Hart Institute for Women Conductors Showcase Concert, featuring women who have participated in the Dallas Opera's longtime program (January 30, 2027)
    • The Robert E. and Jean Ann Titus Family Recital, featuring German soprano Christiane Karg and pianist Andrew von Oeyen (January 31, 2027)
    • The Phyllis A. and Thomas H. McCasland, Jr. Lone Star Vocal Competition, featuring rising opera stars from around Texas (March 12, 2027)

    Subscription renewals and new subscription packages for the 2026/2027 season are now on sale, with packages starting at $98 for all four mainstage operas. Family operas and annual events will be available as add-ons before single tickets go on sale in summer 2026.

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