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    Stylish Showdown

    Artists and architects duke it out to benefit Dwell With Dignity

    Kendall Morgan
    Nov 1, 2012 | 11:30 am
    • Einstein 2012 by Jamie Lyn Spires.
      Photo courtesy of Artist vs. Architect
    • Artist vs. Architect benefiting Dwell With Dignity takes place November 3 at St.Paul Place.
      Photo courtesy of Artist vs. Architect
    • Stag by Hobbes Vincent.
      Photo courtesy of Artist vs. Architect
    • Trike by Sergio Garcia.
      Photo courtesy of Artist vs. Architect
    • London Hat by Rolando Diaz.
      Photo courtesy of Artist vs. Architect
    • Dwell With Dignity's Lisa Robison and Kim Turner.
      Photo courtesy of Artist vs. Architect

    In Michelangelo’s day, artists and architects were often one and the same, creating both iconic buildings and the frescos within them. Today, never the twain shall meet — unless one is decorating a modernist home with an architect-selected piece of contemporary art.

    Bringing these two disciplines back together is the inspiration behind Artist vs. Architect, a one-of-a-kind competition and silent auction taking place Saturday, November 3, at Saint Paul Place. Designed to celebrate some of Dallas’ most prolific creatives, the event is the brainchild of foundersMerrick Pickens and Vince Wilson.

    ​“In my heart I want to build a bridge between emerging artists and architects and the wealth of opportunity there is for them in Dallas,” says co-founder Merrick Pickens.

    “We wanted to take people in the art realm and the architecture realm and put them on the same playing field so they can’t divide,” Pickens says. “In my heart I want to build a bridge between emerging artists and architects and the wealth of opportunity there is for them in Dallas.”

    The idea for the annual event came to Pickens last May throughCreategate, the company she founded to create opportunity for emerging artists. Wilson, her partner, was aligned with architects through his work with Dallas general contractors.

    The duo’s connections in both industries made it easy to source talent, and notable architect Vel Hawes signed a letter of endorsement encouraging participation from the city’s biggest architectural firms.

    The duo selected Dwell With Dignity as their first beneficiary, giving the 12 artist and 12 architect finalists — including ArtLoveMagic, Hobbes Vincent, Sergio Garcia, OMNIPLAN and RTKL— the opportunity to explore what poverty looks like using their designs.

    “I met [Dwell With Dignity founder] Lisa Robison a couple of years ago, and she described it as a local Extreme Home Makeover for impoverished families,” Pickens says. “Your home should be the place you feel safe, and we decided to make part of the competition an expression of their mission statement.”

    ​“The contestants are expressing what it means to break out of poverty and homelessness, and that’s really powerful,” says Lisa Robison, founder of beneficiary Dwell With Dignity.

    In addition to their Dwell With Dignity-themed works (100 percent of those profits benefits the charity), contestants are also allowed to submit two other pieces inspired by the theme of escaping poverty. One will be split 50/50 with the Artist vs. Architect organization and the contestant; the other will profit the contestant alone.

    An elite panel of judges, including art patrons, buyers, and museum and theater representatives will award the title of “Dallas’ Best Artist” and “Dallas’ Best Architect” to two outstanding creatives.

    Of course, the real winners of the evening will be the homeless families helped by Dwell With Dignity.

    “The contestants are expressing what it means to break out of poverty and homelessness, and that’s really powerful,” says Lisa Robison. “It makes you realize how art and public spaces affect our environment.

    “You think about a child growing up in a bedroom with a mattress on the floor and nothing on the walls. When you put that same child in a room with art, what is possible for themselves has opened up. It allows [them] to grow and thrive in such an amazing way.”

    ---

    Artist vs. Architect takes place November 3, 7-11 pm, at Saint Paul Place. Tickets can be purchased online. For more information or to place a silent bid on works of art, visit the website.

    unspecified
    news/arts

    Budget Cuts

    Funding cuts force Dallas Children's Theater to trim 2025-26 season

    Lindsey Wilson
    Jun 3, 2025 | 1:38 pm
    Dallas Children's Theater presents James and the Giant Peach
    Photo courtesy of Dallas Children's Theater
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    The upcoming 2025-26 season for Dallas Children's Theater is shrinking, according to a new communication from its leadership.

    A June 2 email signed by executive director Samantha Turner, board president Leah Mora, and recently appointed artistic director Emily Ernst informs supporters that due to "the significant financial challenges of the current environment," DCT will be reducing the upcoming season from five mainstage shows to three.

    The email doesn't specifically call out the government's cuts to arts funding, but it is heavily implied, especially since other theaters have recently experienced financial difficulties due to the federal cuts.

    "We remain deeply committed to artistic excellence and to the 90,000 young people and families we serve annually," reads the email. "Though we will have fewer performances, we will continue to provide meaningful theatrical experiences that inspire children, nurture their imagination, and encourage connection with the world around them."

    The 2025-26 will retain the previously announced world premiere of The Pigeon Gets a Big Time Holiday Extravaganza! (November 22-December 21, 2025), as well as The Very Hungry Caterpillar Show (January 24-February 22, 2026) and Moon Mouse: A Space Odyssey (March 27-29, 2026), and add a new developmental workshop envisioned by Ernst.

    The Musical Adventures of Flat Stanley and Jungalbook will no longer be produced, and ticket-holders will be receiving instructions on ticket options.

    DCT Academy classes, a vital part of the theater’s work, will continue through the summer, concluding August 8. After that, Academy sessions will be temporarily paused. Families enrolled for the fall semester will receive a separate email with next steps.

    "Although our performances are well attended and our community support is strong, ticket sales cover only a small portion of the true cost of producing theater," the email explains. "At the same time, our operating costs have steadily increased while funding levels have remained flat. This financial pressure requires immediate action to keep DCT viable — not just for this season, but for the years ahead."

    Tickets for the 2025-26 season are on sale now.

    childrenfamiliesdallas childrens theaterchildrens theaterarts fundingtheater
    news/arts
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