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    Sad Theater News

    Dallas' Imprint Theatreworks announces final bow after 5 short but memorable years

    Lindsey Wilson
    Jan 13, 2023 | 2:00 pm
    Imprint Theatreworks presents The Revolutionists

    The Revolutionists was one of Imprint Theatreworks' memorable productions.

    Photo by Jessie Wallace

    After a slew of canceled shows and unfulfilled seasons, Imprint Theatreworks has officially announced its closure.

    The board of directors cited "the pervasive effects of the COVID-19 pandemic" as the reason and named December 31, 2022, as the final day of operations for the critically-acclaimed Dallas theater company, which was founded in 2017 by Ashley H. White, Joe Messina, and Jessie Wallace.

    “The trust, passion, grit, urgency, and enthusiasm in which we created art together was unlike any experience I’ve ever had," says White, who also served as artistic director, in a release. "When we founded Imprint, we came up with the tagline 'make your mark.' Well, it certainly made its mark on me, as did every single person who I had the sincere privilege of partnering with through our endeavors.”

    Imprint immediately turned heads with its outstanding inaugural production of Glengarry Glen Ross in January 2018 and went on to excel at intimate musicals and plays, including Murder Ballad, Ghost Quartet, Lizzie, The Revolutionists, and In the Next Room (or The Vibrator Play).

    The company racked up awards and critical acclaim in its first two seasons, and quickly found footing with its First Impressions Festival for showcasing new, local work.

    But Imprint Theatreworks just could not seem to recover after the pandemic.

    Its revamped, mostly digital third season only saw two productions — the online revue Raise You Up and a digital presentation of The Impact of The Gadget on Civilization — come to fruition, with new musical The Tree going all the way through rehearsals only to be canceled shortly before the in-person opening night. We Are Pussy Riot (or, Everything is PR) was added as the official return to live onstage production in October 2021.

    None of the titles from the company's fourth season materialized as planned, except for the First Impressions Festival.

    "The community we built together was filled with the most selfless, passionate acts of artistry I have ever been privileged to witness," says Imprint managing director Kyle Igneczi. "To each staff member, artist, volunteer, and patron that has ever witnessed the magic of an Imprint production, we thank you for allowing us to serve you. Thank you for believing in the power of theater to enact change, inspire new life, and rise up to define our generation of the arts here in our community."

    "Imprint's small but mighty staff, all award-winning artists in their own right, have consistently risen to meet and exceed every challenge laid before them show after show, season after season, year after year, and we are so proud of the work they have done to bring amazing work to our region," says co-founder Messina, who also served as the board VP. "This decision was not an easy one and we want to acknowledge that their herculean efforts through the years have not gone unnoticed. You have all made an indelible impact on the cultural landscape of our community, and one this town won't soon forget."

    Although all contracts and productions for Imprint are currently on hold, the board has enacted a clause in their by-laws assigning all future activity to the original co-founders.

    “We work in a business of seasons," says White. This season of Imprint may be ending, but the mark we made on ourselves, each other, and the community will live on. I am eternally grateful. Imprint will hold a part of my heart forever, as will this beautiful theatrical community in which we got to reside.”

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    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

    dallas theater centerjaime castañedakevin moriartytheater
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