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    Theater Critic Picks

    These are the 10 can't-miss shows in Dallas theater for December

    Lindsey Wilson
    Dec 6, 2016 | 5:26 pm

    We get it: December is busy. There are parties upon parties, not to mention holiday travel and traditional outings. But there's still room for theater, especially if you need a holiday palate cleanser. Dallas is serving up a variety of shows this month, and not all of them are coated in syrupy seasonal sentiment.

    Here are the 10 shows to see, in order by start date:

    Sister’s Christmas Catechism: The Mystery of the Magi’s Gold
    WaterTower Theatre, December 2-23
    WaterTower newcomer Nonie Newton Riley is on the hunt for the Magi's gold in this holiday mystery, which also mysteriously hints at including the vocal talents of Sarah Elizabeth Price. It's from one of the playwrights of Late Night Catechism, the popular solo show that's part catechism class, part stand-up routine, so expect lots of laughs.

    Holy Bone
    Dead White Zombies, December 1-January 1 (perhaps)
    To try to explain this experimental troupe's latest project is to still not fully understand it. Founder Thomas Riccio promises this to be DWZ's "most ambitious and adventurous performance project" in the company's five-year history, and it's set to play out over the next several months. Where? Well, everywhere. Doing what? Well, everything. The immersive project is co-created with the City of Dallas, and scenes could take place just about anywhere, at any time. The promise is that the project "will grow and be shaped by community responses, interactions, and suggestions. Where it goes, what it will say, and what effect it will have will be shaped by the community."

    Broadway Christmas Wonderland
    Dallas Summer Musicals, December 6-18

    A glittering, high-kicking extravaganza, this holiday revue is a mish-mash of classic tunes ("White Christmas," "Silent Night," "Jingle Bells") and production numbers from a chorus of 24 lithe and leggy dancers. Expect sparkle, expect snow, even expect ice skating.

    Gloria
    Dallas Theater Center, December 7-January 22
    This new play from 2016 MacArthur Fellow Branden Jacobs-Jenkins does what so many other movies, plays, and books love to focus on — the "cutthroat world of magazine publishing." But we're still holding out hope that there's more to this work than a cliché. A small cast of six, lead by Leah Spillman, plays multiple roles in the intimate studio space at the Wyly Theatre, under Christie Vela's direction.

    Black Nativity
    Bishop Arts Theatre Center, December 8-18
    Langston Hughes' poetic and soulful take on the birth of Christ returns, as told through gospel, spirituals, and dance. Written in 1961, the play was one of the first penned by an African American to be performed Off-Broadway and has become a tradition at theaters around the country ever since.

    It's a Wonderful Life, a Live Radio Play
    Firehouse Theatre, December 9-18
    It wouldn't be Christmas without that bell ringing, but there are plenty more aural joys to be found in this innovative take on George Bailey's holiday crisis. A troupe of actors gathers in a 1940s radio studio to bring the well-known story to life, using vocal effects and an original score by Scott A. Eckert. There are a couple of musical cameos too, making it really feel as though you've traveled back in time.

    In a Dark Dark House
    Proper Hijinx Productions, December 9-18
    To round out its first full season, this new company is presenting the regional premiere of Neil LaBute's dark tale of a dysfunctional family. LaBute is hardly warm and fuzzy holiday fare, which is what makes this show so refreshing. Amphibian Stage Productions is lending its stage, and Jeff Burleson, Aaron White, and Madeleine Morris star.

    Nearly Naked Nutcracker
    Broads and Panties Burlesque, December 16-17
    To see a different kind of stocking this season, head to Viva's in the Design District for this sixth annual burlesque take on the holiday ballet. The show — which mixes dance with traditional vaudeville humor — is for mature audiences only, of course, but it's something you should put on your calendar if you want to hang out on the naughty list for a while.

    The Book of Mormon
    AT&T Performing Arts Center, December 20-31
    When the doorbell rings this time, it's not carolers. Instead it's a return engagement of Trey Parker and Matt Stone's award-winning and utterly inappropriate musical about Mormon missionaries. If you somehow missed the blockbuster the other two times it's been here, now's your chance. There are even a limited number of $25 tickets up for grabs with the lottery, which is held an hour-and-a-half before each performance.

    I Love You, You're Perfect, Now Change
    Theatre Three, December 29-February 12
    A new cast has been tapped for the musical romp through male-female relationships, now in its 17th year. Janelle Lutz, Calvin Scott Roberts, Trey West, and Allison Bret will embody young lovers, mature marrieds, and everyone in between as this favorite plays the basement space at Theatre Three.

    Branden A. Bailey and Emmie Kivell in It's a Wonderful Life, A Live Radio Play at Firehouse Theatre.

    It's a Wonderful Life, A Live Radio Play at Firehouse Theatre
    Photo by James Jamison
    Branden A. Bailey and Emmie Kivell in It's a Wonderful Life, A Live Radio Play at Firehouse Theatre.
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    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
    undefined

    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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