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    Actor Spotlight

    Go beyond the famous voice of this Dallas actor and musician

    Lindsey Wilson
    Oct 25, 2017 | 10:58 am

    If you haven't seen Max Hartman onstage in Dallas, then you've probably at least heard him. He's the voice of Domino's Pizza and the audio guide at the Dallas Museum of Art, and also performs around town with his band, Mur (perhaps you caught them as part of AT&T Performing Arts Center's Elevator Project back in March?).

    But if you're still itching to see him onstage in a dramatic role, Hartman is one of the stars of Kitchen Dog Theater's production of Ironbound, by Martyna Majok. Before the show opens on October 26 (it runs through November 12 at KDT's temporary home, the Trinity River Arts Center), Hartman took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Max Hartman

    Role in Ironbound: Tommy

    Previous work in the DFW area: 25 productions with Kitchen Dog Theater, most recently last season's Trevor and A Stain Upon the Silence: Beckett's Bequest. Other KDT favorites: The Arsonists, Wilde/Earnest, RX, Barbecue Apocalypse, Race, In The Next Room or The Vibrator Play, Becky Shaw, and Betrayal. Elsewhere: Penelope at Undermain Theatre, Twelfth Night at Shakespeare Dallas, Othello at Second Thought Theatre, and several readings for the Arts & Letters Live Texas Bound series at the DMA. Also served as music composer for Much Ado About Nothing, A Midsummer Night's Dream, A Winter's Tale, and Twelfth Night for Shakespeare Dallas, and 26 Miles at Kitchen Dog Theater.

    Hometown: Dallas

    Where you currently reside: Little Forrest Hills

    First theater role: Reporter #2 in my fifth-grade Christmas play.

    First stage show you ever saw: You're a Good Man, Charlie Brown at Lake Highlands United Methodist Church.

    Moment you decided to pursue a career in theater: Maybe during like the sixth time in a row I went to watch my older sisters in Guys and Dolls at Lake Highlands United Methodist Church when I was 10.

    Most challenging role you’ve played: Playing Trevor, the out-of-shape, roller skating chimpanzee in Trevor, was simultaneously the most challenging and the most I've ever been typecast.

    Special skills: I'm pretty good on several musical instruments, like guitar, drums, and bass, and am fake-good on piano and saxophone. I can also do a mean Sinatra impression.

    Something you’re REALLY bad at: Overthinking. Or would that be something I'm actually REALLY good at? Or maybe I could say "not overthinking"?

    Current pop culture obsession: Our Reality-Game-Show-Host-Train-Wreck-in-Chief

    Last book you read: Been a minute ... Blink by Malcolm Gladwell?

    Favorite movie(s): Impossible to boil down, so I'll go with ... Shawshank Star Wars at Ridgemont High.

    Favorite musician(s): Even harder to boil down so ... Miles Davis, The Beatles, and Pink Floyd.

    Favorite song: "All of Kind of Blue" by Miles Davis

    Dream role: Sweeney Todd

    Favorite play(s): Who's Afraid of Virginia Waiting for Godot?

    Favorite musical(s): West Side Story, Sweeney Todd, Guys and Dolls, Les Miserables

    Favorite actors/actresses: Not a fan of actors, weirdly, but I'd put Phillip Seymour Hoffman and Dallas' own (and Kitchen Dog founder) Sally Nystuen Vahle in the best-all-time category.

    Favorite food: Bacon

    Must-see TV show(s): Breaking Bad, Better Call Saul, The Colbert Report

    Something most people don’t know about you: I voice part of the audio tour at the Dallas Museum of Art.

    Place in the world you’d most like to visit: New York City, to work on anything.

    Pre-show warm-up: Some stretching, vocal exercises, mild calisthenics, coffee.

    Favorite part about your current role: His Jersey dialect and gold chain.

    Most challenging part about your current project: Not letting the accent and gold chain take over the role.

    Most embarrassing onstage mishap: Went completely blank on song lyrics while the pianist tried to whisper them to me as she endlessly vamped the intro during a dinner theater matinee of The Apple Tree. I can still hear the spoons clinking in their deserts as I pretended to ponder life like an idiot for what seemed like four hours.

    Career you’d have if you weren’t in theater: Teacher or a TV show-style private detective.

    Favorite post-show spot: The Lakewood Landing

    Favorite thing about Dallas-Forth Worth: Kind of a favorite and least favorite rolled into one here. The well-meaning Dallas folks who tout their pride for our Dallas Arts District while attending mostly national touring shows. Many are missing out on my favorite part of Dallas-Fort Worth: the local theater artists and actors. Our small theater scene in Dallas rivals any in the country. Many simply have no idea what they're missing.

    Most memorable theater moment: Accidentally blurting out "What the f***?" from the audience during the final moment of The Danube at Kitchen Dog Theater in 2003.

    Max Hartman as Tommy and Karen Parrish as Darja in Ironbound at Kitchen Dog Theater.

    Ironbound at Kitchen Dog Theater
    Photo by Matt Mrozek
    Max Hartman as Tommy and Karen Parrish as Darja in Ironbound at Kitchen Dog Theater.
    theaterqainterview
    news/arts

    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
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