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    Hotel Art

    Massive art installation at Renaissance Dallas at Plano hotel hooks onlookers

    Teresa Gubbins
    Oct 3, 2017 | 2:51 pm

    If you're hankering to see art and can't rustle up a museum cover charge, you can see some for free at The Renaissance Dallas at Plano Legacy West, whose walls boast a collection of original works.

    The Renaissance is the 15-story hotel recently opened by Sam Moon Group, of the eponymous handbag and accessories empire, who wanted the design to reflect the family's Asian culture while also honoring their second-generation Texas roots.

    The "West-meets-Zen" theme can be seen and felt throughout. There is art made from used computer floppy disks. Iron sculpture that — when one stands back — forms the impression of a 1983 Toyota Land Cruiser. Branding irons hang from the ceiling of the Whiskey Moon bar. Restaurant tables are carved to look like blades of an Asian fan. Cowhide and leather covered furnishings and cowboy hats hang in every room.

    The Moon family was resolute that the design demonstrate sensibility to Asian culture, as well as follow the Renaissance tradition of focusing on local and regional culture. The Moon family sought to honor their Korean roots while extending hospitality to international guests traveling on business to the multinational corporations headquartered within the Legacy West corridor such as Toyota.

    Hospitality design firm Looney & Associates worked with art consultants Faulkner+Locke, INDIEWALLS, and Kalisher to cultivate the collection. It includes multiple mediums such as textile, sculpture, digital, paintings, plaster, works on paper, and even video. It can be seen throughout the public areas, from the reception desk to the lounges to the grand stairway and function areas.

    Upon arrival, a glass-sheathed 15-story tower stands at the entrance of Windrose Ave., the central boulevard and pedestrian walkway of Legacy West. The hotel was designed with wide-open interior spaces and broad sight lines to embody the indigenous elements of the Texas prairie.

    A horizontal glass installation by photographer Aaron Koblin, behind the reception area, measuring 10.6 feet by 25.6 feet, appears as a web of chalky lightning strikes emanating from a nucleus. Closer inspection reveals it to be airplane flight patterns to and from DFW International Airport.

    A herd of 18 hand-sculpted longhorn skulls made of molded resin by Cherrylion Studios mark the landing of the grand stairway leading from the lobby to the mezzanine level and reflect the fusion of two cultures by fabricating the classic Texas longhorn steer with the delicate Japanese art of origami.

    Artist Gilbane Peck is responsible for the installation of re-purposed computer floppy discs that form a pair of canvases of two female figures in traditional clothing, one Asian with fan, the other a Texas cowgirl. The two paintings of women in traditional cultural garb, executed on computer floppy discs, are in homage to the high-tech companies within the Legacy West development and part of Dallas' history as a city where one of the original integrated circuits was invented and its continued center for high-tech manufacturing.

    A double-height lenticular of a 7th-century Asian ceramic horse and a western saddle horse stands as a sentinel at the top of the grand staircase on the mezzanine level outside the grand ballroom. The artist is Building 4 Fabrications and photographer Jenny Gummersall.

    Hotel general manager Bob Bula says in a release that they've witnessed the art's lure on hotel guests and Legacy Park West visitors. "Our lounge and Whiskey Moon Lobby Bar have become a central meeting spot and local watering hole," he says, calling the art collection "a provocative backdrop."

    The cultural fusion continues in the hotel's restaurants. Bold Texas flavors combine with Asian fare at the Whiskey Moon bar, at Texas Tea House in the lobby, and at Oma, the hotel's main three-meal restaurant located on the ground floor.

    A herd of 18 hand-sculpted longhorn skulls made of molded resin.

    Renaissance Plano
    Photo courtesy of Renaissance Dallas at Plano Legacy West
    A herd of 18 hand-sculpted longhorn skulls made of molded resin.
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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