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    Actor Spotlight

    Driven Dallas actor has Hamilton — and cooking — in his sights

    Lindsey Wilson
    Dec 29, 2016 | 4:09 pm

    Year after year, Calvin Scott Roberts has worked on his onstage versatility. And when you look at the Dallas actor's resume, it certainly shows in the variety of roles he's taken on: 1930s musician, protective brother, abusive husband, magical king, and soon-to-be unreliable witness in a landmark murder case.

    That last role would be Jim Conley in WaterTower Theatre's concert version of Parade, but before that mounts in March, Roberts is starring as one-fourth of the cast of I Love You, You're Perfect, Now Change at Theatre Three. This musical journey about dating, love, parenting, and relationships first debuted at Theatre Three 17 years ago, but the yearly production is now is being revitalized by B.J. Cleveland.

    Before Roberts ventures down the highway of love (the show plays December 29 through February 12) he took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Calvin Scott Roberts

    Role in I Love You, You’re Perfect, Now Change: Man 2

    Previous work in the DFW area: Jesus Christ Superstar, Rent (Casa Mañana); Smokey Joe’s Cafe, Spunk, Honky, Creep (WaterTower Theatre); Memphis, Crazy For You, By the Way, Meet Vera Stark, The Drowsy Chaperone (Theatre Three); Miracle on 34th St., Mufaro’s Beautiful Daughters (Dallas Children’s Theater); The Color Purple (Jubilee Theatre); Julius Caesar, Merchant of Venice (Shakespeare Dallas); A Christmas Carol (Dallas Theater Center); The Producers (Uptown Players), and more.

    Hometown: Dallas

    Where you currently reside: Physically, Dallas. Emotionally, NYC.

    First theater role: Santa Claus

    First stage show you ever saw: Singin' in the Rain

    Moment you decided to pursue a career in theater: My senior year in high school, I played the Cowardly Lion in The Wizard of Oz. During the scene after “King of the Forest,” I found myself on all fours roaring like a lion. I knew then that theater was what I wanted and was supposed to do. I’d always loved performing, but that moment was pretty definitive for me.

    Most challenging role you’ve played: Mister in The Color Purple. Discovering what made him abusive was a difficult task. It’s surprising when you realize what can bring out the darkest parts of the human heart.

    Special skills: Some accents, cooking, obsessing over TV shows, evil laughing.

    Something you’re REALLY bad at: Math. Cutting in a straight line.

    Current pop culture obsession: Westworld. Love & Hip Hop. Snapchat. Twitter. (I’m a little late.) Instagram stories.

    Last book you read: Alexander Hamilton by Ron Chernow

    Favorite movie(s): Clue, The Goonies​, School Daze, Big Trouble in Little China, Coming to America

    Favorite musician(s): Mos Def, Sara Bareilles, Emile Sande, Leon Bridges, Beyonce (duh), Michael Jackson, Prince, India Arie, Adele, Ella Fitzgerald, Christophe Willem, Audra McDonald, Frank Ocean

    Favorite song: At the moment, “Don’t Hurt Yourself” by Beyonce featuring Jack White.

    Dream role: Bobby in Company, Burr and Washington in Hamilton

    Favorite play(s): Frankie and Johnny in the Clair de Lune, God of Carnage, Fences (all August Wilson), Hamlet, The Tempest, Topdog/Underdog, Laughing Wild, Sexual Perversity in Chicago

    Favorite musical(s): Hamilton, Anyone Can Whistle, Company, Ain't Misbehavin', Edges, Fly By Night, Evita, Dreamgirls, In The Heights, A Chorus Line, Marie Christine, Ragtime, Gypsy, Kinky Boots, The Wild Party, The Scottsboro Boys

    Favorite actors/actresses: Jeffrey Wright, Audra McDonald, Cate Blanchett, Viola Davis, Chadwick Boseman, James Marsden

    Favorite food(s): Pho, Italian, Doritos

    Must-see TV show(s): Westworld

    Something most people don’t know about you: I used to be a cheerleader.

    Place in the world you’d most like to visit: Spain

    Pre-show warm-up: Usually some type of annoying vocalizations.

    Favorite part about your current role: Getting to play some really fun characters I don’t usually get to play.

    Most challenging part about your current project: The costume changes will be tricky.

    Most embarrassing onstage mishap: During a Mufaro’s Beautiful Daughter’s performance, I decided to underdress a costume I had never underdressed before in order to save time. Well, of course, I underestimated how tight I should tie the drawstring because during our finale dance number, the top pants fell to my knees in front of a billion kids!

    Career you’d have if you weren’t in theater: I’d be a chef.

    Favorite post-show spot: My bed.

    Most memorable theater moment: Offstage, meeting Audra McDonald. Onstage, the entire run of The Drowsy Chaperone at Theatre Three. To this day it is one of the best — top three — experiences I’ve had.

    Dallas actor Calvin Scott Roberts.

    Dallas actor Calvin Scott Roberts
    Photo courtesy of Theatre Three
    Dallas actor Calvin Scott Roberts.
    interviewqatheater
    news/arts

    Final bow

    Dallas Opera CEO steps down and departs for Canada — again

    Stephanie Allmon Merry
    Feb 10, 2026 | 2:50 pm
    Joyce Goss, Ian Derrer, Lynn McBee
    Photo by WJNPHOTO
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    For the second time in a decade, a Dallas Opera CEO is leaving Dallas and heading to Canada: Ian Derrer, who has been the TDO Kern Wildenthal General Director and CEO since 2018, will not renew his contract when it concludes at the end of this fiscal year, TDO announced in a release on February 10.

    Derrer has been named General Director of the Canadian Opera Company (COC) in Toronto and will assume the role on July 1, the release says.

    “This is a bittersweet moment for The Dallas Opera,” said Board Chair Quincy Roberts in a statement. “While we are thrilled for Ian and his new adventure, we’re sorry to lose such a creative and collaborative leader. His tenure with the company has been marked by great successes, including the recent fundraising campaign which has strengthened our fiscal position. We are grateful for his dedication to advancing opera in North Texas, and we wish him well.”

    Derrer, a graduate of the SMU's Meadows School of the Arts, became the eighth general director in TDO's history. It marked a return to Dallas for Derrer (then the general director of Kentucky Opera), who served as artistic administrator of the Meadows School from 2014-16.

    Derrer was named head of TDO in 2018, less than four months after then-CEO and general director Keith Cerny announced his resignation and headed for a post in Canada: as general director and CEO of Calgary Opera.

    Cerny was lured back to North Texas the next year to become CEO of the Fort Worth Symphony Orchestra, a position he still holds.

    Dallas Opera administrators praised Derrer's tenure with the company, including his steady navigating of the pandemic; creating innovative ways to reach worldwide audiences; raising $54.5 million in six months and doubling its endowment; and commissioning and mounting multiple world premieres, the most recent of which garnered worldwide attention and rave reviews: Joby Talbot and Gene Scheer’s The Diving Bell and the Butterfly.

    “I am truly proud of the work that we’ve accomplished here in Dallas, and I know that I leave this great company in a solid position for its future,” said Derrer in a statement. “I am so very fortunate to have been able to work with a board, staff, and community that deeply loves opera, especially our music director, Emmanuel Villaume. While I look forward to this new opportunity with COC, I offer my sincerest gratitude and admiration to everyone at TDO and to the generous arts community in North Texas.”

    TDO has not announced plans for a search for Derrer's replacement.

    dallas operaopera
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