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    Theater Critic Picks

    These are the 17 must-see shows in Dallas-Fort Worth theater for February

    Lindsey Wilson
    Feb 2, 2024 | 1:55 pm
    Kitchen Dog Theater presents Shape

    Get back in the gym with Shape by Kitchen Dog Theater.

    Photo by Matt Mrozek

    It's a leap year, and Dallas-Fort Worth theaters are acting accordingly. This month's list is super-sized thanks to that extra day, along with a few concerts from big Broadway performers.

    In order of start date, here are 17 local shows to watch this month:

    Artemisia
    Circle Theatre, through February 24
    Artemisia Gentileschi was the most celebrated female painter of the 17th century, yet her name was all but lost for centuries. Attacked at just 17, publicly shamed, and tortured to prove her truth, Gentileschi continues to fight for her art and the freedom to make it on her own terms. Lauren M. Gunderson’s Artemisia, making its regional premiere, is a work of humor and warmth that celebrates the courage, artistry, and humanity of a woman who attacked the glass ceiling with every brush stroke.

    I Love You, You're Perfect, Now Change
    Theatre Three, through February 25
    Presented as a series of vignettes, this touching musical comedy is about all of love’s greatest challenges: dating, sex, marriage, and family. The production takes place in the Theatre Too space.

    God of Carnage
    Theatre Three, through March 3
    Two sets of Brooklyn parents meet to deal with a playground altercation between 11-year-old boys and a calm and rational debate between grown-ups transforms into a hysterical night of name-calling, tantrums, and tears.

    Instructions for a Seance
    Amphibian Stage, February 2-11
    Audiences will take a seat at Katie Bender’s “DIY séance party” as she attempts night after night to escape her own life by summoning the spirit of master escapologist Harry Houdini. This theatrical experiment, first workshopped at The Playwrights Center and The Alley All New Festival, transforms Bender’s mesmerizing personal journey into a collective experience that asks the audience: What are you trying to escape?

    I Am Delivered't
    Dallas Theater Center, February 2-18
    This joyful new comedy introduces theater audiences to the world of Church Usher Board culture and celebrates same-gender-loving church folks, and the power and joy of being your authentic self. These are the announcements. Let us govern ourselves accordingly.

    Bread N' Gravy: The Songs and Life of Ethel Waters
    Bishop Arts Theatre Center, February 2-March 3
    This biographical production that explores the captivating journey of legendary singer and actress Waters, delving into her humble beginnings, navigating alongside her entry into showbusiness, and witnessing her extraordinary ascent to stardom. The compelling narrative unfolds the life of Waters, a trailblazing figure who became one of the first African American women to achieve unparalleled success both on Broadway and in Hollywood.

    Tina: The Tina Turner Musical
    Broadway at the Bass, February 6-11
    An uplifting comeback story like no other, Tina: The Tina Turner Musical is the inspiring journey of a woman who broke barriers and became the Queen of Rock n’ Roll, featuring her much-love songs. Turner has won 12 Grammy Awards and her live shows have been seen by millions, with more concert tickets sold than any other solo performer in music history. Note: Performing Arts Fort Worth will offer a digital lottery the day before each performance, giving theatergoers a chance to purchase up to two tickets at $35 each.

    Feeding the Cat, Incorrectly, Several Times Over
    Echo Theatre, February 8-23
    Jo and Jen live parallel lives: They study medicine. They pay the rent. They fight with their partners. And they keep big secrets. When Jo's decision to keep a patient's secret backfires, she is forced to reckon with her responsibility to partners, strangers, and enemies alike.

    Shape
    Kitchen Dog Theater, February 8-25
    This action-packed feminist comedy, written and directed by Southern Methodist University assistant professor Kara-Lynn Vaeni, offers a forthright look into fitness, body image, and how we define strength. For this production, the audience will be "getting back in the gym," both literally and figuratively, at D-Town Crossfit.

    Disney Princess: The Concert
    Fort Worth Symphony Orchestra, February 9-10
    Susan Egan (original Belle in Beauty and the Beast, Meg in Hercules), Arielle Jacobs (Princess Jasmine in Aladdin), and Syndee Winters (Nala in The Lion King) combine forces in this concert, joined by music director Benjamin Rauhala and prince Adam J. Levy (Moulin Rouge, Waitress).

    International Theater Festival
    Teatro Dallas, February 10, 17, 24
    The 21st edition of this festival welcomes groups from Mexico, Argentina, and Venezuela that will present highly visual works in Spanish with English subtitles, representing current trends in Latin American performance.

    Ann
    WaterTower Theatre, February 14-25
    Ann is a no-holds-barred portrait of Ann Richards, the legendary governor of Texas. The inspiring and hilarious play brings the audience face to face with a complex, colorful, and captivating character bigger than the state from which she hailed.

    Yanga
    Cara Mía Theatre, February 17-March 3
    Jaime Chabaud’s Yanga is inspired by the real-life story of Gaspar Yanga, an enslaved African prince who led a rebellion and successfully negotiated an independent territory with the Spanish crown less than 100 years after the arrival of Hernán Cortés in Mexico. Newly translated to English for the first time, Yanga sheds light on the history of the Afro-Mexican experience.

