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    Sad Theater News

    Dallas' Imprint Theatreworks announces final bow after 5 short but memorable years

    Lindsey Wilson
    Jan 13, 2023 | 2:00 pm
    Imprint Theatreworks presents The Revolutionists

    The Revolutionists was one of Imprint Theatreworks' memorable productions.

    Photo by Jessie Wallace

    After a slew of canceled shows and unfulfilled seasons, Imprint Theatreworks has officially announced its closure.

    The board of directors cited "the pervasive effects of the COVID-19 pandemic" as the reason and named December 31, 2022, as the final day of operations for the critically-acclaimed Dallas theater company, which was founded in 2017 by Ashley H. White, Joe Messina, and Jessie Wallace.

    “The trust, passion, grit, urgency, and enthusiasm in which we created art together was unlike any experience I’ve ever had," says White, who also served as artistic director, in a release. "When we founded Imprint, we came up with the tagline 'make your mark.' Well, it certainly made its mark on me, as did every single person who I had the sincere privilege of partnering with through our endeavors.”

    Imprint immediately turned heads with its outstanding inaugural production of Glengarry Glen Ross in January 2018 and went on to excel at intimate musicals and plays, including Murder Ballad, Ghost Quartet, Lizzie, The Revolutionists, and In the Next Room (or The Vibrator Play).

    The company racked up awards and critical acclaim in its first two seasons, and quickly found footing with its First Impressions Festival for showcasing new, local work.

    But Imprint Theatreworks just could not seem to recover after the pandemic.

    Its revamped, mostly digital third season only saw two productions — the online revue Raise You Up and a digital presentation of The Impact of The Gadget on Civilization — come to fruition, with new musical The Tree going all the way through rehearsals only to be canceled shortly before the in-person opening night. We Are Pussy Riot (or, Everything is PR) was added as the official return to live onstage production in October 2021.

    None of the titles from the company's fourth season materialized as planned, except for the First Impressions Festival.

    "The community we built together was filled with the most selfless, passionate acts of artistry I have ever been privileged to witness," says Imprint managing director Kyle Igneczi. "To each staff member, artist, volunteer, and patron that has ever witnessed the magic of an Imprint production, we thank you for allowing us to serve you. Thank you for believing in the power of theater to enact change, inspire new life, and rise up to define our generation of the arts here in our community."

    "Imprint's small but mighty staff, all award-winning artists in their own right, have consistently risen to meet and exceed every challenge laid before them show after show, season after season, year after year, and we are so proud of the work they have done to bring amazing work to our region," says co-founder Messina, who also served as the board VP. "This decision was not an easy one and we want to acknowledge that their herculean efforts through the years have not gone unnoticed. You have all made an indelible impact on the cultural landscape of our community, and one this town won't soon forget."

    Although all contracts and productions for Imprint are currently on hold, the board has enacted a clause in their by-laws assigning all future activity to the original co-founders.

    “We work in a business of seasons," says White. This season of Imprint may be ending, but the mark we made on ourselves, each other, and the community will live on. I am eternally grateful. Imprint will hold a part of my heart forever, as will this beautiful theatrical community in which we got to reside.”

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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

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