    Beetlejuice
    Broadway Dallas, February 20-March 3
    Based on Tim Burton’s dearly beloved film, this hilarious musical tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes. With an irreverent book, an astonishing set, and a score that’s out of this netherworld, Beetlejuice is a remarkably touching show about family, love, and making the most of every Day-O.

    Brian Stokes Mitchell
    Eisemann Center for the Performing Arts, February 24
    Two-time Tony Award-winner Brian Stokes Mitchell has enjoyed a career that spans Broadway, television, film, and concert appearances with the country’s finest conductors and orchestras. He received Tony, Drama Desk, and Outer Critics Circle awards for his star turn in Kiss Me, Kate. He also gave Tony-nominated performances in Man of La Mancha, August Wilson’s King Hedley II, and Ragtime.

    This Time
    Undermain Theatre, February 29-March 17
    Jane holds a knife. It's bloody. Hester lies on a table. She's bloodied. Peregrine blows out a candle. Go back in time. Jane, Hester, and Peregrine work as maids in a 1900s manor, unable to say what they want to say, stealing moments away from work to hold time with each other. Their love bubbles under their words. We hear their thoughts they aren't yet brave enough to tell each other. They can't stop thinking of death. We hurtle toward it. This will be a workshop production.

    The Sum of Us One-Act Festival
    Bishop Arts Theatre Center, February 29-March 17
    This third-annual banned books festival features a collection of short plays by six local playwrights, all inspired by Heather McGhee's brilliant analysis that explores the far-reaching costs of racism and the path to healing as a community. There will be nightly talkbacks that foster meaningful conversations and a stronger sense of unity.

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    RIP Albert

    Colorful and iconoclastic Dallas artist Albert Scherbarth dies at 70

    Teresa Gubbins
    Feb 19, 2026 | 11:44 am
    Albert Scherbarth
    Courtesy
    Dallas artist Albert Scherbarth

    Dallas artist Albert Scherbarth, known for his jubilant creativity which he displayed in a wide range of media, died on February 18; he was 70 years old. According to friends, he suffered a heart attack.

    Scherbarth's myriad "canvases" ranged from printmaking to furniture to steel and metal working. He was a colorful presence in the Dallas art scene with a shock of thick hair that stood tall, definitive horn-rimmed glasses, and an unfiltered, no-nonsense personal style.

    He was also a key figure in the Cedars District: an urban pioneer who settled in the area directly south of downtown Dallas in the early '80s when the neighborhood was a mostly-deserted collection of abandoned warehouses, before it became a major art nexus.

    A post by Lee Harvey's, the Cedars District bar, said that "Some people don’t just live in a neighborhood — they leave their mark on it. Albert did exactly that. Through his art, his presence, and his time at our bar, he became part of the story here. We’ll miss him more than we can say. Rest easy Bert."

    He was a real character, as well — a stocky physical presence (he played football in high school) who'd fix his stare upon you as if you were a critter to be studied.

    One friend said, "I always feel that Albert is going to spring some meta shit on me every time i see him and he rarely disappoints. What a cool cat."

    A native of Nebraska, Scherbarth moved to Dallas in 1979 to earn a master's in fine arts at the University of Dallas, Irving. After graduating in 1981, he began teaching in the community college district, including Brookhaven College, Northlake College, University of Texas at Dallas, and the Creative Art Center, as well as at Dallas' Arts Magnet.

    Albert Scherbarth Sculpture by Albert Scherbarth which appeared at the State Fair of Texas in 2018.Laura Walters/Facebook

    After graduating from art school, he felt the need to do "real" work like his father, and took jobs in construction and woodwork, which helped shape the very physical nature of his art.

    He was one of the early and many artists who resided in the Continental Gin Building, where he worked on his designs and commissions, fabricated other artists’ ideas, and helped galleries with installations, crating, and shipping.

    Through the years he made furniture, got into fused and cast glass, poured concrete countertops, and painted, including a successful era of doing giant flower paintings. In his latter years, he acquired a welding machine and worked with builders, designers, and architects constructing screens, fences, furniture, and sculptures.

    His works around town include a giant wine tree for Fleming Steakhouse in Frisco, and a sculpture named, "Cecil, age 12" up on Henderson Avenue at Capital Street which was was a finalists for the Henderson Art Prize. He also worked on the famed Bowler Hat sculpture in the Cedars.

    In an interview with Voyage Dallas, he said, "I’m constantly looking for more meaning and more permanence in the work that I’m doing," and acknowledged that "I’ve been very, very fortunate to get a lot of really great commissions over the years. I’ve sold a lot of work and fallen into great studio situations – large spaces, cheap rent and wonderful landlords. Today, I think my ignorance of all the pitfalls ahead allowed me to storm through life and I have a certain stubbornness, a dogged determination to succeed."

    "My grandfathers died before I came of age, my father died, my favorite uncle died so there was not much in the way of male guidance or perspective on how to be a man, so I’ve just kind of made it up on my own, stumbling through, winging it and I’m still alive, amazingly enough."

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